The front of David Zwirner Gallery at 43 Greene Street, New York, dated 2001, during the exhibition Diana Thater: The sky is unfolding under you
The front of David Zwirner Gallery at 43 Greene Street, New York, dated 2001, during the exhibition Diana Thater: The sky is unfolding under you

David Zwirner: 25 Years

On the occasion of the gallery’s 25th anniversary, David Zwirner will present a special exhibition celebrating the artists who have shaped the gallery’s program since its founding in 1993.

On view across all of the gallery’s Chelsea spaces in New York (519, 525 & 533 West 19th Street and 537 West 20th Street), the exhibition will feature artworks by the gallery’s artists, including significant historical work, alongside new and never-before-seen works commissioned specially for the occasion.

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A sculpture by Carol Bove titled Lemon, dated 2017.

Carol Bove

Lemon, 2017
Stainless steel, found steel, and urethane paint
62 3/4 x 113 3/4 x 55 1/2 inches (159.4 x 288.9 x 141 cm)
A painting by Josef Albers titled Study for Homage to the Square: Distant, dated 1964.

Josef Albers

Study for Homage to the Square: Distant, 1964
Oil on Masonite
Framed: 24 5/8 x 24 5/8 inches (62.5 x 62.5 cm)
David Zwirner in front of the gallery at 43 Greene Street, New York.

"I am proud that the ethos and spirit of commitment to the artists and their art that guided the gallery from the beginning remains true today and as we look ahead." —David Zwirner, January 2018

A work on paper by Marcel Dzama titled Die Verwandlung, dated 2017.

Marcel Dzama

Die Verwandlung, 2017
Watercolor, ink, and graphite on paper
Framed: 94 3/4 x 66 inches (240.7 x 167.6 cm)
A mirror polished stainless steel sculpture with live flowering plants by Jeff Koons titled Bluebird Planter, dated 2010-2016.

Jeff Koons

Bluebird Planter, 2010-2016
Mirror-polished stainless steel with transparent color coating and live flowering plants
82 1/2 x 115 x 41 1/2 inches (209.5 x 292.1 x 105.4 cm)

David Zwirner: 25 Years will be accompanied by an illustrated catalogue revisiting the nearly 400 exhibitions presented by the gallery since 1993. With contributions by celebrated art historian Richard Shiff, renowned curator and academic Robert Storr, as well as David Zwirner himself, this publication will offer rare insights into the growth of a commercial gallery through its long-term commitment to its extraordinary artists.

A photograph by Philip-Lorca diCorcia, titled Buddy, dated 2017.

Philip-Lorca diCorcia

Buddy, 2017
Inkjet print
Framed: 45 1/4 x 64 1/2 inches (114.9 x 163.8 cm)
A photograph by Wolfgang Tillmans, titled Vapeur, dated 2017.

Wolfgang Tillmans

Vapeur, 2017
Inkjet print on paper, clips
161 3/4 x 108 1/8 inches (410.8 x 274.6 cm)
An untitled sculpture by Ruth Asawa, dated 1951.

Ruth Asawa

Untitled (S.535, Hanging Five Lobed Continuous Form within a Form and Two Interior Spheres and One Teardrop Form), 1951
Hanging sculpture—iron and brass wire
87 x 12 1/2 x 12 1/2 inches (221 x 31.8 x 31.8 cm)
A painting by Josh Smith, titled Coming Home, dated 2018.

Josh Smith

Coming Home, 2018
Oil on linen
60 x 48 inches (152.4 x 121.9 cm)
A photograph by Gordon Matta-Clark, titled Splitting, dated 1974.

Gordon Matta-Clark

Splitting, 1974
Collaged gelatin silver prints
32 x 22 3/4 inches (81.3 x 57.8 cm) Framed: 41 x 31 inches (104.1 x 78.7 cm)
A sculpture by Jason Rhoades, titled Chandelier 37, dated 2006.

Jason Rhoades

Chandelier 37, 2006
Neon Glass: Chimba, el Aguero, La Cosa Sambrosa, La Mata de Sifilis, pucha, El timbre; 3 transformers, orange cord with three-plug, rope, armature wire, glass metal lantern, 4 fabric lamps, dream catcher, 7 doll money boxes, gun belt, purse, metal mask, 2 rattles, wooden box, glass lead butterfly, glass lead dragonfly
86 5/8 x 114 1/8 x 102 3/8 inches (220 x 290 x 260 cm)
A painting by Tomma Abts, titled Deke, dated 2006.

