Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.

Al Taylor: Pass the Peas and Can Studys

David Zwirner is pleased to announce the gallery’s third solo exhibition of drawings and three-dimensional works by Al Taylor. On view at the gallery’s 519 West 19th Street space, the exhibition will present a comprehensive examination of two individual series by the artist: Pass the Peas (1991-92) and Can Studys [sic] from 1993, as well as a related group of works entitled Cans and Hoops (1993) which bridge the evolution between the two series.

Al Taylor was an artist whose intimate observations of the world were explored using any media at hand to investigate and expand the interrelationships of vision and fluid space. He deftly abstracted simple objects and imagery into a unique body of work that is both complex and starkly honest. In the history of contemporary art, Taylor is a singular figure not easily assimilated into any exclusive movement or school, although recent scholarship often cites Marcel Duchamp as a significant touchstone for his work. Taylor’s art was inspired by an amalgam of influences ranging from mathematical theories and art historical precedents to his own studies of everyday minutiae, alongside personal references from his life. The artist drew upon these diverse influences to create systematic rules that he set up to be broken, providing unexpected paths to research and develop the possibilities of visual experience.

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For more information about available works contact inquiries@davidzwirner.com

Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.
Installation view of the exhibition Al Taylor: Pass the Peas and Can Studys, at David Zwirner in New York, dated 2012.

This publication focuses on two bodies of work by Taylor, Pass the Peas and Can Studys. Although distinct, both of these series examine Taylor’s lifelong explorations of the circle. Consistent with the dual nature of his practice, the artist’s facility as a draftsman is evidenced in an array of works on paper from each series that run the gamut from still lifes to purely abstract drawings. Published by David Zwirner Books / Steidl

A sculpture by Al Taylor, titled Milton, Pass the Peas, dated 1992.

Al Taylor

Milton, Pass the Peas, 1992
Plastic coated telephone cable, wire, and plastic rings
84 3/4 x 39 1/2 x 35 1/2 inches (215.3 x 100.3 x 90.2 cm)
A work on paper by Al Taylor, titled Untitled (Pea Passing Device), dated 1992.

Al Taylor

Untitled (Pea Passing Device), 1992
Pencil, gouache, ink, and correction fluid on paper
37 3/8 x 25 3/8 inches (94.9 x 64.5 cm)

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          Pass the Peas and Can Studys

          Al Taylor

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