April 12–July 28, 2019
Neo Rauch: Aus dem Boden/From the Floor is the first exhibition specially focusing on the artist’s works on paper in the United States. First presented at Des Moines Art Center in Iowa (September 28, 2018–January 6, 2019), the show has been organized by Des Moines director Jeff Fleming and Brett Littman, former executive director of The Drawing Center in New York, where the exhibition will travel in April 2019.
Aus dem Boden/From the Floor includes some 180 large and small-scale works on paper, a majority of which have not been shown before. Like Rauch’s paintings, these works are characterized by a distinctive combination of figurative imagery and surrealist abstraction. His enigmatic compositions feature an eccentric cast of human characters, animals, and hybrids within familiar-looking but imaginary settings in which scale is often arbitrary, seeming to allude to different time zones or planes of existence. While some of the drawings are finished works in their own right, others are sketches that help to reveal the artist’s process or record an idea.
Composed using a mixture of media including paint, pen, and marker, many of Rauch’s drawings contain notes in the margins from meetings with collectors, curators, and friends. For Peter Schjeldahl, who reviewed the artist’s work in Drawing Now: Eight Propositions at MoMA QNS (The Museum of Modern Art, New York) in 2002, Rauch’s works evoke "a double sense of the verb ‘to draw’: to limn and to pull forth"—not only appropriating history and the work of other artists, but bringing them to "fractious life."
Cover Image: Neo Rauch, Der Stammbaum, 2017 (detail) © Neo Rauch / VG Bild-Kunst, Bonn. Courtesy the artist.
March 26—May 4, 2019
David Zwirner is pleased to present Propaganda, an exhibition of new paintings by German artist Neo Rauch. On view at the gallery’s Hong Kong location, this exhibition marks the artist’s debut solo presentation in China and will be accompanied by a catalogue featuring a short story by Daniel Kehlmann.
Rauch was born in Leipzig in 1960. As a young artist, he began developing his own unique style of figurative painting that was distinct from the then dominant socialist realist aesthetic of his native East Germany and the neoexpressionist styles that were popular at the time in the West. Today, Rauch is widely celebrated for his visually captivating compositions that bring together the traditions of figurative painting and surrealism into an entirely new kind of aesthetic experience. Propaganda will feature both large- and small-format paintings by the artist. Appearing at once familiar and enigmatic, these works extend Rauch’s exploration of painting through both personal and historical perspectives and further highlight his masterful skill as a colorist. The show marks Rauch’s eighth solo exhibition at David Zwirner, where he has been represented since 2000.
January 21–June 3, 2018
Neo Rauch Dromos Painting 1993-2017 presented more than 60 works tracing the artist's career from his first solo exhibition in Leipzig in 1993 up to the present day. The exhibition also included works by other artists from the private collection of Neo Rauch and his wife, Rosa Loy.
A publication accompanying the exhibition features texts by Ralph Keuning, Harald Kunde, Ulf Küster, Norman Rosenthal, and Klaus Werner.
Coinciding with Neo Rauch's 2014 exhibition at the New York gallery, David Zwirner Books published At the Well. The catalogue features a text by historian and curator Norman Rosenthal, as well as a reprint of the classic Brothers Grimm fairy tale The Young Giant, which Rosenthal specifically chose to further expand his analysis of the relationship between fairy tales and Rauch's work.
In 2010, Museum der bildenden Künste, Leipzig and Pinakothek der Moderne, Munich presented Begleiter, a two-venue retrospective of Neo Rauch's work. The exhibition featured 120 predominantly large-scale works from 1993 to 2010. This was the artist's first major museum survey.
Hatje Cantz published the accompanying exhibition catalogue. The two-sided book was designed to reflect the exhibition's two parts and venues, and included contributions by Rauch's long-time colleagues, including fellow artists Michaël Borremans and Luc Tuymans.
Pictured below: Installation view of Begleiter at the Pinakothek der Moderne, Munich (2010)
May 22–October 14, 2007
Neo Rauch created 14 new works specifically for the exhibition para at The Metropolitan Museum of Art in New York. His solo exhibition was one in a series focused on mid-career artists, following exhibitions featuring Tony Oursler in 2005 and Kara Walker in 2006.
The title para refers to Rauch's consideration of painting's as an extension of dreaming, a parallel world to reality. On this subject, Rauch has said "For me, painting means the continuation of a dream with other means."
A bilingual catalogue in German and English accompanied the exhibition, published by DuMont Buchverlag.