Tomma Abts

Deke, 2006
Acrylic and oil on canvas
19 1/8 x 15 inches (48.6 x 38.1 cm)
A painting by Raoul de Keyser, titled Inval, translated as Invasion, dated 1990.

Raoul De Keyser

Inval (Invasion), 1990
Oil on canvas
65 x 48 1/4 inches (165.1 x 122.6 cm)
A painting by Alice Neel, titled Ginny in Striped Shirt, dated 1969.

Alice Neel

Ginny in Striped Shirt, 1969
Oil on canvas
59 3/4 x 40 inches (151.8 x 101.6 cm) Framed: 63 x 43 1/4 x 1 7/8 inches (160 x 109.9 x 4.8 cm)
An untitled sculpture by Donald Judd, dated 1964.

Donald Judd

Untitled, 1964
Light cadmium red enamel on galvanized iron
15 1/2 x 93 x 78 inches (39.4 x 236.2 x 198.2 cm)
A sculpture by Dan Flavin, titled the diagonal of May 25, 1963 (to Constantin Brancusi), dated 1963.

Dan Flavin

the diagonal of May 25, 1963 (to Constantin Brancusi), 1963
yellow fluorescent light
8 ft. (244 cm) long on the diagonal

Fred Sandback

Untitled, 1971/2018
Purple enamel on 1/4-inch diameter mild steel rod, in four (4) parts
Each: 12 x 24 x 48 inches (30.4 x 60.9 x 121.9 cm) Overall: 12 x 240 x 48 inches (30.4 x 609.6 x 121.9 cm)
A mirror polished stainless steel sculpture with live flowering plants by Jeff Koons titled Bluebird Planter, dated 2010-2016.

Jeff Koons

Bluebird Planter, 2010-2016
Mirror-polished stainless steel with transparent color coating and live flowering plants
82 1/2 x 115 x 41 1/2 inches (209.5 x 292.1 x 105.4 cm)
A sculpture by John McCracken, titled Fair, dated 2011.

John McCracken

Fair, 2011
Stainless steel
116 x 17 x 14 1/2 inches (294.6 x 43.2 x 36.8 cm)
A video by Jordan Wolfson, titled The Crisis, dated 2004.

Jordan Wolfson

The Crisis, 2004
Video, 20:23 min, color, sound
Dimensions vary with installation
A painting by Ad Reinhardt, titled Black and White, dated 1950.

Ad Reinhardt

Black and White, 1950
Oil on canvas
Framed: 42 5/8 x 62 1/2 inches (108.3 x 158.8 cm)
A sculpture by Franz West, titled Pleonasme, translated as Pleonasm, dated 1999.

Franz West

Pleonasme (Pleonasm), 1999
Papier-mâché, plastic, plaster, glue, paint, and tape with painted wood and MDF artist's pedestal
Overall: 91 x 33 3/4 x 41 1/4 inches (231.1 x 85.7 x 104.8 cm)
A painting by On Kawara, titled July 21, 1966, dated 1966.

On Kawara

JULY 21, 1966, 1966
Acrylic on canvas Accompanied with artist-made box
26 x 36 inches (66 x 91.4 cm)
A painting by Blinky Palermo, titled Komposition Weiß-Weiß, translated as White-White Composition, dated 1965.

Palermo

Komposition Weiß-Weiß (White-White Composition), 1965
Oil on canvas
66 7/8 x 51 1/4 inches (170 x 130 cm)
A sculpture by Al Taylor, called White Water, dated 1988.

Al Taylor

White Water, 1988
Wooden broomsticks with enamel and latex paint mounted on Formica laminate and wood support
132 x 12 x 12 inches (335.3 x 30.5 x 30.5 cm)
A painting by Jan Schoonhoven, titled R71-17, dated 1971.

R71-17, 1971
Latex paint, paper, cardboard, and wood
44 x 33 1/2 inches (111.8 x 85.1 cm)
A painting by Giorgio Morandi, titled Natura morta, translated as Still Life, dated 1947.

