‘At David Zwirner New York, Scott Kahn’s Landscapes Open Windows Onto Other Worlds,’ by Elisa Carollo
2026
There is something deeply mystical, almost archetypal, about Scott Kahn’s paintings, which accounts for much of their charm. Their universal resonance with very different viewers lies in how they function as both visual metaphors and symbolic enactments of the eternal human quest to understand our place before the immensity of nature and the cosmos. In his landscapes, the human figure, when it appears at all, is reduced to a minimal presence, a witness immersed in the vastness of expansive natural scenes, often caught in transition, as if to symbolize the cyclical nature of existence within the essential continuum of transformation between sunrise and dusk, birth and death.
Read more at Observer.
