Joan Mitchell, Pastel, 1991 (detail)
Joan Mitchell (1925–1992) established a singular visual vocabulary over the course of her more than four-decade career. While rooted in the conventions of abstraction, Mitchell’s inventive interpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers. Her emotionally charged compositions conjure places, observations, or points in time.
The present work will be included in the forthcoming retrospective organized by the Baltimore Museum of Art and the San Francisco Museum of Modern Art. Mitchell made pastel drawings throughout her career as another way to explore the vibrant color and layered mark-making that typify her paintings. Belonging to a suite of large-scale pastels on paper made at Vétheuil, France, this work was shown in the first museum exhibition of Mitchell’s drawings, at the Whitney Museum of American Art in 1992.
Joan Mitchell, Pastel, 1991 (detail)
“The pastels are like a coda to [Mitchell’s] painting; they are no less profound for the greater intimacy and directness attendant upon their smaller size. The vital grace makes more immediately visible and accessible Mitchell’s vivid orchestration of the energies of color, light, and line.” —Klaus Kertess
Joan Mitchell outside her home in Vétheuil, 1984. Photo by Edouard Boubat. © Estate of Edouard Boubat
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