27 September 2017–21 January 2018
Thomas Ruff is the first major retrospective of the artist's work in London. Curated by Whitechapel Gallery Director Iwona Blazwick, the exhibition spans the full range of Ruff's photographic practice, from early series such as L’'Empereur, made in Paris in 1982, to his acclaimed Portraits begun in 1981, and his most recent press++ series based on archival newspaper clippings. As the artist told Aperture magazine, "I think photography is still the most influential medium in the world, and I have to deconstruct [its] conventions."
The exhibition is accompanied by a fully-illustrated publication including essays by David Campany and Sarah Jones.
The Financial Times Magazine has published an extensive profile of the artist on the occasion of this exhibition.
27 September 2017–21 January 2018
Thomas Ruff Portraits presents selected works from the artist’s ongoing Portraits series begun in 1981. In response to his research into portraiture while at art school in Düsseldorf, Ruff resolved to photograph his subjects in a way that would be as neutral as possible. The sitters, many of them friends of the artist, are photographed in their own clothes against a blank background, and were asked to keep their faces expressionless. The resulting portraits are presented as large scale, highly detailed works.
This exhibition coincides with the major retrospective Thomas Ruff: Photographs 1979 - 2017 at Whitechapel Gallery in London.
March 30–July 9
The works Stoya (1986), Untitled Portrait (1987), and jpeg ny15 (2007) by Thomas Ruff were included in You Are Looking at Something That Never Occurred, a group exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction. The exhibition also featured works by fellow gallery artists Wolfgang Tillmans and Christopher Williams.
The title of the exhibition was taken from a conversation between the artists Jeff Wall and Lucas Blalock in which they argue for art that is experimental and mysterious. Drawn exclusively from the Zabludowicz Collection, the works in the exhibition spanned 1977 to the present day.
You Are Looking at Something That Never Occurred was accompanied by a fully illustrated publication with texts by Paul Luckraft and David Campany and a round-table discussion moderated by Chris Wiley featuring Lucas Blalock, Sara Cwynar, and Erin Shirreff. Published by the Zabludowicz Collection
May 6–May 28
Thomas Ruff was nominated for the seventh Prix Pictet for his ma.r.s. series of photographs.
The series is based on satellite images of the surface of Mars taken by the high-resolution camera aboard the NASA spacecraft Mars Renaissance Orbiter. Ruff's photographs transform the originals into visual statements that are at once documentary and fictional. As the artist explains in his statement, some of the works have been rendered as 3D images, adding an element of the absurd where deep textures on the surface of another planet become visible through cheap 3D glasses.
The Prix Pictet is the world’s leading prize for photography and sustainability, awarded to a body of work that is both artistically outstanding and presents a compelling narrative related to the annual theme. Nominated for this year’s theme of "Space," the ma.r.s. works were shown in an exhibition at the Victoria and Albert Museum in London in May 2017.
Read more: Ruff in conversation with Artforum about the ma.r.s. series
December 10, 2016–March 12, 2017
A major retrospective of Thomas Ruff's work featured a wide variety of photographs drawn from 18 series from throughout the artist's career. It was his first comprehensive solo exhibition in the country.
Explore the exhibition microsite at thomasruff.jp
April 28–August 1
Object Relations focused on Thomas Ruff's series that used found and collected materials as source imagery. The show included over 30 photographs from five series. A number of works from the press++ series debuted at the AGO Toronoto, while the entirety of the series to date was concurrently on view at David Zwirner in New York. Selections from Ruff's own extensive collection of archival photographic materials were exhibited as well.
The Globe and Mail reviewed the exhibition stating: "For [Ruff], photography is a playground, a realm/reality unto itself, with an ever-expanding array of processes and potential..."
February 2–May 20
This exhibition was, at the time, Thomas Ruff's first comprehensive solo exhibition in 10 years. It presented all of the artist's series to date. The accompanying exhibition catalogue (Schirmer/Mosel, Haus der Kunst) features texts by Okwui Enwezor, Valeria Liebermann, and Thomas Weski.