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Two icons of the comics world—and old friends—tell their cartoonist origin stories, from the psychedelics-fueled breakthroughs of the 1960s to finding their singular styles and to the generational divide among the comics cognoscenti today. R. Crumb is one of the founding fathers of the alternative comics movement, and Art Spiegelman is equally influential, having authored the Pulitzer Prize-winning graphic novel Maus

Image: R. Crumb and Art Spiegelman, New York, 2019

A photo of R. Crumb and Art Spiegelman in New York, dated 2019.

A conversation between two dynamic artists and good friends, Patrick Staff and Julie Tolentino, whose work feels especially urgent now. Staff, who recently had a solo exhibition at the Serpentine Galleries in London, uses video and other mediums to comment on body politics from a queer and trans perspective. Tolentino also addresses issues facing marginalized groups, through performance that combines her dance background with social exchange. Always integral to their practices, these concerns are only heightened in the current moment. Here, they discuss contagion, toxicity, anxiety, the “leaky body,” and art during the pandemic. Patrick Staff’s work is currently on view as part of Platform: Los Angeles, an online exhibition featuring thirteen Los Angeles-based galleries hosted on David Zwirner Online. You can learn more about Julie Tolentino’s work via the gallery Commonwealth and Council.

Image: Patrick Staff, Glove, 2019 (detail)

A detail from a work by Patrick Staff, titled Glove, dated 2019.

In this conversation, the acclaimed poet and New Yorker writer Cynthia Zarin transports us to two of her favorite cities, Venice and Rome, in a celebration of Italy as the country begins to loosen the longest coronavirus-related lockdown in Europe. The episode features evocative readings from her forthcoming book, Two Cities, which captures the meditative yet constantly surprising nature of travel from a deeply personal point of view.

Image: Canaletto, View of the Grand Canal looking toward the Punta della Dogana from Campo Sant’Ivo, second third of the eighteenth century (detail). Pinacoteca di Brera

A detail from a painting by Canaletto, titled View of the Grand Canal looking toward the Punta della Dogana from Campo Sant’Ivo, dating from the 2nd third of the 18th Century.

Artists Diana Thater, a leading pioneer of video and installation and major figure in the L.A. art community since the early 1990s, and Rachel Rose, a significant new voice of the medium, discuss the rapid evolution of video art and its limitless possibilities—including, for both of them, its ability to reckon with personal trauma and threats to the environment.

Image: Diana Thater, Collage with Elephant, Tree and Sky, 2019 (detail)

A still from a video by Diana Thater.

What do we talk about when we talk about minimalism today? A timely conversation with the art critic Kyle Chayka, who recently published The Longing for Less: Living with Minimalism, on how a radical 1960s art movement became the basis of a hyper-commercialized lifestyle adopted by luxury brands and millennials everywhere—and where Marie Kondo and Agnes Martin overlap, if at all.

Image: Kyle Chayka, Hanger Studios, New York, March 2020

A photo of Kyle Chayka at Hangar Studios, New York, in 2020.

Recently, we along with so many others have been turning to deep conversations with friends and family for comfort and stimulation, even as we remain miles apart. This week’s episode features a conversation we recorded in less distanced times with two friends of the gallery, the photographer and filmmaker Tyler Mitchell and the critic and curator Antwaun Sargent.

In their spirited dialogue, these two leading voices of their generation grapple with what success means today for young black artists and address the radical power shift from gatekeepers to artists, the breakdown of barriers between fashion and art photography, cautionary tales of social media groupthink and overexposure, and historical artists who made the new black vanguard possible. 
A special episode dedicated to the late artist Noah Davis, with some of the people who knew him best. The curator Helen Molesworth, his brother, the filmmaker Kahlil Joseph, and his wife, the artist Karon Davis, remember Davis, whose legacy continues to grow—through his paintings, which depict everyday life with emotional and formal ambition; The Underground Museum, the space he founded in Los Angeles that combines many different worlds; and the family, literal and figurative, that coalesced around the magnetism of his personality.

