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Survey: Stan Douglas

Installation view, Stan Douglas: 2011 ≠ 1848, Magazzini del Sale No. 5, 59th Venice Biennale, dated 2022.

Installation view, Stan Douglas: 2011 ≠ 1848, Magazzini del Sale No. 5, 59th Venice Biennale, 2022

A still from a two-channel video installation by Stan Douglas, titled ISDN, dated 2022.

Stan Douglas

ISDN, 2022

Two-channel video installation

Overall dimensions variable

Installation view, Stan Douglas: 2011 ≠ 1848, Canadian Pavilion, 59th Venice Biennale, dated 2022.

Installation view, Stan Douglas: 2011 ≠ 1848, Canadian Pavilion, 59th Venice Biennale, 2022

Installation view, Stan Douglas: 2011 ≠ 1848, Canadian Pavilion, 59th Venice Biennale, dated 2022.

Installation view, Stan Douglas: 2011 ≠ 1848, Canadian Pavilion, 59th Venice Biennale, 2022

A photograph by Stan Douglas, titled Vancouver, 15 June 2011, dated 2021.

Stan Douglas

Vancouver, 15 June 2011, 2021

Digital chromogenic print mounted on Dibond aluminum

59 1/8 x 118 1/8 inches (150.2 x 300 cm) 
Framed: 61 3/4 x 120 3/4 inches (156.8 x 306.7 cm)

A photograph by Stan Douglas Tunis, titled 23 January 2011, dated 2021.

Stan Douglas

Tunis, 23 January 2011, 2021

Digital chromogenic print mounted on Dibond aluminum

59 1/8 x 118 1/8 inches (150.2 x 300 cm) 
Framed: 61 3/4 x 120 3/4 inches (156.8 x 306.7 cm)

Installation view of the Public Art Fund presentation, "Stan Douglas: Penn Station’s Half Century," at Moynihan Train Hall in New York, dated 2020.

Installation view, Stan Douglas: Penn Station’s Half Century, Public Art Fund, Moynihan Train Hall in New York, 2020

Installation view of the Public Art Fund presentation, "Stan Douglas: Penn Station’s Half Century," at Moynihan Train Hall in New York, dated 2020

Installation view, Stan Douglas: Penn Station’s Half Century, Public Art Fund, Moynihan Train Hall in New York, 2020

Installation view of the installation by Stan Douglas, titled Doppelgänger, at the 58th Venice Biennale, titled May You Live in Interesting Times, dated 2019

Installation view, Stan Douglas, Doppelgänger, 58th Venice Biennale, May You Live in Interesting Times, 2019

Installation view of Stan Douglas: Scenes from the Blackout at the 58th Venice Biennale, titled May You Live in Interesting Times, dated 2019

Installation view, Stan Douglas: Scenes from the Blackout, 58th Venice Biennale, May You Live in Interesting Times, 2019

A video installation by Stan Douglas, titled The Secret Agent, dated 2015.

Stan Douglas

The Secret Agent, 2015

Six-channel video installation, eight audio channels, 53:35 min (loop) with six musical variations, color, sound

Overall dimensions variable

A film installation by Stan Douglas, titled Luanda-Kinshasa, dated 2013.

Stan Douglas

Luanda-Kinshasa, 2013

Single-channel video projection, 6 hours 1 min (loop), color, sound

Overall dimensions variable

A Stan Douglas, titled Club Versailles, 1974, dated 2012.

Stan Douglas

Club Versailles, 1974, 2012

Digital chromogenic print mounted on Dibond aluminum

59 1/2 x 89 1/4 inches (151.1 x 226.7 cm)

A photograph by Stan Douglas, titled Capoeira, 1974, dated 2012.

Stan Douglas

Capoeira, 1974, 2012

Digital chromogenic print mounted on Dibond aluminum

56 x 84 inches (142.2 x 213.4 cm)

A photograph by Stan Douglas, titled Exodus, 1975, dated 2012.

Stan Douglas

Exodus, 1975, 2012

Digital chromogenic print mounted on aluminum

71 x 101 1/2 inches (180.3 x 257.8 cm)

A photograph by Stan Douglas, titled Coat Check, 1974, dated 2012.

Stan Douglas

Coat Check, 1974, 2012

Digital chromogenic print mounted on Dibond aluminum

47 1/2 x 71 1/4 inches (120.7 x 181 cm)

A photograph by Stan Douglas, titled Checkpoint, 1975, dated 2012.

Stan Douglas

Checkpoint, 1975, 2012

Digital chromogenic print mounted on Dibond aluminum

52 x 119 1/2 inches (132.1 x 303.5 cm)

A photograph by Stan Douglas, titled Two Friends, 1975, dated 2012.

