Marcel Dzama

Since rising to prominence in the late 1990s, Marcel Dzama (b. 1974) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama’s work visualizes a universe of childhood fantasies and otherworldly fairy tales.

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Available Artworks

 

Exhibitions

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Marcel Dzama: Le voyage dans la Lune

Marcel Dzama: Le voyage dans la Lune

La Criée centre d'art contemporain, Rennes, France

February 14–May 10, 2026

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Marcel Dzama: Dancing with the Moon
A drawing by Marcel Dzama, titled It wasn't his favorite dictator that met him at the gates of hell, but Stalin was in his top five (or All dictators are welcome to the lake of fire), dated 2025.

Marcel Dzama: Dancing with the Moon

Pera Museum, Istanbul, Türkiye

March 20–August 17, 2025

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Marcel Dzama: Ghosts of Canoe Lake
Installation views, Marcel Dzama, Ghosts of Canoe Lake: New Works, Contemporary Calgary, Alberta, Canada, dated 2024.

Marcel Dzama: Ghosts of Canoe Lake

Contemporary Calgary, Alberta, Canada

June 27–October 27, 2024

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Marcel Dzama Commission for the Performa Biennial 2023
A Still from a film by Marcel Dzama, titled "To live on the Moon (For Lorca)" dated 2023

Marcel Dzama Commission for the Performa Biennial 2023

Abrons Art Center, New York

November 2023

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Films by Marcel Dzama
A still from a film by Marcel Dzama, titled The Infidels, dated 2009.

Films by Marcel Dzama

Nitehawk Cinema, New York

September 2019

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Marcel Dzama and Arcade Fire's Will Butler on Dialogues: The David Zwirner Podcast
Two polaroid images of Marcel Dzama and Will Butler in the recording studio

Marcel Dzama and Arcade Fire's Will Butler on Dialogues: The David Zwirner Podcast

2018

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Drawing on a Revolution
A still image from Marcel Dzama's 2013 film titled Une danse des bouffons, translated from French as A Jester’s Dance.

Drawing on a Revolution

Solo exhibition at La Casa Encendida in Madrid

2017

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Zine by Marcel Dzama and Raymond Pettibon benefitting the ACLU
A zine by Marcel Dzama and Raymond Pettibon titled No light can escape, dated 2017.

Zine by Marcel Dzama and Raymond Pettibon benefitting the ACLU

Launched at Printed Matter's LA Art Book Fair

2017

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The Mask Makers
A work on paper by Marcel Dzama titled Luna, dated 2017.

The Mask Makers

Special presentation at Independent Brussels curated by Marcel Dzama

2017

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Collaboration with Raymond Pettibon
Installation view of the exhibition, Forgetting The Hand, at David Zwirner in New York, dated 2016.

Collaboration with Raymond Pettibon

Drawings, zines, and exhibitions

Ongoing since 2015

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The Most Incredible Thing
Marcel Dzama New York City Ballet

The Most Incredible Thing

A Project for the New York City Ballet

2016

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Stories

ART+FATHERHOOD | Marcel Dzama

ART+FATHERHOOD | Marcel Dzama

Ahead of Father's Day, we're re-releasing the second episode of David Zwirner's recently launched ART+ film series. 

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Marcel Dzama: "Une danse des bouffons (or A jester's dance)"

Marcel Dzama: "Une danse des bouffons (or A jester's dance)"

Marcel Dzama: "Une danse des bouffons (or A jester's dance)"

Marcel Dzama's latest film debuted at the Museum of Contemporary Canadian Art to coincide with the Toronto International Film Festival (2013), and was on view as part of "Hollow Laughter," the artist's solo exhibition at Kunstmuseum Thun in Switzerland (2014).

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Biography

Since rising to prominence in the late 1990s, Marcel Dzama (b. 1974) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama’s work visualizes a universe of childhood fantasies and otherworldly fairy tales.

Dzama was born in Winnipeg, Canada, where he received his BFA in 1997 from the University of Manitoba. Since 1998, his work has been represented by David Zwirner. The artist has had fifteen solo exhibitions with the gallery. In 2016, the gallery held two exhibitions in New York and London dedicated to the collaborative works by Dzama and Raymond Pettibon. Crossing the Line, which marked the artist’s first solo presentation in Greater China, was on view at the Hong Kong gallery in 2019. In 2020, David Zwirner Online presented Pink Moon, an online exhibition of Dzama’s work, and in July of the same year, Blue Moon of Morocco was featured at the gallery's Paris location. In 2021, Marcel Dzama: Who Loves the Sun was presented at the gallery’s 69th Street location in New York and in 2022, David Zwirner London presented Marcel Dzama: Child of Midnight. Dzama's fifteenth solo exhibition with the gallery, Empress of Night, was on view at David Zwirner Los Angeles in 2025.

