William Eggleston

Over the course of nearly six decades, William Eggleston (b. 1939) has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the medium’s foremost practitioners to date, Eggleston’s work continues to exert an influence on contemporary visual culture at large.

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William Eggleston: All that goes unnoticed

William Eggleston: All that goes unnoticed

The Photographers’ Gallery, London, United Kingdom

October 14, 2026–February 21, 2027

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Exhibitions

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William Eggleston: All that goes unnoticed

William Eggleston: All that goes unnoticed

The Photographers’ Gallery, London, United Kingdom

October 14, 2026–February 21, 2027

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William Eggleston: Mystery of the Ordinary
A photograph by William Eggleston, titled "Untitled," circa 1970-1973

William Eggleston: Mystery of the Ordinary

Fundación Mapfre, Barcelona, Spain

September 28, 2023–January 28, 2024

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William Eggleston: Mystery of the Ordinary
A detailed view of William Eggleston’s photograph, Untitled, dated in the early 1970s

William Eggleston: Mystery of the Ordinary

C/O Berlin, Berlin, Germany

January 28, 2023–May 4, 2023

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William Eggleston Solo Exhibition at the Gibbes Museum of Art
A photograph by William Eggleston, titled "Untitled (Hot Sauce, Louisiana)," dated 1980

William Eggleston Solo Exhibition at the Gibbes Museum of Art

Gibbes Museum of Art, Charleston, United States

February 25, 2022–October 9, 2022

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William Eggleston: The Outlands
A view of the book "William Eggleston: The Outlands," dated 2021.

William Eggleston: The Outlands

Steidl Verlag, Göttingen, Germany

September 28, 2021

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William Eggleston Included In American Photography
Installation view of the exhibition, American Photography, at the Albertina Museum in Vienna, dated 2021.

William Eggleston Included In American Photography

Albertina Museum, Vienna, Austria

August 24, 2021–November 28, 2021

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William Eggleston Included in Photography in Memphis
Brooks Museum of Art, Memphis

William Eggleston Included in Photography in Memphis

Memphis Brooks Museum of Art, Memphis, United States

October 26, 2019–January 19, 2020

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Sean O’Hagan in Conversation with James Green
An untitled photograph by William Eggleston, dated circa 1977.

Sean O’Hagan in Conversation with James Green

24 Grafton Street, London, United Kingdom

May 14, 2019

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William Eggleston Book Signing
A photograph of William Eggleston signing a book.

William Eggleston Book Signing

24 Grafton Street, London, United Kingdom

April 12, 2019

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Stories

The Making of a Dye-Transfer
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The Making of a Dye-Transfer

Dye-transfer is a full-color photographic print process favored by American photographer William Eggleston. In this video, Eggelston’s long-time collaborators, renowned dye-transfer specialists Guy Stricherz and Irene Malli give a step-by-step tutorial of the technique behind creating a Dye-Transfer print.

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William Eggleston: The Last Dyes
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William Eggleston: The Last Dyes

American artist William Eggleston’s discovery of the dye-transfer process in the 1970s—primarily used in advertising at the time—was crucial to his move from primarily working in black-and-white to producing color photographs due to the richness of tonal depth and color saturation.

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Biography

Over the course of nearly six decades, William Eggleston (b. 1939) has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. His 1976 solo exhibition at The Museum of Modern Art, New York, curated by John Szarkowski, marked one of the first presentations of color photography at the museum. Although initially criticized for its unfamiliar approach, the show and its accompanying catalogue, William Eggleston's Guide, heralded an important moment in the medium's acceptance within the art-historical canon, and it solidified the artist's position as one of its foremost practitioners to this date. Eggleston's work continues to exert an influence on contemporary visual culture at large.

Eggleston was born in Memphis, Tennessee, where he continues to live today. Raised in Sumner, Mississippi, he attended Vanderbilt University, Nashville; Delta State College, Cleveland, Mississippi; and University of Mississippi, Oxford. In 2016, the artist joined David Zwirner. William Eggleston: The Democratic Forest, an exhibition of works drawn from the artist’s encyclopedic project, marked his first gallery solo show at the gallery’s New York location. William Eggleston: 2 1/4 was on view in 2019 at David Zwirner London. In 2020, an exhibition at the gallery's Hong Kong location marked the artist's debut solo presentation in Greater China. The two-person exhibition, William Eggleston and John McCracken: True Stories, was on view at David Zwirner New York in 2021. William Eggleston: The Outlands was presented in 2022 at the gallery's 19th Street location in New York. In 2024–2025, William Eggleston: The Last Dyes was held at David Zwirner Los Angeles. The presentation traveled to the gallery's 19th Street location in New York in 2026.

