Although a single word could never encapsulate the boundless range of Isa Genzken’s artistic production, one that comes close is “unpredictable.” Since the 1970s, Genzken’s work has incorporated, combined, and juxtaposed mediums including sculpture, photography, painting, drawing, and film, often to create large-scale installations that are as mesmerizing as they are puzzling. The way Genzken chooses to unite the varied elements that comprise her works is characterized by a sense of play, keeping viewers on their toes and evading formulaic traps and expectations. The results leave audiences with more questions than answers and unsettle with their lack of fixity, neat presentation of meaning, or clear significance. It is, perhaps, the ambiguity of Genzken’s work and her inability to be categorically and stylistically pinned down that has led to her varied reception.