
Stanley Whitney Untitled, 2025
Crayon on paper
6 1/2 x 10 3/4 inches (16.5 x 27.3 cm)
Framed: 11 3/16 x 15 1/4 inches (28.4 x 38.7 cm)
Signed, dated, and inscribed verso

Throughout his career, Stanley Whitney (b. 1946) has used color and form to explore complex visual and conceptual dualities. His vibrant abstract works deconstruct the rigidity of the grid, infusing it with unexpected rhythms, spatial nuances, and dynamic color harmonies. Deriving inspiration from sources as diverse as Piet Mondrian, Giorgio Morandi, and American quilt-making, Whitney composes with blocks and bars that articulate a chromatic call-and-response in each canvas. He has spent many years experimenting with the seemingly limitless potential of a single compositional method, loosely dividing square canvases into multiple registers. The thinly applied oil paint retains his active brushwork and allows for a degree of transparency and tension at the overlapping borders between each rectilinear parcel of vivid color. In varying canvas sizes, he explores the shifting effects of his freehand geometries at both intimate and grand scales as he deftly lays down successive blocks of paint, heeding the call of each color. Experimental jazz—Charlie Parker, Miles Davis, Ornette Coleman—is Whitney’s soundtrack, its defining improvisational method yielding ever new energies to his process of painting.