Since the 1970s, Eggleston’s work has been the subject of solo exhibitions at prominent institutions worldwide, such as the Corcoran Gallery of Art, Washington, DC, in 1990; the Barbican Gallery, London, in 1992 (traveled to Louisiana Museum of Modern Art, Humlebæk, Denmark; Museum Folkwang, Essen, Germany; and Fotomuseum Winterthur, Switzerland); documenta IX, Kassel, Germany, in 2002; and Museum Ludwig, Cologne, in 2003 (traveled to Museu Serralves, Porto; Nasjonalmuseet – Museet for samtidskunst, Oslo; Louisiana Museum of Modern Art, Humlebæk, Denmark; San Francisco Museum of Modern Art; Albertina, Vienna; and Dallas Museum of Art). In 2008, a major career-spanning survey, William Eggleston: Democratic Camera, Photographs and Videos 1961–2008, was organized by the Whitney Museum of American Art in New York and Haus der Kunst in Munich; it subsequently traveled to the Corcoran Gallery of Art, Washington, DC; the Art Institute of Chicago; and the Los Angeles County Museum of Art, among other institutions.

In 2023, a major survey of Eggleston’s work debuted at C/O Berlin before traveling to Fundación MAPFRE, Barcelona. Other recent solo exhibitions have included those held at Fondation Cartier pour l’art contemporain, Paris (2009; traveled to Hara Museum of Contemporary Art, Tokyo, and Hasselblad Foundation, Gothenburg, Sweden); The Metropolitan Museum of Art, New York (2013 and 2018); Fondation Henri Cartier-Bresson, Paris (2014); National Portrait Gallery, London (2016; traveled to National Gallery of Victoria, Melbourne); and Foam Fotografiemuseum, Amsterdam (2017).

Eggleston received a National Endowment for the Arts Fellowship in 1975 and has been the recipient of numerous notable awards, including the International Center of Photography Infinity Award for Lifetime Achievement (2004) and the Chevalier de l’Ordre des Arts et des Lettres, Ministère de la Culture et de la Communication, République Française (Order of Arts and Letters of the French Republic; 2016), among others. The Aperture Foundation honored Eggleston in 2016. Work by the artist is held in major museum collections worldwide.

Founded in 1992, the Eggleston Artistic Trust is dedicated to the representation and preservation of the work of William Eggleston and is directed by his sons Winston Eggleston and William Eggleston III. In 2019, the Eggleston Art Foundation, a nonprofit organization dedicated to the study and preservation of Eggleston's work, was founded in the artist’s hometown of Memphis, Tennessee. The Foundation houses the Eggleston Archive and serves as a resource for research about the artist, his art, and his subjects.

William Eggleston Featured in The Guardian
William Eggleston Reviewed in AnOther Magazine
Color photograph of a woman seated in the driver's seat of a vintage car, looking toward the camera, with children visible in the back seat and warm sunlight illuminating the interior.

William Eggleston Reviewed in AnOther Magazine

‘William Eggleston: More Southern, More Weird’ by Zak Freeman

2026

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Wiliam Eggleston Reviewed in The Guardian

Wiliam Eggleston Reviewed in The Guardian

'‘He couldn’t be happier’: celebrating William Eggleston’s incredible photography' by J Oliver Conroy

2026

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William Eggleston Reviewed in Aperture

William Eggleston Reviewed in Aperture

‘The Emotional Saturation of William Eggleston’s “Last Dyes”

2026

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William Eggleston: The Last Dyes Reviewed in The Wall Street Journal

William Eggleston: The Last Dyes Reviewed in The Wall Street Journal

‘William Eggleston Review: Infatuation With Saturation’ by Isaac Sligh

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William Eggleston Featured in the New Yorker

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