Stan Douglas

Two Friends, 1975, 2012

Digital chromogenic print mounted on Dibond aluminum

42 x 56 inches (106.7 x 142.2 cm)

A photograph by Stan Douglas, titled Suspect, 1950, dated 2010.

Stan Douglas

Suspect, 1950, 2010

Digital fiber print mounted on Dibond aluminum

17 3/4 x 24 inches (45.1 x 61 cm)

A photograph by Stan Douglas, titled Dice, 1950, dated 2010.

Stan Douglas

Dice, 1950, 2010

Digital fiber print mounted on Dibond aluminum

55 5/8 x 42 inches (141.3 x 106.7 cm)

A photograph by Stan Douglas, titled Artists' Cabin, dated 2009.

Stan Douglas

Artists' Cabin, 2009

Digital chromogenic print mounted on Dibond aluminum

60 x 89 1/2 inches (152.4 x 227.3 cm)

Installation view of a double-sided photomural by Stan Douglas, titled Abbot & Cordova, 7 August 1971, at Woodward’s Building in Vancouver, dated 2009.

Installation view, Stan Douglas, Abbot & Cordova, 7 August 1971, Woodward’s Building, Vancouver, 2009

A photograph by Stan Douglas, titled Hastings Park, 16 July 1955, dated 2008.

Stan Douglas

Hastings Park, 16 July 1955, 2008

Digital chromogenic print mounted on Dibond aluminum

60 x 89 1/4 inches (152.4 x 226.7 cm)

A photograph by Stan Douglas, titled Powell Street Grounds, 28 January 1912, dated 2008.

Stan Douglas

Powell Street Grounds, 28 January 1912, 2008

Digital chromogenic print mounted on Dibond aluminum

60 x 104 1/2 inches (152.4 x 265.4 cm)

A film by Stan Douglas, titled Vidéo, dated 2007.

Stan Douglas

Vidéo, 2007

HD single-channel video installation, 18:11 min (loop), color, sound

Overall dimensions variable

A video installation by Stan Douglas, titled Klatsassin, dated 2006.

Stan Douglas

Klatsassin, 2006

HD single-channel video installation, color, sound<br>840 variations, total running time 67 hours

Overall dimensions variable

A photograph by Stan Douglas, titled Walhachin, dated 2006.

Stan Douglas

Walhachin, 2006

Laserchrome print

54 x 67 inches (137 x 170 cm)

A photograph by Stan Douglas, titled MacLeod’s Books, Vancouver, dated 2006.

Stan Douglas

MacLeod’s Books, Vancouver, 2006

Laserchrome print

70 x 120 inches (178 x 305 cm)

A photograph by Stan Douglas, titled Masonic Lodge, Barkerville, dated 2006.

Stan Douglas

Masonic Lodge, Barkerville, 2006

Laserchrome print

33 x 41 3/8 inches (84 x 105 cm)

A photograph by Stan Douglas, titled Tong Building, Quesnel Forks, dated 2006.

Stan Douglas

Tong Building, Quesnel Forks, 2006

Laserchrome print

29 1/2 x 33 1/8 inches (75 x 84 cm)

A photograph by Stan Douglas, titled Spences Bridge, dated 2006.

Stan Douglas

Spences Bridge, 2006

Laserchrome print

41 x 102 3/8 inches (104 x 260 cm)

A photograph by Stan Douglas, titled Maritime Worker's Hall, Vancouver, dated 2006.

Stan Douglas

Maritime Worker's Hall, Vancouver, 2006

Laserchrome print

51 1/8 x 102 3/8 inches (130 x 260 cm)

A photograph by Stan Douglas, titled Rooftops, Habana Vieja, dated 2004.

Stan Douglas

Rooftops, Habana Vieja, 2004

Chromogenic print mounted on aluminum

48 x 54 3/4 inches (121.9 x 139.1 cm)

A photograph by Stan Douglas, titled "La Inalámbrica" Building / Metropolitan Building, Habana Vieja, dated 2004.

Stan Douglas

"La Inalámbrica" Building / Metropolitan Building, Habana Vieja, 2004

Chromogenic print mounted on aluminum

57 x 48 inches (144.8 x 121.9 cm)

A photograph by Stan Douglas, titled Print Shop / Auto Shop, Habana Vieja, dated 2004.

Stan Douglas

Print Shop / Auto Shop, Habana Vieja, 2004

Chromogenic print mounted on aluminum

48 x 54 3/4 inches (121.9 x 139.1 cm)

A photograph by Stan Douglas, titled Bank / Cafeteria, Habana Vieja, dated 2004.

Stan Douglas

Bank / Cafeteria, Habana Vieja, 2004

Chromogenic print mounted on aluminum

57 x 48 inches (144.8 x 121.9 cm)

A film installation by Stan Douglas, titled Inconsolable Memories, dated 2005.