A critically acclaimed exhibition of Davis’s work, which was on view at David Zwirner in New York earlier this year, will soon travel to the Underground Museum in Los Angeles. 
When we recorded this episode in New York earlier this month with the artists Mamma Andersson and Jockum Nordström, who have been together for more than three decades, the situation in this city was very different.

Since then, Andersson’s exhibition at our New York gallery, The Lost Paradise, was cut short due to the escalating spread of COVID-19, and our spaces have closed temporarily worldwide. 

But the story they told then—of two young artists leaning on each other as their family grew; of uncertainty and insecurity, and figuring out how to be different but together; of the pleasure of getting completely lost in one’s work—resonates even more now.

In this episode, the artists Doug Wheeler and Vija Celmins revisit their years in Venice Beach, California in the late 1960s, a scene crowded with figures like Charles Bukowski, Allen Ginsberg, Robert Irwin, and James Turrell. Wheeler and Celmins—old friends and visionaries of their medium—gossip, rehash, map, and even correct this vital piece of art history, while tackling a central question of art along the way: How to impress your sensibility upon the world through your work. Vija Celmins was the subject of a recent, critically-beloved retrospective at the Met Breuer and SFMOMA. Doug Wheeler currently has an exhibition at David Zwirner in New York through March 21, 2020; a definitive monograph of his career was recently published by David Zwirner Books.

The codpiece—a fashion curio, yes, but one whose padded cup runneth over as a conversation piece. The designer Thom Browne, whose collections have featured codpieces over the years, and the writer Michael Glover, who just published an unlikely and hilarious history of the codpiece in art, talk male vanity, gender fluidity, camp, Catholicism, tailoring, and more—all revolving around this little flap of cloth about the midsection. 

Michael Glover’s Thrust: A Spasmodic Pictorial History of the Codpiece in Art is available now from David Zwirner Books.

Image: Thom Browne and Michael Glover at Browne’s office, New York, August 2019

When Donald Judd moved to the desert town of Marfa, in the 1970s, it was ranch country—and offered limitless space to work. In recent years, before it became an oasis of Instagram clout, Eileen Myles bought what they say is “the last cheap house in Marfa.” In this lively and freewheeling episode, one of America’s most recognizable poets and writers talks with Flavin Judd, Artistic Director of the Judd Foundation and part-time Marfa resident himself, about Marfa then and now, I Love Dick and Succession, Gertrude Stein and Andy Warhol, a “mammoth” new project and poetry’s comeback, how Myles found their utterly unique voice and where it overlaps with Judd’s art—and his own pioneering way with words. 

Donald Judd Interviews, a collection of sixty interviews with the artist over four decades, was recently published by David Zwirner Books. (You can find it here.) In March, 2020, a major retrospective of Donald Judd will open at the Museum of Modern Art in New York.

Image: Eileen Myles and Flavin Judd, Hangar Studios, New York, September 2019. Photo by Alex Casto

Class, race, art—and the Colombian and African diasporas. The artist Oscar Murillo, who is short-listed for the 2019 Turner Prize, and Charles Henry Rowell, the founder and editor of Callaloo, the longest continuously running African American literary journal, hold an unpredictable conversation that is part history lesson and part personal history.

The Turner Prize exhibition runs through January 12, 2020, at Turner Contemporary in Margate, UK. (The winner will be announced on December 3.) And you can learn more about Callaloo here

Image: Oscar Murillo and Charles Henry Rowell at Hangar Studios, New York, June 2019

This episode is all about Yayoi Kusama and art in the Instagram age. JiaJia Fei, a digital guru for institutions like the Jewish Museum and the Guggenheim, and Christian Luiten, founder of the popular digital art platform Avant Arte, come together to talk authenticity vs. influence, high vs. low, art vs. accessibility, narrative vs. myth—and to diagnose the unabating online fanaticism for all things Kusama, an Instagram icon who isn’t on Instagram. 

David Zwirner’s major new Yayoi Kusama exhibition EVERY DAY I PRAY FOR LOVE opens in New York this November.

