Francis Alÿs in collaboration with Felix Blume, Chloé Despax and Julien Devaux, Still from Children's Games #31: Slakken Pajottenland, Belgium, 2021

Francis Alÿs: Juegos de niñxs, 1999-2025

Museo de Arte Miguel Urrutia (MAMU), Bogota, Colombia

April 23, 2026–Ongoing

Museo de Arte Miguel Urrutia (MAMU) in Bogota, Colombia presents Francis Alÿs: Juegos de niñxs, 1999-2025, a solo exhibition of Francis Alÿs’s Children's Games series and the third leg of his traveling solo exhibition organized by Cuauhtemoc Medina and Virginia Roy.

A large number of these games, if not the entire series Children’s Games by Francis Alÿs, give off a utopian aura. They express and document forms of self-regulated sociability, in which children establish a diagram of their social relationships on a competitive basis without recurring to legislation or force. For all these reasons, Children’s Games is a project that greatly exceeds the singularity of an artist: it presents itself as an essential archive for humanity’s future.

Many of these videos are located in regions of the world in which economic crises, the strength of tradition and community ties have allowed the shared life of a childhood on the street to survive. While they frequently have a direct value as ethnographic documentation, they also metaphorically record transformations and conflicts in contemporary societies. But both in the mysterious way in which certain games are played practically identically in extremely different societies, as well as in their human value, they also become a signifying mechanism that unites cultures and ways of life.

“This compilation favors games that can be made out of nothing, which means that they can be played with anything that can be found where the game will take place, be it a handkerchief, a bit of rope, an empty can. They often are about invention and about adapting the context to the end of the game.

Whereas adults are more likely to use speech to process experiences, children play to assimilate the realities they encounter. Their games mimic, mock or defy the rules of the adult society that surrounds them. The act of playing may also help them coping with traumatic experiences such as those of war by creating a simulacrum of the real and turning the dramatic circumstances around them into a more fictional, ludic world.

But the magical thing about a children’s game is that it holds no secrets, “it’s all there is”. We as adults, should be faithful to the children we were, remember and trust that moment, the most precious one of our existence.”

–Francis Alÿs

Learn more at MAMU.