Platform: London | Viewing Room | David Zwirner
A text description that reads Platform: London
A text description that reads The Approach, Arcadia Missa, Carlos/Ishikawa, Emalin, Herald St, Hollybush Gardens, Kate MacGarry, mother’s tankstation,
Sid Motion Gallery, Soft Opening, Southard Reid, The Sunday Painter
A text description that reads Platform: Lond brings together twelve London galleries––our colleagues, neighbors, and friends––each presenting works by a single artist in their program. In many cases, exhibitions by these artists were canceled or cut short due to gallery closures this Spring. We hope that you will connect with their works here.
A text description that reads The Approach 1st Floor, 47 Approach Road, Bethnal Green, London E2 9LY
A text description that reads Sarah Cwynar
A portrait of Sara Cwynar.
A text description that reads Sara Cwynar's recent work explores the ways in which bodies, ideas and artworks are all swept up in the same cycles and commodified. A set of X-rays of Marilyn Monroe’s chest once sold for $45,000—as Cwynar says “even the inside of her body was up for grabs”.
Above: Portrait of Sarah Cwynar. Photo: Aubrey Mayer
Above: Portrait of Sarah Cwynar. Photo: Aubrey Mayer
A photograph by Sara Cwynar titled Louis Vuitton Jeff Koons Rubens bag, dated 2020.

Sara Cwynar

Louis Vuitton Jeff Koons Rubens bag, 2020
Archival pigment print mounted on Dibond
30 x 36 inches (76.2 x 91.4 cm)
Edition of 3, 2 AP

theapproach.co.uk

A photograph by Sara Cwynar titled Virginia from SSENSE.com in the Pink Rose Prada Skirt, dated 2020.

Sara Cwynar

Virginia from SSENSE.com in the Pink Rose Prada Skirt, 2020
Metallic chromogenic print mounted on Dibond
30 x 24 inches (76.2 x 61 cm)
Edition of 3, 2 AP

theapproach.co.uk

A text description that reads Arcadia Missa 1st Floor, 14-16 Brewer Street, Soho, London W1F 0SG
A text description that reads Frieda Toranzo Jaeger
A portrait of Frieda Toranzo Jaeger.
A text description that reads Frieda Toranzo Jaeger’s paintings reconsider the semiotics of the car as the embodiment of male control by depicting car engines and interiors as spaces
for intimacy and queerness.
A view of Frieda Toranzo Jaeger's studio, dated 2020.
View of A code that copies itself, in the artist's studio in Mexico City, 2020
Above: Portrait of Frieda Toranzo Jaeger. Both photos by Bruno Ruiz Nava
View of A code that copies itself, in the artist's studio in Mexico City, 2020
Above: Portrait of Frieda Toranzo Jaeger. Both photos by Bruno Ruiz Nava
A detail of a painting by Frieda Toranzo Jaeger titled "Lonley-ness” the deepest loneliness is the one shared, dated 2020.

Frieda Toranzo Jaeger

"Lonley-ness” the deepest loneliness is the one shared, 2020
Oil on canvas and embroidery
Fully extended panels: 74 3/4 x 98 3/8 inches (190 x 250 cm)

arcadiamissa.com

A painting by Frieda Toranzo Jaeger titled The sleeping giant, dated 2020.

Frieda Toranzo Jaeger

The sleeping giant, 2020
Oil on canvas and embroidery
11 3/4 x 15 3/4 x 7/8 inches (30 x 40 x 2.5 cm)

arcadiamissa.com

A text description that reads Carlos/Ishikawa Unit 4, 88 Mile End Road, Stepney Green, London E1 4UN
A text description that reads Korakrit Arunanondchai
A portrait of Korakrit Arunanondchai.
A text description that reads Korakrit Arunanondchai’s work suggests that art can offer spiritual solace, unearthly beauty and social ideals. His work has recently been included at Venice Biennale, Whitney Biennial and Dhaka Art Summit.
A mixed media piece by Korakrit Arunanondchai titled History painting (frame), dated 2020.

Korakrit Arunanondchai

History painting (frame), 2020
Inkjet print on canvas, gel medium, bleached denim, stretcher
86 x 64 inches (218.4 x 162.6 cm)

carlosishikawa.com

A mixed media piece by Korakrit Arunanondchai titled Painting with history, the Red Sea, dated 2020.