Image: Christian Luiten and JiaJia Fei at Argot Studios, New York, September 2019


An epic live episode of Dialogues. In journeying deep into Homer’s Odyssey in front of an audience at David Zwirner’s 69th Street gallery in New York, artist Chris Ofili and classicist Emily Wilson encounter religion, art, personal history, gender issues, Trinidad, Greece, truth, lies. Featuring a live reading from Wilson, the first woman to translate The Odyssey into English and a 2019 MacArthur Fellow

Image: Chris Ofili, Lucas Zwirner, and Emily Wilson at David Zwirner, New York, 2019

When the artist Alex Da Corte and the writer Charlie Fox talk about Edward Scissorhands, Frankenstein, Hercules, Michael Myers, A Clockwork Orange, Scar from The Lion King, they’re also talking about beauty and body anxiety and disability and sexual attraction and queerness—the anxieties of existing physically in the world every day. Da Corte, whose elaborate videos, sculptures, and installations critically re-stage pop culture, art history, and his own life, and Fox, whose recent book This Young Monster celebrates beautiful misfits and freaks across all walks of culture, go deep on how they live—in their minds and in their work—far from what they call normative behavior. 

Visit Da Corte’s solo exhibition in New York at Karma through November 3 and his work at the Venice Biennale through November 24, in the main exhibition May You Live in Interesting Times. And you can buy Fox’s book This Young Monster here.

Image: Alex Da Corte and Charlie Fox at Hangar Studios, New York, July 2019

It shouldn’t surprise anyone that when the artist Jordan Wolfson and the playwright Jeremy O. Harris get together, sparks fly. Wolfson’s art confronts intimacy, violence, and desire with sometimes-shocking honesty. Likewise, O. Harris, whose buzzed-about and radical Slave Play comes to Broadway this September, uses music and bodies to complicate themes of violence and sex—and perhaps most powerfully of all, race and history. Jeremy is able to dip in and out of absurdity even at his most serious, something that Jordan has also mastered in his mysterious narratives. Plus, they’re friends who love to talk. Here, they debate and cover everything from suppression and transgression, sexuality, pop music, pornography, and more—all of it very colorfully. 

See Jeremy O. Harris’s Slave Play at the Golden Theatre on Broadway September 2019 through January 2020. For tickets and more information, visit broadway.com.

A revealing conversation about the life and teachings of James Baldwin that draws on Beauford Delaney, the pivotal role of invested teachers, and how the writer shaped the racial and cultural landscape in America.

In this episode of Dialogues, Pulitzer Prize winning cultural critic Hilton Als is joined in conversation by friend, collaborator, and thought partner Thelma Golden of The Studio Museum in Harlem for a conversation on Baldwin that traces back to their very first meeting at The Odeon. Brought together on the occasion of the exhibition God Made My Face: A Collective Portrait of James Baldwin, curated by Als, the duo examine the legacy of Baldwin and his impact on both their own work and today’s culture.

God Made My Face: A Collective Portrait of James Baldwin is on view at 525 & 533 West 19th Street in New York through February 16, 2019, when the galleries will close early at 2 PM for a special event.

A conversation about clothing, instinct, and finding high art in everyday life that touches on Jackie O, Kandinsky, and the Bauhaus

In this episode of Dialogues, Nicholas Fox Weber—cultural historian and executive director of The Josef and Anni Albers Foundation—is paired with acclaimed British fashion designer Sir Paul Smith. The two are brought together on the occasion of a major retrospective of Anni Albers’s work, currently on view at Tate Modern, London. Their shared admiration for the art of Anni and Josef Albers drives an eclectic conversation about abstraction, aesthetics, and the tactile nature of design.

Anni Albers is on view at Tate Modern, London, through January 27, 2019.

Listen to Paul Smith discuss his interest in the life and work of Anni Albers at Tate Modern on Saturday, November 17, at 3 PM. More information.

A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art.

In the sixth episode of Dialogues, Jarrett Earnest—author of the unprecedented overview of American art writing, What it Means to Write About Art: Interviews with art critics, out next month in the US from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for The New Yorker. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach.

