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$8000.00
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Dimensions 
33 x 17 inches (83.8 x 43.2 cm)
Materials 
Nickel plated steel and silicone
Additional 

This artist is represented by Mother's Tankstation, Dublin and Galerie Parisa Kind, Frankfurt

Hannah Levy’s anthropomorphic works explore the intersection of sculpture and design. Made from silicone and nickel plated steel, the present work mines the familiar ergonomic shapes of contemporary design to reveal a sense of fleshiness and corporeality beneath their slick surfaces.

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Untitled

Year 
2017

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Dimensions 
20 3/4 x 26 5/8 inches (52.7 x 67.6 cm)
Materials 
Collage and newspaper on paper in artist's frame
Additional 

Signed, titled, and dated recto

Part of West's series of collages, the present work comprises gestural brushstrokes of red, purple, blue, and white paint that surround and at times obscure the figures of two nude women, producing an image that is at once dynamically charged and humorously unsettling.

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In Swanns Welt (Swann's Way)

Year 
1983

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Dimensions 
17 x 33 1/2 inches (43.2 x 85.1 cm)
Materials 
Paint on magazine advertisements in three (3) parts in artist's frame
Additional 

Signed, titled, and dated recto.

Part of the artist's series of collages, the present work depicts four nude women around which the artist painted backdrops of red, pink, purple, white, and black paint, creating a suite of images that are both dynamically charged and unsettling.

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Von roter Grütze befangen und danach… (Trapped by Red Groats and Afterwards…)

Year 
1987

Organized in collaboration with Nicholas Hall, a specialist in the field of Old Masters and nineteenth-century art, this exhibition takes as its point of departure Alfred H. Barr Jr.’s legendary 1936 exhibition at The Museum of Modern Art, New York, Fantastic Art, Dada, Surrealism, which not only introduced these movements to the American public, but also placed them in a historical and cultural context by situating them with artists from earlier centuries. Drawn from international museum and private collections, the exhibition at David Zwirner will include works from the fourteenth century to the present day.

The exhibition will provide a unique opportunity to examine affinities in intention and imagery between works executed across a broad span of time. Endless Enigma will explore the ways artists have sought to explain their world in terms of an alternate reality, drawn from imagination, the subconscious, poetry, nature, myth, and religion. Works on view range from fourteenth-century gargoyles from France; masterworks from the fifteenth and sixteenth centuries by Giuseppe Arcimboldo, Herri met de Bles, Hieronymus Bosch, Piero di Cosimo, and Titian; seventeenth- and eighteenth-century works by Damiano Cappelli, Pietro Novelli, and Salvator Rosa; nineteenth-century works by William Blake, James Ensor, Francisco Goya, Gustave Moreau, Odilon Redon, and James Ward; and works from the twentieth century to the present day by Eileen Agar, Jean Arp, Louise Bourgeois, Salvador Dalí, Giorgio de Chirico, Marcel Duchamp, Max Ernst, Leonor Fini, Robert Gober, José Gutiérrez Solana, Sherrie Levine, René Magritte, Roberto Matta, Pablo Picasso, Wallace Putnam, Man Ray, Kay Sage, Yves Tanguy, Luc Tuymans, and Lisa Yuskavage, among others.

In conjunction with the exhibition, David Zwirner Books will publish a fully illustrated catalogue, which will include new scholarship by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel.

 

Image: Follower of Hieronymus Bosch, The Garden of Earthly Delights, n.d. (detail)

Layout 

DEAJO0001_vr

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Dimensions 
Overall: 32 3/4 x 448 7/8 x 2 inches (83.2 x 1140.3 x 5.1 cm)
Materials 
UV print and text on Falconboard in seventy-three (73) parts
Additional 

This artist is represented by Alexander and Bonin.

Part of a large-scale installation entitled Eu, mestiço [I, Mestizo], Jonathas de Andrade’s series of black-and-white photographs called Menosprezo/Belittle, por Oristes [Believing / Belittle, by Orestes] (2017) uses the body as a site to examine national identity and institutionalized racism in Brazil.

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Menosprezo / Belittle, por Oristes

Year 
2017

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Dimensions 
18 1/2 x 20 x 12 3/8 inches (47 x 50.8 x 31.4 cm)
Materials 
Hand-glazed tile mosaic and wood
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Seat (Yellow and Beige)

Year 
2016

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Price 
$850000.00
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Dimensions 
Dimensions vary with each installation Left Passstück: 27 x 21 x 17 inches (68.6 x 53.3 x 43.2 cm) Right Passstück: 29 x 16 1/2 x 10 inches (73.7 x 41.9 x 25.4 cm) Board: 1 x 87 1/2 x 23 1/2 inches (2.5 x 222.3 x 59.7 cm)
Materials 
Papier-mâché, plaster, metal, and paint in two (2) parts with accompanying video and monitor on wooden board
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Passstücke (mit Video mit Verwendungstips) (Adaptives [with video with usage tips])

Year 
1996

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Dimensions 
Chair, each: 33 x 17 x 17 inches (83.8 x 43.2 x 43.2 cm) Sculpture: 18 x 18 1/2 x 20 inches (45.7 x 47 x 50.8 cm)
Materials 
Installation in three (3) parts with two (2) chairs (wood, paint, and metal) and one (1) sculpture (papier-mâché, paint, cardboard, gauze, and polyester)
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2625

Year 
1991/1999

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Dimensions 
54 3/8 x 81 1/8 inches (138 x 206 cm)
Materials 
Inkjet print on paper, clips
Additional 

Edition 1 of 1, 1 AP.

The portrait occupies a prominent position within Wolfgang Tillmans's oeuvre, but its repeated appearance throughout his works is far from uniform. While some are spontaneous, others are staged; some involve a full face, others just an ear or a neck. Tillmans has mentioned that he approaches the genre with the same level of experimentation that he uses for his abstract pictures, and his subjects are sometimes presented in contexts that seem to approximate still lifes.

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Karl, Utoquai 9

Year 
2012

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Artists 
Dimensions 
16 x 16 x 15 1/2 inches (40.6 x 40.6 x 39.4 cm)
Materials 
Oil on linen on panel, pipe, cast iron flanges, and hardware
Additional 

This artist is represented by Marianne Boesky.

Lot 061110/12 (the cadmium hole), displayed at waist height with four metal pipes securing it to the wall, explores the visceral dichotomy between rough and soft textures. Here, Moffett treats the canvas as a surrogate for the body, creating a single orifice by drilling a large hole into the center of his painting.

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Lot 061110/12 (the cadmium hole)

Year 
2010-2012

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