Alice Neel: People Come First
The first museum retrospective in New York of American artist in twenty years opens in March. This ambitious survey will position Neel as one of the century’s most radical painters, a champion of social justice whose longstanding commitment to humanist principles inspired her life as well as her art.
The Facade Commission: Carol Bove, The séances aren’t helping
Opening March 1, The séances aren’t helping will be the second site-specific commission to be featured on the facade of The Met Fifth Avenue in New York.
James Welling: Metamorphosis
On view across two floors of the gallery’s Hong Kong location—this is the first solo presentation of the artist’s work in greater China. The exhibition will provide an overview of Welling’s career, spanning from the 1980s to the present.
Ray Johnson: WHAT A DUMP
David Zwirner is pleased to present an exhibition on the American artist Ray Johnson, curated by Jarrett Earnest, at the gallery’s West 19th Street location in New York. Organized in collaboration with The Ray Johnson Estate, the exhibition will feature many never-before-exhibited works from the 1960s through the 1990s.
Alice Neel: People Come First
The first museum retrospective in New York of American artist in twenty years opens in March. This ambitious survey will position Neel as one of the century’s most radical painters, a champion of social justice whose longstanding commitment to humanist principles inspired her life as well as her art.
The Facade Commission: Carol Bove, The séances aren’t helping
Opening March 1, The séances aren’t helping will be the second site-specific commission to be featured on the facade of The Met Fifth Avenue in New York.
James Welling: Metamorphosis
On view across two floors of the gallery’s Hong Kong location—this is the first solo presentation of the artist’s work in greater China. The exhibition will provide an overview of Welling’s career, spanning from the 1980s to the present.
Ray Johnson: WHAT A DUMP
David Zwirner is pleased to present an exhibition on the American artist Ray Johnson, curated by Jarrett Earnest, at the gallery’s West 19th Street location in New York. Organized in collaboration with The Ray Johnson Estate, the exhibition will feature many never-before-exhibited works from the 1960s through the 1990s.
John McCracken: Thresholds
In this essay, art historian Robin Clark explores the work of John McCracken—including the sculptures he has described succinctly as “mystery containers” or “beings of another world.”
Year of the Still Life
At a time when many are more familiar than ever with their domestic surroundings, this panel will explore how the artists Jane Freilicher, Giorgio Morandi, and Jennifer Packer have pursued a most traditional genre in uniquely radical ways.
Deana Lawson on Noah Davis
In an excerpt from our recently released catalogue, Lawson reflects on her friendship with Noah Davis: “He knew what not to give an “S” about and he knew what was meaningful.’’
John McCracken: Thresholds
In this essay, art historian Robin Clark explores the work of John McCracken—including the sculptures he has described succinctly as “mystery containers” or “beings of another world.”
Year of the Still Life
At a time when many are more familiar than ever with their domestic surroundings, this panel will explore how the artists Jane Freilicher, Giorgio Morandi, and Jennifer Packer have pursued a most traditional genre in uniquely radical ways.
Deana Lawson on Noah Davis
In an excerpt from our recently released catalogue, Lawson reflects on her friendship with Noah Davis: “He knew what not to give an “S” about and he knew what was meaningful.’’
