David Zwirner Now Represents Andra Ursuţa
(New York, London, Paris, Hong Kong—July 16, 2020) David Zwirner is pleased to announce the global representation of the Romanian-born, New York–based artist Andra Ursuţa. Over the past decade, Ursuţa has gained recognition for her inventive sculptural work that mines the darker undercurrents of contemporary society. Drawing from memory, nostalgia, art history, and popular culture and employing a variety of media, the artist merges traditional sculptural processes and new technologies to transform commonplace objects and materials into viscerally evocative sculptures and installations that give new, redemptive forms to subjective experience.
As Ali Subotnick has written, “Memory, death, the human condition, and the absurdity and irony of life are all inspirations for the artist. Her work is ripe with emotion and contradictions—pathos and humor, melancholy and hope, raw and refined, hard and soft, aggressive and tender. It’s at times vulgar and political, poignant and wry, exotic and familiar.”
A solo exhibition of Ursuţa’s work is scheduled for spring 2021 at David Zwirner’s Paris location.
David Zwirner states, “I was struck by Andra Ursuţa’s powerful presentation in last year’s Venice Biennale, which stayed with me. Later that fall I was encouraged by artists of the gallery to see Andra’s show at Ramiken. I went to Bushwick, and I can’t say it any other way: I was blown away. Thanks to Mike [Egan, of Ramiken] who invited me spontaneously to visit Andra in her studio right there and then. Not only is she a true artist’s artist, but her visionary work resonates in many ways and pushes the boundaries of sculpture into new and salient formal and narrative territories. We’re excited that Andra has joined the gallery and we’re looking forward to our first show together, which is scheduled for the spring of 2021 at our Paris gallery at 108, rue Vieille du Temple.”
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For all press inquiries, contact
Julia Lukacher +1 212 727 2070 [email protected]
Image: Andra Ursuţa, 2020. Photo by Jason Schmidt