Text description that reads Platform: Paris/Brussels
Text description reading Allen, Art : Concept, Balice Hertling, Campoli Presti, C L E A R I N G, Crèvecoeur, Damien & The Love Guru, Édouard Montassut, High Art, Joseph Tang, New Galerie, Office Baroque
Text description reading This presentation continues our series of online exhibitions bringing together gallery and artist communities around the world. Following exhibition interruptions this spring, is an opportunity to connect with twelve galleries from the dynamic art communities of Paris and Brussels, each presenting works by a single artist.
Text description reading Allen 59 rue de Dunkerque 75009 Paris
Text description reading Daniel Turner
A portrait of Daniel Turner
Text description reading Daniel Turner (b. 1983, Portsmouth, Virginia) lives and works in New York. Exhibitions of his work have been held at the Chinati Foundation, Musée des Arts Contemporains Grand-Hornu, and Museum Haus Esters Lange. An exhibition is set for this fall at The Musée d’Art Moderne de Paris.
A painting by Daniel Turner, titled Noun , dated 2020.

Daniel Turner

Noun, 2020
Stainless steel burnish, treated panel
Provenance: Norfolk Naval Shipyard
24 x 30 inches (61 x 76 cm)
A sculpture by Daniel Turner, titled Waiting Room, dated 2017.

Daniel Turner

Waiting Room, 2017
Cast steel, aluminum alloy, fiber
19 7/8 x 2 3/8 x 1 7/8 inches (50.5 x 6 x 4.8 cm)
An installation view featuring works by Daniel Turner
Installation view, PinchukArtCentre, Kiev, 2019. (VRPH Bar 1 and VRPH Bar 2), 2019. Cast steel.
Provenance: Vinnitsa Regional Psychoneurological Hospital.
Above: Portrait of Daniel Turner. Both Photos: Daniel Turner Studio
Installation view, PinchukArtCentre, Kiev, 2019. (VRPH Bar 1 and VRPH Bar 2), 2019. Cast steel.
Provenance: Vinnitsa Regional Psychoneurological Hospital.
Above: Portrait of Daniel Turner. Both Photos: Daniel Turner Studio
Text description reading Art : Concept 4 passage Sainte-Avoye 75003 Paris
Text description reading Jean-Michel Sanejouand
A portrait of Jean-Michel Sanejouand
Text description reading “Growing old is the only way to become less stupid. But the dumb oldies don’t take advantage of it.” —Jean-Michel Sanejouand
An installation view featuring works by Jean-Michel Sanejouand
Installation view: Jean-Michel Sanejouand: Charges-Objets, MAMCO, Genève, 2015. Photo: Photo: Ilmari Kalkkinen/Mamco
Above: Installation view, Poulet 20 NF, Galerie Yvette Morin, Paris, 1964. © Jean-Michel Sanejouand
Installation view: Jean-Michel Sanejouand: Charges-Objets, MAMCO, Genève, 2015. Photo: Photo: Ilmari Kalkkinen/Mamco
Above: Installation view, Poulet 20 NF, Galerie Yvette Morin, Paris, 1964. © Jean-Michel Sanejouand
A painting by Jean-Michel Sanejouand, titled Le Gisant, dated 2004.

Jean-Michel Sanejouand

Le Gisant, 2004
Acrylic on canvas
11 3/4 x 15 3/4 inches (30 x 40 cm)
A painting by Jean-Michel Sanejouand, titled Espace-Peinture, 11.10.81, dated 1981.

Jean-Michel Sanejouand

Espace-Peinture, 11.10.81, 1981
Acrylic on canvas
36 1/4 x 28 3/4 inches (92 x 73 cm)
Text description reading Balice Hertling 239 rue Saint-Martin 75003 Paris
Text description reading Xinyi Cheng
A portrait of Xinyi Cheng
Text description reading Xinyi Cheng uses painting to explore her fantasies. Both voyeur and participant, she depicts the people and things that fascinate her. Her scenes express the feeling of a longing delicately poised on the edge of fulfillment.
A painting by Xinyi Cheng, titled The Horse Wearing a Red Ear Bonnet and Eye Blinders, dated 2020.