Korakrit Arunanondchai

Painting with history, the Red Sea, 2020
Inkjet print on canvas, gel medium, bleached denim, stretcher
68 x 48 inches (172.7 x 121.9 cm)

carlosishikawa.com

An installation view of the exhibition, No history in a room filled with people with funny names 5, at Carlos/Ishikawa in London, dated 2018.
Installation view, No history in a room filled with people with funny names 5, 2018, Carlos/Ishikawa, London
Above: Portrait of Korakrit Arunanondchai. Photo: Benjamin Bechet (J1, Marseille)
Installation view, No history in a room filled with people with funny names 5, 2018, Carlos/Ishikawa, London
Above: Portrait of Korakrit Arunanondchai. Photo: Benjamin Bechet (J1, Marseille)
A text description that reads Emalin Unit 4 Huntingdon Estate, Bethnal Green Rd, Shoreditch, London E1 6JU
A text description that reads Sung Tieu
A portrait of Sung Tieu.
A text description that reads Sung Tieu (b. 1987) articulates a psychic imaginary in which ideological demarcations and geopolitical threats entangle with personal vulnerability. Her solo exhibitions at Haus der Kunst, Munich, and Nottingham Contemporary, England, opened earlier this year.
A work on paper by Sung Tieu titled Checkmate Puzzle, Variation 1, dated 2020.

Sung Tieu

Checkmate Puzzle, Variation 1, 2020
2 pencil drawings on 2 documents
Framed in 2 parts, each: 12 5/8 x 9 1/4 inches (32.1 x 23.4 cm)


emalin.co.uk


An installation by Sung Tieu titled Monologue 2, dated 2020.

Sung Tieu

Monologue 2, 2020
Engraving on stainless steel mirror, writing table with combined stool
115 3/4 x 43 1/4 x 31 7/8 inches (294 x 110 x 81 cm)

emalin.co.uk

An installation by Sung Tieu.
Installation view, In Cold Print, Nottingham Contemporary, Nottingham, England, 2020. Photo: Plastiques
Above: Portrait of Sung Tieu. Photo: Andy Keate
Installation view, In Cold Print, Nottingham Contemporary, Nottingham, England, 2020. Photo: Plastiques
Above: Portrait of Sung Tieu. Photo: Andy Keate
A text description that reads Herald St 2 Herald St, Bethnal Green, London E2 6JT 43 Museum St, Bloomsbury, London WC1A 1LY
A text description that reads Markus Amm
A portrait of Marus Amm.
A text description that reads Markus Amm (b. 1969, Stuttgart, Germany) is a Geneva-based artist known primarily for oil paintings on gesso that are both physical and illusory. His abstract works have been exhibited internationally, including a recent solo show at the Kunsthaus Baselland, Basel.
An untitled painting by Markus Amm, dated 2020.

Markus Amm

Untitled, 2020
Oil on gesso board
15 3/4 x 19 5/8 inches (40 x 50 cm)

heraldst.com

An untitled painting by Markus Amm, dated 2020.

Markus Amm

Untitled, 2020
Oil on gesso board
13 3/4 x 11 3/4 inches (35 x 30 cm)

heraldst.com

An installation view of the exhibition, Museum St at Herald St in London, dated 2018.
Installation view, Seasons, Herald St, Museum Street, London, 2018. Photo: Andy Keate
Above: Portrait of Markus Amm. Photo: Samuel Zeller
Installation view, Seasons, Herald St, Museum Street, London, 2018. Photo: Andy Keate
Above: Portrait of Markus Amm. Photo: Samuel Zeller
A text description that reads Hollybush Gardens 1-2 Warner Yard, Farringdon, London EC1R 5EY
A text description that reads Andrea Büttner
A portrait of Andrea Buttner.
A text description that reads Andrea Büttner connects art making with social issues such as poverty and labor, articulating her inquiry through diverse mediums. She was a 2017 Turner Prize nominee and the recipient of the Max Mara Art Prize for Women in 2010.
A print by Andrea Büttner titled Curtain, dated 2015.

Andrea Büttner

Curtain, 2015
Woodcut on paper
73 3/8 x 93 5/8 x 1 5/8 inches (186.3 x 237.7 x 4 cm)

hollybushgardens.co.uk


A print by Andrea Büttner titled Beggar, dated 2016.

