Joan Mitchell in The New York Times
Roberta Smith, the Times's co-chief art critic, reviews our current exhibition of paintings by Joan Mitchell: "[Mitchell] gave Abstract Expressionism a lyricism, spareness and light that weren’t quite natural to it."
The New York Times Reviews William Eggleston
"Eggleston stands alone as the greatest living photographer," writes Arthur Lubow, who lists The Outlands as one of the top shows to see in New York right now.
The Guardian Reviews Marcel Dzama
A look inside Dzama's current exhibition at our London gallery, specifically the artist's penchant for capturing the pictorial essence of carnival through his large scale watercolor paintings.
Joan Mitchell in The New York Times
Roberta Smith, the Times's co-chief art critic, reviews our current exhibition of paintings by Joan Mitchell: "[Mitchell] gave Abstract Expressionism a lyricism, spareness and light that weren’t quite natural to it."
The New York Times Reviews William Eggleston
"Eggleston stands alone as the greatest living photographer," writes Arthur Lubow, who lists The Outlands as one of the top shows to see in New York right now.
The Guardian Reviews Marcel Dzama
A look inside Dzama's current exhibition at our London gallery, specifically the artist's penchant for capturing the pictorial essence of carnival through his large scale watercolor paintings.
Carol Bove: Vase/Face
Presented in a monochrome environment, this exhibition considers the phenomenological experience of form and the surrounding spatial context.
Marcel Dzama: Child of Midnight
Dzama’s latest works expand on the tropical, oceanic, and celestial imagery and themes that he has been exploring over the last several years in his art.
Diane Arbus: First Coming
The artist’s first solo presentation in Greater China, this exhibition features a range of Arbus’s photographs spanning her brief but phenomenally influential fifteen-year career.
Alice Neel: Men from the Sixties
This focused presentation brings together a selection of significant paintings of men from the 1960s, a decisive decade in the development of the artist’s practice.
Carol Bove: Vase/Face
Presented in a monochrome environment, this exhibition considers the phenomenological experience of form and the surrounding spatial context.
Marcel Dzama: Child of Midnight
Dzama’s latest works expand on the tropical, oceanic, and celestial imagery and themes that he has been exploring over the last several years in his art.
Diane Arbus: First Coming
The artist’s first solo presentation in Greater China, this exhibition features a range of Arbus’s photographs spanning her brief but phenomenally influential fifteen-year career.
Alice Neel: Men from the Sixties
This focused presentation brings together a selection of significant paintings of men from the 1960s, a decisive decade in the development of the artist’s practice.
Diana Thater: Practical Effects
For this presentation Thater has installed a silver circus tent that will fill the entirety of the gallery, using the semi-translucent round structure as an immersive, multichannel projection screen.
Frank Moore: Five Paintings
Made in the artist’s downtown New York studio and in his upstate home in Deposit, New York, these jewel-like pictures are among the best known that Moore created in his brief lifetime.
Joan Mitchell: Paintings, 1979–1985
This exhibition coincides with the final leg of the artist’s critically acclaimed retrospective, now open at Fondation Louis Vuitton in Paris, and the concurrent exhibition Claude Monet - Joan Mitchell.
William Eggleston: The Outlands
The Outlands features a selection of photographs by William Eggleston, the majority of which have never before been seen publicly.
Tau Lewis: Vox Populi, Vox Dei
Lewis presents a group of six new sculptures created from salvaged textiles and other found materials in a polygonal installation that will serve as a stage for an inaudible conversation.
Diana Thater: Practical Effects
For this presentation Thater has installed a silver circus tent that will fill the entirety of the gallery, using the semi-translucent round structure as an immersive, multichannel projection screen.
Frank Moore: Five Paintings
Made in the artist’s downtown New York studio and in his upstate home in Deposit, New York, these jewel-like pictures are among the best known that Moore created in his brief lifetime.
Joan Mitchell: Paintings, 1979–1985
This exhibition coincides with the final leg of the artist’s critically acclaimed retrospective, now open at Fondation Louis Vuitton in Paris, and the concurrent exhibition Claude Monet - Joan Mitchell.
William Eggleston: The Outlands
The Outlands features a selection of photographs by William Eggleston, the majority of which have never before been seen publicly.
Tau Lewis: Vox Populi, Vox Dei
Lewis presents a group of six new sculptures created from salvaged textiles and other found materials in a polygonal installation that will serve as a stage for an inaudible conversation.
David Zwirner Books Holiday Sale
Use the code WINTER25 to enjoy 25% off nearly all of our titles through December 9, including coveted exhibition catalogues, curated artist collections, and portable paperback reads.
Art+Fatherhood: Marcel Dzama
In the newest episode of our recently launched film series, Art+, Dzama takes you inside his Brooklyn studio for a conversation on drawing, dance, fatherhood, and more.
Let's Talk About Appropriation
Following recent controversies in the art and fashion worlds, host Helen Molesworth and the artist Steve Locke, a returning guest, sit down to talk about appropriation: When is it strategy and when is it theft?
David Zwirner Books Holiday Sale
Use the code WINTER25 to enjoy 25% off nearly all of our titles through December 9, including coveted exhibition catalogues, curated artist collections, and portable paperback reads.
Art+Fatherhood: Marcel Dzama
In the newest episode of our recently launched film series, Art+, Dzama takes you inside his Brooklyn studio for a conversation on drawing, dance, fatherhood, and more.
Let's Talk About Appropriation
Following recent controversies in the art and fashion worlds, host Helen Molesworth and the artist Steve Locke, a returning guest, sit down to talk about appropriation: When is it strategy and when is it theft?