British artist Rose Wylie (b. 1934) paints uniquely recognizable, colorful, and exuberant compositions that at first glance are instantly accessible, not seeming to align with any discernible style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated meditations on the nature of visual representation itself. As curator Clarrie Wallis notes, "[Wylie's] large pictures are painted in a kind of visual shorthand that is direct and legible. The ability to elicit a range of responses is made possible precisely because of her reduction of form to an essential vibrancy that incorporates, via the very physicality of her medium, not just what the artist sees but an accompanying multitude of thoughts, feelings, and memories. Wylie's work is a sophisticated transmutation, or sifting of perceptual experience, carrying as it does a wealth of affective and allusive resonances, into the painted form."1
Wylie studied at Folkestone and Dover School of Art, Kent, and the Royal College of Art, London, from which she graduated in 1981. The artist’s first solo exhibition took place in 1985 at the Trinity Arts Centre, in Kent. In recent years, she has had solo presentations at venues including the Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia (2012); Jerwood Gallery, Hastings, England (2012); Tate Britain, London (2013); Haugar Vestfold Kunstmuseum, Tønsberg, Norway (2013); Städtische Galerie Wolfsburg, Germany (2014); Douglas Hyde Gallery, Dublin (2015); Space K, Seoul (2016); Chapter, Cardiff (2016); Turner Contemporary, Margate (2016); Serpentine Sackler Gallery, London (2017); Plymouth Arts Centre and The Gallery at Plymouth College of Art, England (an exhibition that traveled to Newlyn Art Gallery & The Exchange in Cornwall, England); Centro de Arte Contemporáneo de Málaga (2018); and The Gallery at Windsor, Vero Beach, Florida (2020).
In 2020, Rose Wylie: where i am and was, the artist’s first solo museum presentation in the United States, was on view at the Aspen Art Museum in Colorado. Also in 2020, the solo exhibition Hullo Hullo Following-on was on view at the Hangaram Art Museum in Seoul, South Korea before traveling to the Aram Nuri Arts Center, Goyang, South Korea in 2021. A solo exhibition of the artist's work was on view at the Museum Langmatt, Baden, Switzerland in 2021.
Wylie is the recipient of the John Moores Painting Prize, presented by the Walker Art Gallery, Liverpool (2014), and was also elected as a Senior Royal Academician. In 2015, she received the Royal Academy of Arts’ Charles Wollaston Award. In 2018, she was awarded an OBE (Officer of the Order of the British Empire) for her services to art.
Wylie’s work can be found in prominent collections throughout the United States, Europe, and Asia, including the Arario Museum, Seoul; Hammer Museum, Los Angeles; National Museum of Women in the Arts, Washington, DC; Space K, Seoul; Städtische Galerie Wolfsburg, Germany; Tate, London; and Walker Art Gallery, Liverpool.
The artist's work has been represented by the gallery since 2017. Wylie’s first exhibition at David Zwirner, London, Horse, Bird, Cat, was held in 2016 and her second solo presentation Lolita's House was on view in 2018. painting a noun…, the artist’s third solo presentation with the gallery, was on view in Hong Kong in 2020. In 2021, David Zwirner presented Which One, the artist's first solo presentation at the gallery's New York location. The solo exhibition Car and girls is currently on view at David Zwirner, London through February 19, 2022. Wylie lives and works in Kent, England.
1 Clarrie Wallis, Rose Wylie (London: Lund Humphries, 2018), p. 8.