May 6 – May 28
Thomas Ruff was nominated for the seventh Prix Pictet for his ma.r.s. series of photographs.
The series is based on satellite images of the surface of Mars taken by the high-resolution camera aboard the NASA spacecraft Mars Renaissance Orbiter. Ruff's photographs transform the originals into visual statements that are at once documentary and fictional. As the artist explains in his statement, some of the works have been rendered as 3D images, adding an element of the absurd where deep textures on the surface of another planet become visible through cheap 3D glasses.
The Prix Pictet is the world’s leading prize for photography and sustainability, awarded to a body of work that is both artistically outstanding and presents a compelling narrative related to the annual theme. Nominated for this year’s theme of “Space,” the ma.r.s. works will be shown in an exhibition at the Victoria and Albert Museum in London in May.
Read more: Ruff in conversation with Artforum about the ma.r.s. series
A major retrospective of Thomas Ruff's work is now on view at the 21st Century Museum of Contemporary Art, Kanazawa, Japan through March 12. The exhibition features a wide variety of photographs drawn from 18 series from throughout the artist's career. It is his first comprehensive solo exhibition in the country.
Object Relations focused on Thomas Ruff's series that used found and collected materials as source imagery. The show included over 30 photographs from five series. A number of works from the press++ series debuted at the AGO Toronoto, while the entirety of the series to date was concurrently on view at David Zwirner in New York. Selections from Ruff's own extensive collection of archival photographic materials were exhibited as well.
The Globe and Mail reviewed the exhibition stating: "For [Ruff], photography is a playground, a realm/reality unto itself, with an ever-expanding array of processes and potential..."