An installation view of the exhibition Neo Rauch: Renegaten, at David Zwirner New York, dated 2005.

Neo Rauch

Renegaten

Opening on Monday, May 9, 2005, David Zwirner is pleased to present an exhibition of new work by German painter Neo Rauch. In 2004, Rauch was the subject of a solo show at the prestigious Albertina in Vienna, Austria, and in June, 2005, his work will be featured in a solo exhibition at Cento de Arte Contemporáneo, Malaga, Spain. Among his recent group exhibitions are the 2005 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; From Leipzig, Cleveland Museum of Art, Cleveland, OH; Site Santa Fe's Fifth International Biennial Exhibition, Santa Fe, NM; Life After Death: New Paintings from the Rubell Family Collection, Mass MoCA, North Adams, MA; Generation X, Kunstmuseum Wolfsburg, Wolfsburg, Germany; and Contemporary Voices: Works from the UBS Collection, Museum of Modern Art, New York, NY. This will be the artist's third solo exhibition at the gallery and will include ten new paintings.

Educated at the now legendary Leipzig Academy by the old school of Social Realist painters, Neo Rauch has become one of the Academy's most influential graduates. His fusion of industrial symbolism, painterly figuration, and unique brand of Neo-Romanticism are influenced in part by his exposure to Communist-era advertising in former East Germany. In his words, this "atmosphere of permanent fear" had a lasting effect on his work. The paradoxical combination of proletarian ethic and stoic inactivity give Rauch's paintings the quality of being frozen in another time. In many of his compositions, athletic figures engaged in manual labor work against a backdrop of architectural elements, futuristic (yet also oddly old-fashioned) industrial devices, and barren landscapes. In a series of vignettes, characters are introduced and their tasks defined by "props," among them tools, books, hoses and other recognizable objects. More ambiguous images also populate these spaces, pushing the narrative into less familiar territory. Each element, whether cartoon-like or realistically rendered, is deftly balanced by political and visual authenticity; the artist's technical ability and sincere connection to his vernacular are ever apparent.

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A painting by Neo Rauch, titled Leporello, dated 2005.

Neo Rauch

Leporello, 2005
Oil on canvas
98 1/2 x 82 5/8 inches (250.2 x 209.9 cm)
A painting by Neo Rauch, titled Krypta, dated 2005.

Neo Rauch

Krypta, 2005
Oil on canvas
82 3/4 x 106 3/4 inches (210 x 271 cm)
A painting by Neo Rauch, titled Neujahr, dated 2005.

Neo Rauch

Neujahr, 2005
Oil on canvas
106 1/3 x 82 2/3 inches (270 x 210 cm)
A painting by Neo Rauch, titled Höhe, dated 2004.

Neo Rauch

Höhe, 2004
Oil on canvas
106 2/3 x 82 5/8 inches (270.9 x 209.9 cm)
A painting by Neo Rauch, titled Lösung, dated 2005.

Neo Rauch

Lösung, 2005
Oil on canvas
118 1/8 x 82 5/8 inches (300 x 210 cm)
A painting by Neo Rauch, titled Pergola, dated 2005.

Neo Rauch

Pergola, 2005
oil on canvas
82.68 x 106.69 inches (210 x 271 cm)
A painting by Neo Rauch, titled heimkehr, dated 2005.

Neo Rauch

heimkehr, 2005
Oil on canvas
82 3/4 x 118 1/10 inches (210 x 300 cm)
A painting by Neo Rauch, titled Neue Rollen, dated 2005.

Neo Rauch

Neue Rollen, 2005
Diptych. Oil on canvas.
Each: 106 3/10 x 82 7/10 inches (270 x 210 cm)
A painting by Neo Rauch, titled Blauer Elefant, dated 2005.

Neo Rauch

Blauer Elefant, 2005
oil on canvas
82.68 x 157.48 inches (210 x 400 cm)
A painting by Neo Rauch, titled Der Pate, dated 2005.

Neo Rauch

Der Pate, 2005
oil on canvas
106.69 x 59.06 inches (271 x 150 cm)

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