Artist page 
Raymond Pettibon
The Cloud of Misreading
2017
The artist's first solo exhibition in Russia

June 7 – August 13

Raymond Pettibon. The Cloud of Misreading at Garage Museum of Contemporary Art in Moscow was the artist's first solo presentation in Russia. The exhibition brought together more than 300 works including ephemera and materials from Pettibon's personal archive. The exhibition was curated by Gary Carrion-Murayari and Massimiliano Gioni from the New Museum in New York, and was accompanied by a booklet containing Russian translations of some of the texts that appear on the artist’s works.

Read more: a profile of the artist in The New York Times

A Pen of All Work
2017
Major solo exhibition in the United States and Europe
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
Installation view of A Pen of All Work at the New Museum in New York (2017)
Raymond Pettibon
No Title (I thank the...), 2005
Pen and ink on paper
22 x 32 inches (55.9 x 81.3 cm)
Raymond Pettibon
No title (This feeling is...), 2011
Pen and ink on paper
37 1/4 x 49 1/2 inches (94.6 x 125.7 cm)

Raymond Pettibon: A Pen of All Work, the solo exhibition by "the enigmatic, fantastically erudite artist," as Peter Schjeldahl wrote in his review in The New Yorker, traveled to the Bonnefantenmuseum Maastricht in The Netherlands following its critically acclaimed debut at the New Museum in New York. Curated by New Museum curators Gary Carrion-Murayari and Massimiliano Gioni and featuring over 700 drawings from the 1960s to the present, A Pen of All Work was the largest presentation of Pettibon's work to date. A related exhibition also curated by Massimiliano Gioni and Gary Carrion-Murayari and entitled Raymond Pettibon. The Cloud of Misreading opened at the Garage Museum of Contemporary Art in Moscow in June.

The exhibition publication features contributions by Gary Carrion-Murayari and Massimiliano Gioni, who interviewed Pettibon, and Benjamin H.D. Buchloh, Sarah Lehrer-Graiwer, Frances Stark, and Lynne Tillman. Published by the New Museum | Phaidon

Read more: further reviews of A Pen of All Work in The New York Times and Time Out New York; a profile of the artist in The New York Times

Collaboration with Marcel Dzama
Ongoing since 2015
Drawings, zines, and exhibitions
Marcel Dzama and Raymond Pettibon
Installation view of Forgetting the Hand at David Zwirner, New York (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Forgetting the Hand at David Zwirner, New York (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Forgetting the Hand at David Zwirner, New York (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Forgetting the Hand at David Zwirner, New York (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Forgetting the Hand at David Zwirner, New York (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Let us compare mythologies at David Zwirner, London (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Let us compare mythologies at David Zwirner, London (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Let us compare mythologies at David Zwirner, London (2016)
Marcel Dzama and Raymond Pettibon
Installation view of Let us compare mythologies at David Zwirner, London (2016)
Marcel Dzama and Raymond Pettibon
Cover of Dzama / Pettibon zine (2016)
Marcel Dzama and Raymond Pettibon
Dzama / Pettibon: Let us compare mythologies zine (2016)

Marcel Dzama and Raymond Pettibon began collaborating in the summer of 2015, creating works by swapping drawings in the "exquisite corpse" method, in which a partner is only given portions of an otherwise concealed drawing to work on. The drawings first appeared in Dzama / Pettibon, a zine published to coincide with Printed Matter's 2015 New York Art Book Fair at MoMA PS1. Produced in an edition of 200, the zine sold out on the first day of the fair.

An expanded second edition of the zine was later published for Forgetting the Hand, an exhibition of the artists' collaborative works at David Zwirner in New York. The second edition included 20 additional drawings and a text by poet Andrew Durbin. The collaboration continued as Dzama and Pettibon created works for the exhibition Let us compare mythologies, which was on view at the London gallery later in 2016.

Homo Americanus
2016
Major solo exhibition at the Deichtorhallen Hamburg - Sammlung Falckenberg
Installation view of Homo Americanus at the Deichtorhallen Hamburg - Sammlung Falckenberg (2016)
Installation view of Homo Americanus at the Deichtorhallen Hamburg - Sammlung Falckenberg (2016)
Homo Americanus (David Zwirner Books / Deichtorhallen Hamburg – Sammlung Falckenberg, 2016)

In 2016, the Deichtorhallen Hamburg - Sammlung Falckenberg presented Homo Americanus, a major survey of Pettibon's work. The exhibition encompassed over 700 drawings from every part of Pettibon's career, the majority of which had never been shown before.