See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on What it Means to Write About Art at the Strand Book Store on Thursday, November 1, at 7:30 PM. Tickets and more information

A conversation about instinct in creative practice that nods to punk rock, fatherhood, and the ethics of artistic expression.

In the fifth episode of Dialogues, artist Marcel Dzama—known for his whimsical style, distinctive color palette, and varying mediums that include drawing, sculpture, film, and costume design—is paired with musician and composer Will Butler, a key member of the indie-rock band Arcade Fire. Recounting influences from their upbringings that range from Duchamp to biker culture, Vikings to variety shows, the duo discuss the role of art as a form of revolution in the current political climate.

See Dzama’s work in the exhibition Marcel Dzama: A Jester’s Dance on view at the University of Michigan Museum of Art in Ann Arbor through September 23, 2018.

Watch Will Butler perform live in Arcade Fire, currently on tour through North America. Visit everythingnow.com for tour dates and more information.

A conversation about giving a voice to untold stories that draws on Jane Campion, Philip Guston, and the raw authenticity of human emotion.

The fourth episode of Dialogues: The David Zwirner Podcast features painter Lisa Yuskavage—known for her portraits of nude figures and her skillful control of color—in conversation with widely celebrated screenwriter and film director Tamara Jenkins. Counterparts and close friends, Yuskavage and Jenkins discuss how personal experiences inform their creativity—touching on dark comedy, eroticism, and the importance of trusting your own vision.

View new large-scale canvases and a survey of small-scale paintings by Lisa Yuskavage in her forthcoming exhibitions, opening this November, at David Zwirner’s Chelsea and Upper East Side locations.

Watch Tamara Jenkins’s newest film, Private Life, in theaters this October.

A conversation about collaboration and the obsessive power of good music—touching on Netflix, Kendrick Lamar, and what it’s like to play with Miles Davis.

In the third episode of Dialogues: The David Zwirner Podcast, photographer and multimedia artist Stan Douglas speaks with MacArthur Award–winning pianist and composer Jason Moran—currently Artistic Director for Jazz at the Kennedy Center—about making and experiencing art. These longtime friends and collaborators discuss what it means to awaken ideas through the language of improvisation and exceed viewer expectations.

See Douglas’s work in Shape of Light: 100 Years of Photography and Abstract Art at Tate Modern, London, and I Was Raised on the Internet at the Museum of Contemporary Art Chicago, both on view through October 14, 2018.

Watch Jason Moran perform with saxophonist Charles Lloyd on August 4 and 5 at the Newport Jazz Festival in Rhode Island. For tickets and more information visit newportjazz.org.

A conversation about the importance of character, the value of mistakes, and painting from film.

In the second pairing in David Zwirner’s Dialogues series, the critically-acclaimed painter—and recent recipient of the Queen’s OBE award—Rose Wylie talks with the actor Russell Tovey from BBC’s Being Human and HBO’s Looking. Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, engage in a conversation about improvisation, instincts, and creative influences that T Magazine describes as "charmingly off-the-cuff."

View Rose Wylie: Hullo, Hullo . . .  at the Centro de Arte Contemporáneo in Málaga, Spain through September 9 and Rose Wylie: History Painting at Newlyn Art Gallery & The Exchange through September 15, 2018.


A conversation about Duchamp, Michael Jackson, the allure of the Renaissance in the age of Instagram, and more.

In the debut episode of David Zwirner’s new podcast, world-renowned artist Jeff Koons talks with Luke Syson, Iris and B. Gerald Cantor Chairman of European Sculpture and Decorative Arts at The Metropolitan Museum of Art. Their far-ranging discussion touches on evolution and reality TV; polychromy and Pop culture; Plato’s cave and the iPhone.

View Koons’s work at the Met Breuer, New York in Like Life: Sculpture, Color, and the Body (1300–Now), curated by Syson and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art at the Metropolitan Museum of Art, through July 22, 2018.

For more on what’s to come on Dialogues, listen to our trailer.