Minimal | David Zwirner
An installation view of the exhibition Minimal, at David Zwirner New York, dated 2001.


This summer, Zwirner & Wirth will present Minimal, an exhibition of works from the 1960s and 70s, which demonstrate some of the main themes and forms of minimalism.

Dan Flavin, The Barbara Roses, 1962-71, is a visual pun on the name of the American art historian Barbara Rose, who was an intimate friend of Flavin. Created concurrently with Flavin’s early "Icons", this work is among his first sculptures using electric light.

Donald Judd's Untitled, (22 November,1968), box construction, was created during the years Judd began to explore industrial materials such as copper, brass, stainless steel and Plexiglas. The work embodies a palpable, visual tension between the rigorousness of its physical geometry and the opulent effects of the materials, where opacity and translucency, reflections and transparency coexist.

On the West coast, John McCracken was also experimenting with materials in the 1960s. Red Plank of 1964, is McCracken's signature form. Consisting of highly polished enamel resin and fiberglass, the plank creates a visual paradox as the object’s presence is simultaneously physical and immaterial. Moving painting into sculpture, the plank exists in a phenomenological space between the second and third dimension.

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Summer 2001
Carl Andre, Andre Cadere, Hanne Darboven, Dan Flavin, Donald Judd, Sol LeWitt, John McCracken, Robert Morris, Lawrence Weiner

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      • Minimal