An installation view of the exhibition Franz West: Early Work, at David Zwirner New York, dated 2005.

Franz West

Early Work

Franz West, who is now widely considered to be one of Europe's most important contemporary sculptors, has been showing steadily since the mid 1970s. This exhibition brings together a large group of sculptures, collages and works on paper dating from 1972-1988 which have never before been exhibited in the United States. The group illustrates the richness of West's early production and offers significant insight into the fundamental theories, ideas and practices that still shape West's work today.

In the 1970s, West began to make sculpture which he called Passstücke. The works are essentially papier-mâché, plaster and fiberglass sculptures painted white that often use material from everyday life, such as bottles, broom and paint brush handles and other miscellaneous objects as points of departure. The term Passstücke can loosely be translated as "adaptive". They are meant to relate to the user's body, as they adapt to the body or the body adapts to them. The Passstücke carried or worn by the receiver effect a temporary expansion of the limits of the body; this expansion constantly changes during the interactive process and influences one’s perception of reality and one’s state of mind. The sculptures are intended to be handled and are not meant to be merely contemplated.

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Dates
October 30, 2004January 8, 2005
Artist
A sculpture by Franz West, titled Paßstück (Adaptive), dated 1975.

Franz West

Paßstück (Adaptive), 1975
Wood, plaster, and dispersion
19 1/4 x 31 1/2 x 15 3/4 inches (49 x 80 x 40 cm)
A sculpture by Franz West, titled Paßstück, dated circa 1980.

Franz West

Paßstück, ca. 1980
Metal, plaster and paint
11.61 x 13.78 x 8.66 inches (29.5 x 35 x 22 cm)
An installation view of the exhibition Franz West: Early Work, at David Zwirner New York, dated 2005.

Franz West has never limited himself to a specific medium or mode of expression in his work. Like other artists who have come of age during or after Conceptualism and Minimalism, he has embraced a variety of media–from drawings to sculptures, to single-channel videos, to largescale, room-size installations. However, two aspects of his oeuvre have been especially characteristic: his interest in the autonomous sculpture and his investigation of works of art that are interactive. Over the years he has successfully blurred the boundary between the work of art and everyday life. The Passstücke are now a part of art history, his trademark furniture has expanded our definition of contemporary sculpture, and his collages and magazine paintings are comfortably situated in a post-Pop canon of artists that includes such contemporaries as Richard Prince and Cindy Sherman.

A collage by Franz West, titled Die Welt zerfaellt in Tatsachen (The World Disintegrates into Facts), dated circa 1970.

Franz West

Die Welt zerfaellt in Tatsachen (The World Disintegrates into Facts), ca. 1970
Paint and oilstick on magazine ad, mounted on white mat
13 x 10 inches (33 x 25.4 cm)
A collage by Franz West, titled Untitled (Spill), dated 1977.

Franz West

Untitled (Spill), 1977
Paint on magazine ad
10 3/4 x 8 inches (27.3 x 20.3 cm)

Franz West

Namensbild Attila, c. 1975-1985
Newspaper, cardboard, and plywood
10 5/8 x 11 3/4 x 2 1/8 inches (27 x 30 x 5.5 cm)
A mixed media wall-hanging sculpture by Franz West, titled Namensbild Fredl (Nameplate Fredl), dated 1974.

Franz West

Namensbild Fredl, 1974
Papier-mâché, cardboard, and paint
12 1/4 x 18 3/4 x 2 1/8 inches (31 x 47.5 x 5.5 cm)

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