Stan Douglas

Inconsolable Memories, 2005

2 synchronized asymmetrical film loop projections; 16mm black and white film, sound<br>15 permutations with a common period of 5:39 min

A video by Stan Douglas, titled Suspiria, dated 2003.

Stan Douglas

Suspiria, 2003

Single-channel video installation, color, sound

Infinite running time 
Overall dimensions variable

A photograph by Stan Douglas, titled Herkules Oktogon IV: Cherubs, dated 2002.

Stan Douglas

Herkules Oktogon IV: Cherubs, 2002

Chromogenic print

48 x 57 inches (121.9 x 144.8 cm)

A photograph by Stan Douglas, titled Herkules Oktogon III: Statuary, dated 2002.

Stan Douglas

Herkules Oktogon III: Statuary, 2002

Chromogenic print

48 x 57 inches (121.9 x 144.8 cm)

A video by Stan Douglas, titled Journey into Fear, dated 2001.

Stan Douglas

Journey into Fear, 2001

16mm film installation<br>15 minutes 4 seconds per rotation<br>total running time 157 hours (approx. 6.5 days)

A photograph by Stan Douglas, titled Le Detroit, dated 1999 and 2000.

Stan Douglas

Le Detroit, 1999/2000

35mm film installation for two (2) 35mm film projectors, looping device, anamorphic lens, one screen

Dimensions vary with installation

A video installation by Stan Douglas, titled Win, Place or Show, dated 1998.

Stan Douglas

Win, Place or Show, 1998

Two-channel video projection, 6 min (loop), color, sound

Overall dimensions variable

A video installation by Stan Douglas, titled Evening, dated 1994.

Stan Douglas

Evening, 1994

Three-channel video projection<br>14 min 56 sec (loop), color, sound

Overall dimensions variable

A video installation by Stan Douglas, titled Nutka, dated 1996.

Stan Douglas

Nutka, 1996

A continuous video projection installation

Overall dimensions variable

A photograph by Stan Douglas, titled Collapsed Structure at McBride Bay (17 of 30), dated 1996.

Stan Douglas

Collapsed Structure at McBride Bay (17 of 30), 1996

Chromogenic print

18 x 22 inches (45.7 x 55.9 cm)

A photograph by Stan Douglas, titled Garden Designed by Lenne, Halbinsel Meederhorn, Sacrow, dated 1994.

Stan Douglas

Garden Designed by Lenne, Halbinsel Meederhorn, Sacrow, 1994

Chromogenic print

18 x 21 1/2 inches (45.7 x 54.6 cm)

A film installation by Stan Douglas, titled Der Sandmann, dated 1995.

Stan Douglas

Der Sandmann, 1995

Installation composed of two (2) 16mm films, two (2) manipulated optical sound 16mm projectors, 9:50 min (loop), black and white, sound

Overall dimensions variable

A video installation by Stan Douglas, titled Hors-champs, dated 1992.

Stan Douglas

Hors-champs, 1992

Two-channel video installation, 13:40 min (loop), black-and-white, sound

Overall dimensions variable

A video by Stan Douglas, titled Monodramas, dated 1991.

Stan Douglas

Monodramas, 1991

Ten (10) single-channel videos for television on LaserDisc, 30-60 seconds each, color, sound<br>Video accompanied by ten (10) photographs

Overall dimensions variable

A video by Stan Douglas, titled Television Spots, 1987 to 1988.

Stan Douglas

Television Spots, 1987-1988

Twelve (12) single-channel videos for television, 10-37 seconds each, color, sound

Video accompanied by twelve (12) photographs 
Overall dimensions variable

A film installation by Stan Douglas, titled Subject to a Film: Marnie, dated 1989.

Stan Douglas

Subject to a Film: Marnie, 1989

16mm film loop installation with mono optical soundtrack for one (1) 16mm tungsten projector, 5:15 min (loop), black and white, sound

Overall dimensions variable

An installation view of a mixed media video by Stan Douglas Onomatopoeia, 1985 to 1986.

Stan Douglas

Onomatopoeia, 1985-1986

35mm slides transferred to 4k video, 88-note player piano, player piano roll, optical trigger device, screen, 6:07 min each rotation, black and white, sound

Overall dimensions variable

A single-channel 16mm film projection by Stan Douglas, titled Overture, dated 1986.

Stan Douglas

Overture, 1986

Single-channel 16mm film projection, 6 min (loop), black and white, sound

Overall dimensions variable

A video by Stan Douglas, titled Deux Devises, dated 1983.

Stan Douglas

Deux Devises, 1983

Slide projector installation for 139 black and white slides, three (3) Kodak carousel slide projectors, and a dissolve unit with CD audio

Overall dimensions variable