Xinyi Cheng

The Horse Wearing a Red Ear Bonnet and Eye Blinders, 2020
Iwa-enogu on paper
21 5/8 x 18 1/8 inches (55 x 46 cm)
A painting by Xinyi Cheng, titled Itches, dated 2020.

Xinyi Cheng

Itches, 2020
Oil on canvas
18 1/8 x 21 5/8 inches (46 x 55 cm)
$18,000
A photograph of Xinyi Cheng’s studio
View of Xinyi Cheng’s studio.
Above: Portrait of Xinyi Cheng. Both photos: Aurélien Mole
View of Xinyi Cheng’s studio.
Above: Portrait of Xinyi Cheng. Both photos: Aurélien Mole
Text description reading Campoli Presti 4–6 rue de Braque 75003 Paris
Text description reading Katherine Bradford
A portrait of Katherine Bradford
Text description reading “Bradford has [said,] ‘I see painting going in a direction I don't want. It's either too sweet or too critical.’ Bridging abstraction and contemporary social subjects, Bradford aims for a midpoint between these two poles.… Her art is empathetic, direct, and transgressive.” —Andrew Hunt, Artforum
A painting by Katherine Bradford, titled Big Boots , dated 2019.

Katherine Bradford

Big Boots, 2019
Acrylic on canvas
80 x 68 inches (203.2 x 172.7 cm)
A painting by Katherine Bradford, titled Cape Woman, dated 2019.

Katherine Bradford

Cape Woman, 2019
Acrylic on canvas
24 x 30 inches (60.9 x 76.2 cm)
A photograph of Katherine Bradford’s studio
View of Katherine Bradford’s studio. Photo courtesy the artist
Above: Portrait of Katherine Bradford.
View of Katherine Bradford’s studio. Photo courtesy the artist
Above: Portrait of Katherine Bradford.
Text description reading CLEARING 311 avenue Van Volxem 1190 Forest
Text description reading Loïc Raguénès
A portrait of Loic Raguenes
Text description reading With a slow, meditate approach, Loïc Raguénès builds compositions with layers of tempera, a paint widely used during the Renaissance, to create paintings that feel at once like relics, yet strikingly alive.
A painting by Loïc Raguénès, titled Peau d’âne s’enfuit, dated 2018.

Loïc Raguénès

Peau d’âne s’enfuit, 2018
Tempera on canvas
28 1/4 x 34 3/4 inches (71.8 x 88.3 cm)
A painting by Loïc Raguénès, titled Oeillet du bord de mer, dated 2018.

Loïc Raguénès

Oeillet du bord de mer, 2018
Tempera on canvas
45 1/4 x 55 inches (115 x 140 cm)
An installation view featuring works by Loïc Raguénès
Installation view, Time’s Wan Wave, C L E A R I N G, Brooklyn, 2019
Above: Portrait of Loïc Raguénès. Both Photos: JSP Art Photography
Installation view, Time’s Wan Wave, C L E A R I N G, Brooklyn, 2019
Above: Portrait of Loïc Raguénès. Both Photos: JSP Art Photography
Text description reading Crèvecoeur 9 rue des Cascades 75020 Paris
Text description reading Autumn Ramsey
A portrait illustration of Autumn Ramsey
Text description reading “I’ve always been interested in identity, sexuality, beauty, and mortality, as well as the physical situation that we occupy.” —Autumn Ramsey
A painting by Autumn Ramsey titled Garden, dated 2019.

Autumn Ramsey

Garden, 2019
Oil on canvas
30 x 24 inches (76 x 61 cm)
A painting by Autumn Ramsey titled The Myth, dated 2019.

