Luc Tuymans: La Pelle | David Zwirner
A photograph of an installation by Luc Tuymans, titled Schwarzheide, dated 2019.

Luc Tuymans: La Pelle

Palazzo Grassi, Venice
March 24, 2019–January 6, 2020

As part of the cycle of monographic shows dedicated to major contemporary artists, launched in 2012 and alternating with thematic exhibitions of the Pinault Collection, Palazzo Grassi presents Luc Tuymans’ first solo exhibition in Italy.

Curated by Caroline Bourgeois in collaboration with Luc Tuymans, the show is entitled La Pelle (The Skin), after Curzio Malaparte’s 1949 novel, which also gave its name to one of Luc Tuymans’ paintings. It includes over 80 works from the Pinault Collection, international museums and private collections, and focuses on the artist’s paintings from 1986 to today.

Considered as one of the most influential painters of the international art scene, Luc Tuymans has been dedicating himself to figurative painting since the mid 1980s and has contributed throughout his career to the rebirth of this medium in contemporary art. His works deal with questions connected to the past and to more recent history and address subjects of our daily lives through a set of images borrowed from the private and public spheres – the press, television, the Internet. The artist renders these images by dissolving them in an unusual and rarefied light; the slight anxiety that emanates from them is able to trigger—according to the artist himself—an ‘authentic forgery’ of reality.

The exhibition project corresponds to the eighth ‘carte blanche’ given by the Pinault Collection to its artists as an invitation to conceive major monographic exhibitions presented in Venice. Luc Tuymans also unveils a site-specific work created specifically for the spaces of Palazzo Grassi.

The exhibition is the subject of a feature in The New York Times by Nina Siegal.

Image: Installation view, Luc Tuymans, La Pelle, Palazzo Grassi, Venice, 2019. © Palazzo Grassi. Photo by Delfino Sisto Legnani and Marco Cappelletti


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