A sculpture by Lotus L. Kang, titled Receiver Transmitter (49 Echoes I), dated 2022 to 2025.

Lotus L. Kang 
Receiver Transmitter (49 Echoes I), 2022-2025

Galvanized steel, polycarbonate, steel joists, aluminum tubing, plywood, mirrored plexiglass, hardware, and 49 echoes: Tatami mat with aluminum-cast enlarged kelp knot; scrap thread and metallic twist ties; cut cardboard shipping box; photographs from the series 'Fleshing Out the Ghost'; steel mount with tanned unfixed film (continually sensitive) and spherical magnets; stainless steel steamers; grouping of seven plaster- and aluminum-cast birds; seven aluminum-cast lotus tubers; seven dried lotus tubers; five styrofoam fruit holders; pyramid of compressed Moxa; chime; construction sacks from Seoul; bag containing photograph of a mudflat, photograph documenting the performance '49 Echoes', and cut mesh bags with nylon; 'Mother': stainless steel mixing bowl, pigmented silicone, cast bronze cabbage leaf; radio with photograph; 'Mother Always Has A Mother': sewn canvas, folded; Kim Hyesoon’s 'Autobiography of Death' with gingko leaves; bottle of “American Soju”; cut mesh bags with nylon; and seven spirits

99 1/2 x 158 1/2 x 118 3/4 inches (252.7 x 402.6 x 301.6 cm)

A sculpture by Lotus L. Kang, titled Receiver Transmitter (49 Echoes I), dated 2022 to 2025.
A detail from a sculpture by Lotus L. Kang, titled Receiver Transmitter (49 Echoes I), dated 2022 to 2025.