Dzama has exhibited widely throughout the United States and abroad. Marcel Dzama: Ghosts of Canoe Lake was on view at McMichael Canadian Art Collection, Kleinburg, Ontario, in 2023 and traveled to Contemporary Calgary, Alberta, and the Plug In Institute of Contemporary Art, Winnipeg, through 2025. In 2022, a solo presentation of the artist's work, Marcel Dzama: Viviendo en el limbo y soñando con el paraíso was on view at the Museo de Arte de Zapopan (MAZ), Mexico. Marcel Dzama: An End to the End Times was on view in 2021 at the Savannah College of Art and Design Museum of Art, Georgia. Also in 2021, the Sara Hildén Art Museum in Tampere, Finland, presented an exhibition of the artist’s work entitled Marcel Dzama: Tonight We Dance. In November 2023, Dzama presented To Live on the Moon (For Lorca) a film and performance commissioned by Performa as part of Performa Biennial 2023.

In 2018, the exhibition Ya es hora was presented at Galería Helga de Alvear in Madrid and A Jester’s Dance was shown at University of Michigan Museum of Art in Ann Arbor, Michigan. In 2017, La Casa Encendida in Madrid exhibited Drawing on a Revolution. In 2015, the artist’s film Une danse des bouffons (or A jester’s dance) was presented alongside related two- and three-dimensional work at the World Chess Hall of Fame in St. Louis. In 2010, a major survey of the artist's work was held at the Musée d’art contemporain de Montréal.

Other solo exhibitions include those organized by Kunstmuseum Thun, Switzerland (2014); Galería Helga de Alvear, Madrid (2013); Centro de Arte Contemporáneo de Málaga, Spain; Museo de Arte de Zapopan (MAZ), Mexico; World Chess Hall of Fame and Museum, St. Louis (all 2012); Gemeentemuseum, The Hague; Kunstverein Braunschweig, Germany (both 2011); Pinakothek der Moderne, Munich (2008); Ikon Gallery, Birmingham, England (2006); and Le Magasin – Centre National d’Art Contemporain de Grenoble, France (2005).

In 2021, MTA Arts & Design unveiled a commissioned mosaic by the artist, No Less Than Everything Comes Together, that is permanently on view at the Bedford Avenue Station in Brooklyn, New York.

In 2016, the artist created the costume and stage design for New York City Ballet’s The Most Incredible Thing, a performance based on Hans Christian Andersen’s fairy tale. Coinciding with the performance, Dzama also created an installation in the Promenade of the David H. Koch Theater as part of the New York City Ballet Art Series, titled The tension around which history is built.

Works by the artist are held in significant institutional collections worldwide, including the Art Gallery of Ontario, Toronto; Art Institute of Chicago; Centre Pompidou, Paris; Dallas Museum of Art; Musée d’art contemporain de Montréal; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; National Gallery of Canada, Ottawa; Solomon R. Guggenheim Museum, New York; Tate, United Kingdom; and the Vancouver Art Gallery. Dzama lives and works in Brooklyn, New York.

Marcel Dzama in the New York Times
An artwork by Marcel Dzama, titled The sleep of truth, dated 2025

Marcel Dzama in the New York Times

‘A Not-So-Sweet Slumber,’ by Marcel Dzama

December 2025

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Marcel Dzama Interviewed in The Brooklyn Rail

Marcel Dzama Interviewed in The Brooklyn Rail

'In Conversation: Marcel Dzama' by Jason Rosenfeld

2025

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Marcel Dzama Reviewed in Frieze

Marcel Dzama Reviewed in Frieze

'In Marcel Dzama’s Work, the Climate Crisis Is Fuelling a Crisis of Imagination' by Brandon Kaufman

2024

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Marcel Dzama Featured in T Magazine
Marcel Dzama Interviewed in Artnet News

Marcel Dzama Interviewed in Artnet News

'How Artist Marcel Dzama Brings Surrealism to the Stage' by Artnet News

2023

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Marcel Dzama Interviewed in Artnet News

Marcel Dzama Interviewed in Artnet News

'Artist Marcel Dzama on How Moroccan Mint Tea and ‘Dagger Brushes’ Fuel His Wild and Whimsical Drawings' by Artnet News

2022

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