September 15, 2017 – March 18, 2018
Going Forth: Institute of Reconciliation is a major survey of new work by Oscar Murillo that has been created specifically for Haus der Kunst.
Synthesizing ideas Murillo has been developing over the last four years, the exhibition features whole room installations, integrating video, painting, drawing, sculpture, and performative elements. Also included is a presentation of Murillo's ongoing Frequencies project—a collaboration between the artist and his family, the sociologist Clara Dublanc, and schools in different countries where children are encouraged to leave their marks on canvases that have been stretched over their desks.
A publication accompanying the exhibition features a foreword by the Director of Haus der Kunst, Okwui Enwezor, texts by Emma Enderby and Anna Schneider, and an interview with Murillo by Maria Belen Saez de Ibarra. Published by Haus der Kunst in association with David Zwirner Books
Frequencies is a long-term project conceived in collaboration with members of Oscar Murillo's family and political scientist Clara Dublanc. Begun in 2013, the project sends pieces of raw canvas to schools around the globe with the sole requirement that they be affixed to desks for a year and illustrated by students. After that year, Murillo re-collects the canvases. To date, hundreds of students aged primarily 10 to 16 in schools on five continents have participated.
In 2015, David Zwirner Books published a book designed by Olu Odukoya documenting the first year of this ongoing project. The publication details the participating students and the many steps of the project, including the arrival of the canvases at schools, affixing the fabric to desks, the students working, and the final illustrations.
Suggested Reading: David Zwirner Books Editorial Director Lucas Zwirner describes the project in Cultured magazine.
Learn more about Frequencies at frequenciesproject.net
For Printed Matter's 2016 New York Art Book Fair at MoMA PS1, Oscar Murillo presented Room Services in collaboration with Yutaka Sone and Mandy El-Sayegh. The live multi-day drawing and printing performance centered around three workstations where the artists created graphic works, editions, books, and zines.
Posters from the project are available from David Zwirner Books.
Oscar Murillo's presentation at the 56th Venice Biennale: All the World's Futures debuted a large installation of canvases from his ongoing Frequencies project. Murillo also presented signalling devices in now bastard territory, a series of 20 black canvases each hung from a single hook and extending 30 feet from the floor to the ceiling of the Central Pavilion in the Giardini.
For Performa 15, Oscar Murillo presented lucky dip, an installation and live work at the Alexander Hamilton U.S. Custom House at Bowling Green in New York, located at the southern edge of lower Manhattan.
On the building's exterior, Murillo installed a banner with the logo of Mighty White, a South African corn brand. Inside, performers ground and re-packaged corn, acknowledging the building's history as a hub for international trade and distribution. Throughout the week-long performance and installation, workers sang Spanish ballads and read from passages about town criers in London's markets, drawing further connections between the space and artistic and industrial production.