FIAC 2021 | David Zwirner
A detail from the work titled Study for Tautonym by Josef Albers, dated 1944
Fair

FIAC

David Zwirner is pleased to participate in FIAC’s 2021 edition with a selection of new sculptures by Harold Ancart presented alongside works by Josef Albers. Ancart’s three-dimensional relief forms are constructed from Styrofoam remnants from the artist’s studio, cast in concrete, and painted with rich layers and fields of color that directly recall Albers’s celebrated modernist compositions. The presentation will put these two artists’ masterful treatment of color and geometry in direct dialogue, which similarly engage the endless possibility of color and visual effect within a restricted format. The booth will also feature new work by Francis Alÿs, Lucas Arruda, Suzan Frecon, Nate Lowman and Oscar Murillo.

During FIAC, David Zwirner is pleased to present an exhibition of new work by Harold Ancart, on view at the gallery’s Paris location, while the Musée d’Art Moderne de Paris is devoting a major retrospective to Josef and Anni Albers until 9 January 2022.

 

David Zwirner est heureux de participer à l’édition 2021 de la FIAC  avec une sélection de nouvelles sculptures de Harold Ancart en dialogue avec des travaux de Josef Albers. Ces formes tridimensionnelles en relief sont construites à partir de chutes de styromousse provenant de l’atelier de l’artiste, coulées dans du béton et recouvertes de couches de peinture d’une palette riche rappelant directement les célèbres compositions modernistes de Josef Albers. La présentation mettra en dialogue le traitement magistral de la couleur et de la géométrie par ces deux artistes qui, de la même manière, font appel aux possibilités infinies de la couleur et de son effet visuel dans un format restreint. Le stand présentera également des œuvres récentes de Francis Alÿs, Lucas Arruda, Suzan Frecon, Nate Lowman et Oscar Murillo.

Durant la FIAC, David Zwirner est heureux de présenter une exposition de Harold Ancart dans les espaces de sa galerie parisienne, alors que le Musée d’Art Moderne de Paris organise une rétrospective majeure de Josef et Anni Albers, visible jusqu’au 9 janvier 2022. 

Image: Josef Albers, Study for Tautonym, c. 1944 (detail)
Dates
October 2024, 2021
Address
Grand Palais Ephémère (Champ-de-Mars), Paris Av. Pierre Loti Paris
Booth
B26

David Zwirner is pleased to participate in FIAC’s 2021 edition with a selection of new sculptures by Harold Ancart presented alongside works by Josef Albers. Ancart’s three-dimensional relief forms are constructed from Styrofoam remnants from the artist’s studio, cast in concrete, and painted with rich layers and fields of color that directly recall Albers’s celebrated modernist compositions. The presentation will put these two artists’ masterful treatment of color and geometry in direct dialogue, which similarly engage the endless possibility of color and visual effect within a restricted format. The booth will also feature new work by Francis Alÿs, Lucas Arruda, Suzan Frecon, Nate Lowman and Oscar Murillo.

During FIAC, David Zwirner is pleased to present an exhibition of new work by Harold Ancart, on view at the gallery’s Paris location, while the Musée d’Art Moderne de Paris is devoting a major retrospective to Josef and Anni Albers until 9 January 2022.

 

David Zwirner est heureux de participer à l’édition 2021 de la FIAC  avec une sélection de nouvelles sculptures de Harold Ancart en dialogue avec des travaux de Josef Albers. Ces formes tridimensionnelles en relief sont construites à partir de chutes de styromousse provenant de l’atelier de l’artiste, coulées dans du béton et recouvertes de couches de peinture d’une palette riche rappelant directement les célèbres compositions modernistes de Josef Albers. La présentation mettra en dialogue le traitement magistral de la couleur et de la géométrie par ces deux artistes qui, de la même manière, font appel aux possibilités infinies de la couleur et de son effet visuel dans un format restreint. Le stand présentera également des œuvres récentes de Francis Alÿs, Lucas Arruda, Suzan Frecon, Nate Lowman et Oscar Murillo.

Durant la FIAC, David Zwirner est heureux de présenter une exposition de Harold Ancart dans les espaces de sa galerie parisienne, alors que le Musée d’Art Moderne de Paris organise une rétrospective majeure de Josef et Anni Albers, visible jusqu’au 9 janvier 2022. 

Image: Josef Albers, Study for Tautonym, c. 1944 (detail)
A painting by Josef Albers, titled Homage to the Square, dated 1963.

Josef Albers

Homage to the Square, 1963
Oil on Masonite
16 x 16 inches (40.6 x 40.6 cm)
Framed: 16 1/4 x 16 1/4 inches (41.3 x 41.3 cm)
A drawing by Josef Albers, titled Study for Tautonym, dated circa 1944.