Andrea Büttner

Beggar, 2016
Woodcut on paper
53 1/2 x 39 inches (136 x 99.2 cm)

hollybushgardens.co.uk


An installation view of works by Andrea Büttner at Hollybush Gardens in London.
Installation view, On Vulnerability and Doubt, Australian Centre for Contemporary Art, Melbourne, 2019. Photo: Andrew Curtis
Above: Portrait of Andrea Büttner. Photo: Julia Zimmermann
Installation view, On Vulnerability and Doubt, Australian Centre for Contemporary Art, Melbourne, 2019. Photo: Andrew Curtis
Above: Portrait of Andrea Büttner. Photo: Julia Zimmermann
A text description that reads Kate MacGarry 27 Old Nichol St, Shoreditch, London E2 7HR
A text description that reads Florian Meisenberg
A portrait of Florian Meisenberg.
A text description that reads Florian Meisenberg born 1980 in Berlin, lives and works in New York. In this new series of paintings, Meisenberg conjures a sense of commingled lightness and depth. Windows replicate and function as screens on which oily fingertips have left cartoonish smudges.
A detail of a painting by Florian Meisenberg titled Uptown Ikebana (how to fold your soul into a camel, which looks like swan), dated 2020.

Florian Meisenberg

Uptown Ikebana (how to fold your soul into a camel, which looks like swan), 2020
L.A. downtown grime, airbrush, oil paint on canvas
77 7/8 x 65 3/4 inches (198 x 167 cm)

katemacgarry.com


A detial of a painting by Florian Meisenberg titled 2020: Research 2019: Research 2018: Research 2017: Research 2016: Research, dated 2020.

Florian Meisenberg

2020: Research 2019: Research 2018: Research 2017: Research 2016: Research, 2020
Indian ink, oil paint, and airbrush on canvas
72 1/2 x 58 1/4 inches (184 x 148 cm)

katemacgarry.com


A view of Florian Meisenberg's studio.
Florian Meisenberg's studio in New York
Above: Portrait of Florian Meisenberg. Photo by the artist
Florian Meisenberg's studio in New York
Above: Portrait of Florian Meisenberg. Photo by the artist
A text description that reads mother’s tankstation 58-64 Three Colts Lane, Bethnal Green, London E2 6GP
A text description that reads Jessie Homer French
A portrait of Jessie Homer French.
A text description that reads Jessie Homer French (b. 1940, New York) is a self-taught artist who moved to Los Angeles in 1959. She maintains𠊊 fiercely independent spirit, with passions for painting, fly-fishing, ecology, and polemics, all of which is evidenced in her work.
A painting by Jessie Homer French titled Hendrick's Bridge dated 2018.

Jessie Homer French

Hendrick's Bridge, 2018
Oil on plywood
12 x 31 1/2 inches (31 x 80.5 cm)


motherstankstation.com

A painting by Jessie Homer French titled Salmon Hatchery on the Salmon River, Idaho, dated 1989

Jessie Homer French

Salmon Hatchery on the Salmon River, Idaho, 1989
Oil on canvas
24 x 36 inches (61 x 91 cm)

An installation view of the exhibition Paintings 1978 – 2018 at mother’s tankstation, in Dublin.
Installation view, Paintings 1978–2018, mother’s tankstation, Dublin, 2019
Above: Jessie Homer French in her studio
Installation view, Paintings 1978–2018, mother’s tankstation, Dublin, 2019
Above: Jessie Homer French in her studio
A text description that reads Sid Motion Gallery 24a Penarth Centre, South Bermondsey, London SE15 1TR
A text description that reads Max Wade
A portrait of Max Wade.
A text description that reads “The paintings I make are rooted firmly in the real and representational, but my aim is to conjure environments that become imagined landscapes. Through the layering of paint, I want to suggest of some half-forgotten place or experience.” —Max Wade
A painting by Max Wade titled Fin, dated 2018.

Max Wade

Fin, 2018
Oil on canvas in painted wooden frame
55 1/8 x 66 7/8 x 1 3/8 inches (140 x 170 x 3.5 cm)
Framed: 57 1/2 x 69 1/4 x 1 3/4 inches (146 x 176 x 4.5 cm)

sidmotiongallery.co.uk


A painting by Max Wade titled Red Pan, dated 2019.