Autumn Ramsey

The Myth, 2019
Oil on canvas
24 x 20 inches (61 x 51 cm)
A photograph of Autumn Ramsey’s studio
View of Autumn Ramsey’s studio. Photo courtesy the artist.
Above: Portrait of Autumn Ramsey. Photo: Tom Van Eynde
View of Autumn Ramsey’s studio. Photo courtesy the artist.
Above: Portrait of Autumn Ramsey. Photo: Tom Van Eynde
Text description reading Damien & The Love Guru Rue de Tamines 19 1060 Brussels
Text description reading Sharon Van Overmeiren
A portrait of Sharon Van Overmeiren
Text description reading “Van Overmeiren tunes into the infinite flow of visual information of our collective consciousness. She copies and pastes forms that cross her path, introducing shapes to each other to start a formal conversation and strives to capture an exchange.” ⏤Koen Bulckens
A sculpture by Sharon Van Overmeiren, titled Mittere and Resurrection, dated 2019.

Sharon Van Overmeiren

Mittere and Resurrection, 2019
Ceramics
47 1/4 x 15 3/4 x 5 7/8 inches (120 x 40 x 15 cm)
$7,000
A sculpture by Sharon Van Overmeiren, titled He Who Walks Behind The Rows, dated 2019.

Sharon Van Overmeiren

He Who Walks Behind The Rows, 2019
Ceramic
65 x 9 7/8 x 7 7/8 inches (165 x 25 x 20 cm)
An installation view featuring works by Sharon Van Overmeiren
Installation view, Damien and the Love Guru, Miart fair, Milan, 2019. Photo: Andrea Pisapia / Spazio Orti 14. Booth scenography by Parasite 2.0
Above: Portrait of Sharon Van Overmeiren. Photo: Maxime De Cock
Installation view, Damien and the Love Guru, Miart fair, Milan, 2019. Photo: Andrea Pisapia / Spazio Orti 14. Booth scenography by Parasite 2.0
Above: Portrait of Sharon Van Overmeiren. Photo: Maxime De Cock
Text description reading Édouard Montassut, 61 rue du Faubourg-Poissonnière 75009 Paris
Text description reading Maggie Lee
A portrait of Maggie Lee
Text description reading “I want to beautify the world, and in the end, I call it collage.” —Maggie Lee
A painting by Maggie Lee, titled Sugar, dated 2019.

Maggie Lee

Sugar, 2019
Acrylic, glitters, tape on canvas
14 x 12 1/8 inches (35.5 x 30.5 cm)
A painting by Maggie Lee, titled Fraise Cake, dated 2019.

Maggie Lee

Fraise Cake, 2019
Glitters, color photocopy, silicone on canvas
14 x 11 1/8 inches (35.5 x 28 cm)
A photograph of Maggie Lee’s studio
View of Maggie Lee’s studio. Photo by the artist
Above: Portrait of Maggie Lee. Photo: Joerg Lohse
View of Maggie Lee’s studio. Photo by the artist
Above: Portrait of Maggie Lee. Photo: Joerg Lohse
Text description reading High Art 1 rue Fromentin 75009 Paris
Text description reading Lucy Bull
A portrait of Lucy Bull
Text description reading “Biomorphic vapors expand until meeting the corners and cannibalizing inward. Light and pigment build, condense, spiral, melt, feather, tunnel, break, and radiate with the pre-symbolic energy of Abstraction.” —Marie Heilich
A painting by Lucy Bull, titled Royal Jelly, dated 2020.

Lucy Bull

Royal Jelly, 2020
Oil on linen
60 x 50 x 1 1/2 inches (152.4 x 127 x 3.8 cm)
Unique

highart.fr
A painting by Lucy Bull, titled Snail Effects, dated 2020.