Josef Albers

Study for Tautonym, c. 1944
Oil on blotting paper
15 1/4 x 21 3/8 inches (38.7 x 54.3 cm)
An oil stick on concrete artwork by Harold Ancart, titled Untitled, dated 2021.

Harold Ancart

Untitled, 2021
Oil stick on concrete
2 x 23 x 36 inches (5.1 x 58.4 x 91.4 cm)
An oil painting on Masonite by Josef Albers, titled Homage to the Square, dated 1954.

Josef Albers

Homage to the Square, 1954
Oil on Masonite
12 x 12 inches (30.5 x 30.5 cm)
Framed: 20 3/8 x 20 3/8 inches (51.8 x 51.8 cm)
A drawing by Josef Albers, titled Variant/Adobe, dated 1947.

Josef Albers

Variant/Adobe, 1947
Oil on blotting paper
Image: 16 3/4 x 23 1/2 inches (42.5 x 59.6 cm)
Framed: 21 1/2 x 28 3/8 inches (54.6 x 72.1 cm)
An oil stick on concrete artwork by Harold Ancart, titled Untitled, dated 2021.

Harold Ancart

Untitled, 2021
Oil stick on concrete
2 x 25 3/4 x 33 1/2 inches (5.1 x 65.4 x 85.1 cm)
A drawing by Josef Albers, titled Study for a Variant/Adobe, dated circa 1947.

Josef Albers

Study for a Variant/Adobe, c. 1947
Oil on blotting paper
9 1/2 x 12 inches (24.1 x 30.5 cm)
Framed: 11 3/8 x 13 7/8 inches (28.9 x 35.2 cm)
An untitled work on paper by Anni Albers, dated 1981.

Anni Albers

Untitled, 1981
Felt tip pen on paper
11 1/2 x 9 inches (29.2 x 22.9 cm)
A work on paper by Jockum Nordstrom, titled Manniskor pratar/Les gens parlent, dated 2021.

Jockum Nordström

Människor pratar/Les gens parlent, 2021
Watercolour, graphite and collage on paper
20 1/8 x 25 1/4 inches (51 x 64 cm)
A painting by Nate Lowman, titled Before During After (Caffi), dated 2021.

Nate Lowman

Before During After (Caffi), 2021
Oil and alkyd on linen
66 1/8 x 42 1/8 inches (167.8 x 106.9 cm)
A painting by Francis Alÿs, titled Bartella Iraq, Oct 2016, dated 2016.

Francis Alÿs

Bartella Iraq, Oct 2016, 2016
Oil and graphite on linen
Diptych
Each: 5 5/8 x 7 1/2 inches (14.4 x 18.9 cm)
A painting by Lucas Arruda, Untitled (from the Deserto-Modelo series), dated 2021.

Lucas Arruda

Untitled (from the Deserto-Modelo series), 2021
Oil on canvas
11 7/8 x 14 3/4 inches (30.4 x 37.6 cm)
A sculpture by Carol Bove, titled Coral, dated 2021.

Carol Bove

Coral, 2021
Stainless steel and urethane paint
19 1/4 x 18 x 9 inches (48.9 x 45.7 x 22.9 cm)
A painting by Suzan Frecon, titled siena syrian, dated 2020.

Suzan Frecon

siena syrian, 2020
Oil on linen
29 5/8 x 24 x 1 inches (75.2 x 61 x 2.5 cm)
A painting by Al Taylor, titled Breakman, dated 1978.

Al Taylor

Breakman, 1978
Acrylic on canvas
32 x 26 1/8 inches (81.3 x 66.4 cm)
An untitled pigment print by William Eggleston, circa 1973 to 1978.

William Eggleston

Untitled, c. 1973-1978
Pigment print
Framed: 63 3/8 x 45 inches (161 x 114.3 cm)
A photograph by Thomas Ruff, titled tableau chinois_17 II, dated 2021.

Thomas Ruff

tableau chinois_17 II, 2021
Chromogenic print with Diasec
94 1/2 x 72 7/8 inches (240 x 185 cm)
A painting by Lisa Yuskavage, titled Green Bob and Lavinia, dated 2021.

Lisa Yuskavage

Green Bob and Lavinia, 2021
Oil on wood panel
7 x 5 inches (17.8 x 12.7 cm)
A photograph Philip-Lorca diCorcia, titled W, September 1998, #2, dated 1998.

Philip-Lorca diCorcia

W, September 1998, #2, 1998
Archival pigment print
Image: 32 x 49 1/8 inches (81.3 x 124.8 cm)
Framed: 39 1/8 x 56 1/4 inches (99.4 x 142.9 cm)

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