Giorgio Morandi

Natura morta (Still Life), 1959
Oil on canvas
Framed: 11 3/4 x 13 3/4 inches (29.8 x 34.9 cm)
A painting by Bridget Riley, titled Toccata (Green), dated in 2014 and 2013.

Bridget Riley

Tocatta (Green), 2014/2013
Oil on linen
59 1/8 x 101 5/8 inches (150 x 258.2 cm)
A painting by Lisa Yuskavage, titled Self-Portrait, dated 2017.

Lisa Yuskavage

Self Portrait, 2017
Oil on linen
77 1/4 x 62 inches (196.2 x 157.5 cm)
A wall by Christopher Williams, dated 2017.

Christopher Williams

Wall designed by Dirk Ufermann, Head Technician, Bonner Kunstverein, Bonn.Constructed by Objekt Design Persighetti Ltd. for the exhibition Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), 17 March - 20 May, 2017, David Zwirner, London after drawings by Pasztori Simons Architects, Berlin with Avery Dennison 500 Event Film Matt vinyl (color code: 707EM) installed by Imga Imaging Ltd. Kent, UK(3/6)2017Plywood, metal, wood, and adhesive vinyl350 x 350 x 57 cmWall constructed by Objekt Design Persighetti Ltd, Leichlingen, GermanyVinyl installed by Igma Imaging Ltd., Kent, UK, 2017
Plywood, metal, wood, and adhesive vinyl
137 7/8 x 137 7/8 x 22 1/2 inches (350 x 350 x 57 cm)
An untitled photograph by William Eggleston, dated 1973.

William Eggleston

Untitled, 1973
Pigment print
Framed: 45 x 62 inches (114.3 x 157.5 cm)
An installation by Diana Thater, titled Time Compressed, dated 2017.

Diana Thater

Time Compressed, 2017
Nine (9) monitor video wall
Overall: 71 7/8 x 127 1/2 x 4 1/2 inches (182.6 x 323.9 x 11.4 cm)
A painting by Yun Hyong-Keun, titled Burnt Umber & Ultramarine, dated 1993.

Yun Hyong-keun

Burnt Umber & Ultramarine, 1993
Oil on cotton
89 3/8 x 71 3/8 inches (227.2 x 181.5 cm)
An untitled sculpture by Ruth Asawa, dated 1951.

Ruth Asawa

Untitled (S.535, Hanging Five Lobed Continuous Form within a Form and Two Interior Spheres and One Teardrop Form), 1951
Hanging sculpture—iron and brass wire
87 x 12 1/2 x 12 1/2 inches (221 x 31.8 x 31.8 cm)
A set of sculptures by Sherrie Levine, titled Nickel Plated Antelope Skulls: Suite of Three, dated 2017.

Sherrie Levine

Nickel Plated Antelope Skulls: Suite of Three, 2017
Nickel plated cast bronze
Three skulls, each: 10 x 20 x 15 inches (25.4 x 50.8 x 38.1 cm) Overall dimensions variable
A painting by Francis Alÿs, titled Cut, dated 1992 to 2015.

Francis Alÿs

Cut, 1992-2015
Oil and encaustic on panel
16 x 19 5/8 inches (40.6 x 49.8 cm)
A painting by Susan Frecon, titled snaefellsjoekull pozzuoli, dated 2017.

Suzan Frecon

snaefellsjoekull pozzuoli, 2017
Oil on linen
Panel, each: 84 1/8 x 52 inches (213.7 x 132.1 cm) Overall: 84 1/8 x 104 inches (213.7 x 264.2 cm)
A painting by Yayoi Kusama, tilted INFINITY-NETS [YJKLL], dated 2017.

Yayoi Kusama

NFINITY-NETS [YJKLL], 2017
Acrylic on canvas
76 7/8 x 101 7/8 inches (194 x 259 cm)
A painting by Luc Tuymans, titled Oregon, dated 2017.

Luc Tuymans

Oregon, 2017
Oil on canvas
128 5/8 x 73 3/8 inches (326.5 x 186.4 cm)
An untitled sculpture by Isa Genzken, dated 2017.