Lucy Bull

Snail Effects, 2020
Oil on canvas
36 x 48 x 1 1/2 inches (91.4 x 121.9 x 3.8 cm)
Unique

highart.fr
An installation view featuring works by Lucy Bull
Installation view, First Meetings, High Art, Paris, 2019
Above: Portrait of Lucy Bull. Both Photos: High Art
Installation view, First Meetings, High Art, Paris, 2019
Above: Portrait of Lucy Bull. Both Photos: High Art
Text description reading Joseph Tang 1 rue Charles François Dupuis Building B, 2nd Floor 75003 Paris
Text description reading Daiga Grantina
A portrait of Daiga Grantina
Text description reading “The mental image of touching the surface with her own hand occupies the distance. The first signs of an amour fou emerge.” —Daiga Grantina
A sculpture by Daiga Grantina, titled Stellle, dated 2019.

Daiga Grantina

Stellle, 2019
Plastic, paper, silicone, pigment
23 5/8 x 15 3/4 x 2 3/8 inches (60 x 40 x 6 cm)
A sculpture by Daiga Grantina, titled PuppeRe, dated 2019.

Daiga Grantina

PuppeRe, 2019
Plastic, fabric, pigment
11 x 11 x 5 7/8 inches (28 x 28 x 15 cm)
An installation view featuring works by Daiga Grantina
Installation view, What Eats Around Itself, The New Museum, New York, 2020
Above: Portrait of Daiga Grantina. Both Photos: Toan Vu-Huu
Installation view, What Eats Around Itself, The New Museum, New York, 2020
Above: Portrait of Daiga Grantina. Both Photos: Toan Vu-Huu
Text description reading New Galerie 2 rue Borda 75003 Paris
Text description reading Zevs
A portrait of Zevs
Text description reading This series consists of successive takes on the iconic painting , by David Hockney. Zevs (Aguirre Schwarz) transforms this glamourous setting into a corporate scene where the logos of global oil companies are “liquidated” in the artist’s usual fashion.
A photograph of Zevs’s studio
View of Zevs’s studio in Berlin. Photo: Aguirre Schwarz
Above: Portrait of Zevs. Photo: Robert Schwarz
View of Zevs’s studio in Berlin. Photo: Aguirre Schwarz
Above: Portrait of Zevs. Photo: Robert Schwarz
A painting by Zevs, titled Oil Painting Chevron Blue/Blue, dated 2015.

Zevs

Oil Painting Chevron Blue/Blue, 2015
Oil and varnish on canvas
59 x 59 inches (150 x 150 cm)
A painting by Zevs, titled Oil Painting Conoco Grey/Green, dated 2015.

Zevs

Oil Painting Conoco Grey/Green, 2015
Oil and varnish on canvas
47 1/4 x 47 1/4 inches (120 x 120 cm)
Text description Office Baroque Bloemenhofplein 5 1000 Brussels
Text description reading Rezi van Lankveld
A portrait of Rezi van Lankveld
Text description reading “A powerful generative force seems to be at work, a dynamics of fluidity and coagulation, suggesting the collision of disparate worlds and the metamorphosis of one thing into another, with a nagging feeling of absence as a recurring presence.” —Dominicvan den Boogerd, Artreview, 2019
A painting by Rezi van Lankveld, titled Creature, dated 2019.

Rezi van Lankveld

Creature, 2019
Oil on canvas
15 3/4 x 9 3/4 inches (50 x 40 cm)
A painting by Rezi van Lankveld, titled Feed, dated 2020.

Rezi van Lankveld

Feed, 2020
Oil on canvas
22 7/8 x 16 1/2 inches (58 x 42 cm)
A photograph of Rezi van Lankveld’s studio
View of Rezi van Lankveld’s studio in Amsterdam. Photo: Gert Jan van Rooij
Above: Portrait of Rezi van Lankveld. Photo: Jeremiah Day
View of Rezi van Lankveld’s studio in Amsterdam. Photo: Gert Jan van Rooij
Above: Portrait of Rezi van Lankveld. Photo: Jeremiah Day

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