David Zwirner Books published the exhibition catalogue in collaboration with the museum. The 692-page volume includes texts by exhibition curator ​Ulrich Loock, Raymond Pettibon himself, and Lucas Zwirner. Arranged thematically in 32 chapters, the catalogue charts the development of important themes in Pettibon's work, such as hearts, Gumby, trains, baseball, surfers, and more.

The Artist Project
2015
Online video series exploring The Met museum's collection

The Artist Project is an online series produced by The Metropolitan Museum of Art in New York which gives artists the opportunity to respond to the museum's encyclopedic collection. The Met invited Raymond Pettibon to participate in the third season of the project. In the video, he chose to discuss works by Joseph Mallord William Turner, saying: “I like art where you can see the struggle in making the work.”

PETRA0494A

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None
Artists 
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26 x 24 1/8 inches (66 x 61.3 cm)
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Acrylic on panel
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Artwork
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Grey display
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No Title (CCCP Sputnik cosmo...)

Year 
1990

PETRA2630.VR

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$15000.00
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Available
Artists 
Dimensions 
11 x 7 7/8 inches (27.8 x 19.8 cm)
Materials 
Ink and collage on paper
Additional 
Signed and dated verso
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Grey display
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No Title (Holy Bible. Old...)

Year 
2014

PETRA3599.AP2

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$15000.00
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Available
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42 1/2 x 60 1/4 inches (108 x 153 cm)
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Lithograph
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Edition of 48, 2 of 12 AP, Signed and number recto
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Grey display
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No Title (A sea of...)

Year 
2008
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On reserve

On the occasion of the gallery’s 25th anniversary, David Zwirner will present a special exhibition celebrating the artists who have shaped the gallery’s program since its founding in 1993.

 

On view across all of the gallery’s Chelsea spaces in New York (519, 525 & 533 West 19th Street and 537 West 20th Street), the exhibition will feature artworks by the gallery’s artists, including significant historical work, alongside new and never-before-seen works commissioned specially for the occasion.

 

Read more

Layout 
Carol Bove
Lemon, 2017
Stainless steel, found steel, and urethane paint
62 3/4 x 113 3/4 x 55 1/2 inches (159.4 x 288.9 x 141 cm)
Josef Albers
Study for Homage to the Square: Distant, 1964
Oil on Masonite
Framed: 24 5/8 x 24 5/8 inches (62.5 x 62.5 cm)
Marcel Dzama
Die Verwandlung, 2017
Watercolor, ink, and graphite on paper
Framed: 94 3/4 x 66 inches (240.7 x 167.6 cm)
Jeff Koons
Bluebird Planter, 2010-2016
Mirror-polished stainless steel with transparent color coating and live flowering plants
82 1/2 x 115 x 41 1/2 inches (209.5 x 292.1 x 105.4 cm)
Philip-Lorca diCorcia
Buddy, 2017
Inkjet print
Framed: 45 1/4 x 64 1/2 inches (114.9 x 163.8 cm)
Wolfgang Tillmans
Vapeur, 2017
Inkjet print on paper, clips
161 3/4 x 108 1/8 inches (410.8 x 274.6 cm)
Ruth Asawa
Untitled (S.535, Hanging Five Lobed Continuous Form within a Form and Two Interior Spheres and One Teardrop Form), 1951
Hanging sculpture—iron and brass wire
87 x 12 1/2 x 12 1/2 inches (221 x 31.8 x 31.8 cm)
Josh Smith
Coming Home, 2018
Oil on linen
60 x 48 inches (152.4 x 121.9 cm)

PETRA1334

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29 3/4 x 22 1/4 inches (75.6 x 56.5 cm)
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Pen, ink, gouache, acrylic, and collage on paper
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Grey display
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No Title (We criticize a)

Year 
2007

PETRA1279

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30 x 22 3/4 inches (76.2 x 57.8 cm)
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Pen, ink, gouache, acrylic, and collage on paper
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No Title (On paper cotton)

Year 
2007

PETRA1316

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22 3/4 x 30 inches (57.8 x 76.2 cm)
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Pen, ink, gouache, and collage on paper
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Grey display
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No Title (We want them)

Year 
2007

PETRA1380

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22 1/2 x 29 7/8 inches (57.2 x 75.9 cm)
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Pen, ink, gouache, collage, graphite and
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Grey display
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No Title (Today the parrot. . .)

Year 
2007

PETRA1337

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None
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29 3/4 x 21 1/2 inches (75.6 x 54.6 cm)
Materials 
Pen, ink, and gouache on paper
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Grey display
Front title 

No Title (You could have)

Year 
2007

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