Max Wade

Red Pan, 2019
Oil on canvas in painted wooden frame
59 x 70 7/8 x 1 3/8 inches (150 x 180 x 3.5 cm)
Framed: 61 3/8 x 73 1/4 x 1 3/4 inches (156 x 186 x 4.5 cm)

sidmotiongallery.co.uk


A view of Max Wade's studio in London.
View of Max Wade’s studio in East London
Above: Portrait of Max Wade. Both photos by Francis Ware
View of Max Wade’s studio in East London
Above: Portrait of Max Wade. Both photos by Francis Ware
A text description that reads Soft Opening 4 Herald Street, Bethnal Green, London E2 6JT
A text description that reads Gina Fischli
A portrait of Gina Fischli.
A text description that reads Gina Fischli reimagines objects that invoke the presence of an individual implied by his or her absence, to offer a collection of clues built from clichés of taste that, pieced together, engender a mood emblematic of her generation’s aspirational habitats.
A painting by Gina Fischli titled House, dated 2018.

Gina Fischli

House, 2018
Glitter, glue, plywood
18 1/2 x 16 7/8 inches (47 x 43 cm)

softopening.london

A painting by Gina Fischli titled Good day!!, dated 2020.

Gina Fischli

Good day!! , 2020
Glitter, glue, plywood
15 3/8 x 12 7/8 inches (39 x 33 cm)

softopening.london

A view of Gina Fischli's studio.
View of Gina Fischli's studio
Above: Portrait of Gina Fischli
View of Gina Fischli's studio
Above: Portrait of Gina Fischli
A text description that reads Southard Reid 7 Royalty Mews, Soho, London W1D 3AS
A text description that reads Celia Hempton
A text description that reads “Online space can be traversed like an endless landscape, exposing unfiltered and extreme aspects of human nature, as well as the banal and uneventful. My paintings reflect a voyeuristic and yet, ultimately, internally scrutinizing gaze.” —Celia Hempton
A painting by Celia Hempton titled Tokyo, Japan, 18th September 2019, dated 2019.

Celia Hempton

Tokyo, Japan, 18th September 2019, 2019
Oil on aluminum
13 3/4 x 15 3/4 inches (35 x 40 cm)

southardreid.com

A painting by Celia Hempton titled Tokyo, Japan, 20th September 2019, dated 2019.

Celia Hempton

Tokyo, Japan, 20th September 2019, 2019
Oil on aluminum
11 3/4 x 15 3/4 inches (30 x 40 cm)

southardreid.com

An installation view of the exhibition Tainted Love, at Le Confort Moderne in Paris, dated 2017.
Installation view, Tainted Love, Le Confort Moderne, Poitiers, France, 2017. Photo: Pierre Antoine
Above: Celia Hempton, Seoul, South Korea, 18th September 2019 (detail), 2019. Photo: Benjamin Westoby
Installation view, Tainted Love, Le Confort Moderne, Poitiers, France, 2017. Photo: Pierre Antoine
Above: Celia Hempton, Seoul, South Korea, 18th September 2019 (detail), 2019. Photo: Benjamin Westoby
A text description that reads The Sunday Painter 117–119 South Lambeth Road, Stockwell, London SW8 1XA
A text description that reads Emma Hart
A portrait of Emma Hart.
A text description that reads Emma Hart’s work implicates the audience in acts of visual and verbal violence, playing out the ups and downs of human relationships. Whether we adhere to habitual modes of behavior or submit to external pressures, Hart explores what pushes us to do things.
A sculpture by Emma Hart titled Extra, dated 2020.

Emma Hart

Extra, 2020
Ceramic
19 5/8 x 22 x 11 inches (50 x 56 x 28 cm)

thesundaypainter.co.uk


A sculpture by Emma Hart titled All Hail dated 2020.

Emma Hart

All Hail, 2020
Ceramic
10 5/8 x 10 5/8 x 19 1/4 inches (27 x 27 x 49 cm)

thesundaypainter.co.uk


An installation view of the exhibition Mamma Mia!, dated 2017.
Installation view featuring Mamma Mia!, at the Collezione Maramotti, 2017. Photo: Dario Lasagni
Above: Portrait of Emma Hart. Photo: Thierry Bal
Installation view featuring Mamma Mia!, at the Collezione Maramotti, 2017. Photo: Dario Lasagni
Above: Portrait of Emma Hart. Photo: Thierry Bal
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