Sherrie Levine

Sherrie Levine’s (b. 1947) work engages many of the core tenets of postmodern art, in particular challenging notions of originality, authenticity, and identity. Since she rose to prominence as a member of the Pictures Generation of artists in the late 1970s and 1980s, Levine has created a singular and complex body of work in a variety of media that often explicitly reproduces artworks and motifs from the Western art-historical canon as well as non-Western cultures.

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Exhibitions

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Sherrie Levine: 1977-1988
A collage on paper by Sherrie Levine, titled President Collage: 6, dated 1979.

Sherrie Levine: 1977-1988

Aspen Art Museum, Aspen, United States

June 6–September 29, 2025

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Sherrie Levine Included in The Double: Identity and Difference in Art Since 1900
Photograph by Sherrie Levine ,titled After Walker Evans: 4, from the collection of Whitney Museum of American Art in New York, dated 1981.

Sherrie Levine Included in The Double: Identity and Difference in Art Since 1900

National Gallery of Art, Washington, DC

July 2022

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Sherrie Levine Included in Objects of Desire: Photography and the Language of Advertising
An artwork by Sherrie Levine, titled President Profile, from the collection of the Los Angeles Country Museum of Art, dated 1979.

Sherrie Levine Included in Objects of Desire: Photography and the Language of Advertising

Los Angeles County Museum of Art (LACMA)

September 4–December 18, 2022

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Sherrie Levine Included in Journiac / Wilson / Levine / Sherman / Prince / Lawler
An artwork by Sherrie Levine, titled After August Sander: 1 - 18, from the Collection of the Pinault Collection, dated 2012.

Sherrie Levine Included in Journiac / Wilson / Levine / Sherman / Prince / Lawler

Bourse de Commerce – Pinault Collection, Paris. France

May 19–December 31, 2021

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Sherrie Levine Included in Pictures, Revisited
An artwork by Sherrie Levine, titled Untitled (President: 4) from the Collection of the Metropolitan Museum of Art in New York, dated 1979.

Sherrie Levine Included in Pictures, Revisited

The Metropolitan Museum of Art, New York

October 19, 2020–May 9, 2021

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Sherrie Levine: Diary 2019
A photograph of a spread from the book Sherrie Levine: Diary, dated 2019.

Sherrie Levine: Diary 2019

October 2018

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Sherrie Levine: After All
An installation view of the exhibition, Sherrie Levine: After All Works 1981 to 2016, at the Neus Museum Nürnberg, dated 2016 to 2017.

Sherrie Levine: After All

Neues Museum Nürnberg, Nuremberg, Germany

October 28, 2017–February 12, 2018

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Sherrie Levine: Mayhem
Installation view of the exhibition, Mayhem, at the Whitney Museum of American Art in New York, dated 2011.

Sherrie Levine: Mayhem

Whitney Museum of American Art, New York, United States

November 10, 2011–January 29, 2012

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Biography

A painting by Sherrie Levine, title Dark Blue Moonlight After Man Ray: 11, dated 2016

Sherrie Levine, Dark Blue Moonlight After Man Ray: 11, 2016

Sherrie Levine's (b. 1947) work engages many of the core tenets of postmodern art, in particular challenging notions of originality, authenticity, and identity. Levine rose to prominence as a member of the Pictures Generation, a group of artists based in New York in the late 1970s and 1980s whose work examined the structures of signification underlying mass-circulated images, and, in many cases, directly appropriated these images in order to imbue them with new, critically inflected meaning. Since then, Levine has created a singular and complex body of work in a variety of media that often explicitly reproduces artworks and motifs from the Western art-historical canon as well as non-Western cultures.

Born in Hazleton, Pennsylvania, Levine studied at the University of Wisconsin, Madison, where she received her M.F.A. in 1973. Early solo exhibitions were held at 3 Mercer Street, New York (1977); Hallwalls Contemporary Arts Center, Buffalo (1978); and The Kitchen, New York (1979).

Levine’s work has been the subject of solo presentations at prominent institutions worldwide. Sherrie Levine: 1977–1988, a solo exhibition devoted to the first eleven years of the artist’s practice, was on view at the Aspen Art Museum in 2025. In 2016, Sherrie Levine: After All was held at the Neues Museum, State Museum for Art and Design in Nuremberg, and in 2013, a solo exhibition was hosted by the Portland Art Museum, Oregon. The Whitney Museum of American Art, New York, presented SHERRIE LEVINE: MAYHEM, in 2011, a major exhibition of Levine’s work spanning three decades.

Other institutions that have hosted solo exhibitions of Levine’s work include Museum Haus Lange, Krefeld, Germany (2010); San Francisco Museum of Modern Art (2009 and 1991); and the Georgia O’Keeffe Museum, Santa Fe, New Mexico (2007). Other venues include Museum Morsbroich, Leverkusen, Germany (1998); Museum of Contemporary Art, Los Angeles; The Menil Collection, Houston (both 1995); Portikus, Frankfurt (1994); Philadelphia Museum of Art (1993); Kunsthalle Zürich (1991); High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington, DC (both 1988); and the Wadsworth Atheneum Museum of Art, Hartford, Connecticut (1987).

Levine’s work has been represented by David Zwirner since 2015. Her inaugural solo exhibition with the gallery was on view in New York the following year. In 2017, Sherrie Levine: Pie Town was presented at the gallery’s London location. Sherrie Levine: After Reinhardt, the artist’s third solo exhibition with David Zwirner, was on view in 2019 at the gallery’s East 69th Street location. In 2021, Sherrie Levine: Hong Kong Dominoes was presented at David Zwirner, Hong Kong. A solo presentation of the artist’s work was on view at David Zwirner, Paris, in the Spring of 2023. A concurrent presentation entitled Sherrie Levine: Wood was also on view at the gallery’s East 69th Street location in New York. Levine lives and works in New York.

Work by the artist is held in major international museum collections, including the Art Institute of Chicago; Centre Pompidou, Paris; Hirshhorn Museum and Sculpture Garden, Washington, DC; Institute of Contemporary Art, Boston; Louisiana Museum of Modern Art, Humlebæk, Denmark; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The National Museum of Art, Osaka; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, United Kingdom; and the Whitney Museum of American Art, New York.

Sherrie Levine: A Matter of Indiscernibility

Sherrie Levine: A Matter of Indiscernibility

Flash Art, article by Eleonora Milani

2020

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Goings On About Town, Sherrie Levine

Goings On About Town, Sherrie Levine

The New Yorker, review by Peter Schjeldahl

2019

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New Works by Sherrie Levine at David Zwirner London

New Works by Sherrie Levine at David Zwirner London

Widewalls, article by Elena Martinique

2017

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These ’80s Artists Are More Important Than Ever

These ’80s Artists Are More Important Than Ever

T: The New York Times Style Magazine, article by Gary Indiana

2017

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Flashlight / Sherrie Levine at David Zwirner

Flashlight / Sherrie Levine at David Zwirner

CRUSHfanzine, review by William J. Simmons

2016

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Sphere of influence: Sherrie Levine displays works inspired by past masters

Sphere of influence: Sherrie Levine displays works inspired by past masters

Wallpaper*, review by Brook Mason

2016

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