Isa Genzken

Untitled, 2017
Mannequin, glass stand, leather, fabric, lampshade, synthetic leather, metal pin, pencil, cardboard, and spray paint
75 3/4 x 24 x 21 1/2 inches (192.4 x 61 x 54.6 cm)
An untitled painting by Oscar Murillo, dated 2017.

Oscar Murillo

Untitled, 2017
Oil, oil stick, and graphite on canvas and linen
116 1/4 x 104 1/4 inches (295.3 x 264.8 cm)
A photograph by Thomas Ruff, titled ey11, dated 2012.

Thomas Ruff

ey11, 2012
Chromogenic print with Diasec
Framed: 102 7/8 x 72 7/8 inches (261.3 x 185.1 cm)
A painting by Neo Rauch, titled Der Türmer, translated as The Bailiff, dated 2017.

Neo Rauch

Der Türmer, 2017
Oil on canvas
Framed: 120 1/8 x 88 1/2 inches (305.1 x 224.8 cm)
A photograph by Stan Douglas, titled Pembury Estate, dated 2017.

Stan Douglas

Pembury Estate, 2017
Digital chromogenic print mounted on Dibond aluminum
Framed: 61 5/8 x 121 inches (156.5 x 307.3 cm)
A photograph by James Welling, titled 1538, dated 2016.

James Welling

1538, 2016
Inkjet print on rag paper
Framed: 43 x 63 3/4 inches (109.2 x 161.9 cm)
A painting by Marlene Dumas, titled Hannah Arendt and Martin Heidegger, dated 2017.

Marlene Dumas

Hannah Arendt and Martin Heidegger, 2017
Oil on canvas
Diptych Each: 23 3/4 x 19 7/8 inches (60.3 x 50.5 cm) Overall: 23 3/4 x 50 1/8 inches (60.3 x 127.3 cm)
A sculpture by Felix Gonzalez-Torres, titled "Untitled" (NRA - National Rifle Association), dated 1990.

Felix Gonzalez-Torres

Untitled"" (NRA - National Rifle Association), 1990
Print on red paper, endless copies
20 inches at ideal height x 33 1/4 x 26 1/4 inches (original paper size)
A drawing by Jockum Nordström, titled På museum, translated as At the Museum, dated 2017.

Jockum Nordström

På museum, 2017
Watercolor, graphite, crayon, and collage on paper
Framed: 60 5/8 x 47 3/8 inches (154 x 120.3 cm)
A sculpture by Carol Bove titled Lemon, dated 2017.

Carol Bove

Lemon, 2017
Stainless steel, found steel, and urethane paint
62 3/4 x 113 3/4 x 55 1/2 inches (159.4 x 288.9 x 141 cm)
A photograph by Wolfgang Tillmans, titled Vapeur, dated 2017.

Wolfgang Tillmans

Vapeur, 2017
Inkjet print on paper, clips
161 3/4 x 108 1/8 inches (410.8 x 274.6 cm)
An untitled painting by Toba Khedoori, dated 2017.

Toba Khedoori

Untitled, 2017
Oil on canvas
57 3/4 x 86 3/4 inches (146.7 x 220.3 cm)
A painting by Josef Albers titled Study for Homage to the Square: Distant, dated 1964.

Josef Albers

Study for Homage to the Square: Distant, 1964
Oil on Masonite
Framed: 24 5/8 x 24 5/8 inches (62.5 x 62.5 cm)
A textile by Anni Albers, titled Scroll, dated 1962.

Anni Albers

Scroll, 1962
Woven fibers
Framed: 63 1/2 x 28 1/8 inches (161.3 x 71.4 cm)
A painting by Mamma Andersson, titled The Damsel in Distress, dated 2017.

Mamma Andersson

The Damsel in Distress, 2017
Oil on canvas
Framed: 36 7/8 x 47 3/8 inches (93.7 x 120.3 cm)
A painting by Lucas Arruda, titled Sem título da série Deserto-Modelo, translated as Untitled Series Desert Model, dated 2017.

Lucas Arruda

Sem título da série Deserto-Modelo, 2017
Oil on canvas
12 x 13 3/8 inches (30.5 x 34 cm)
An Inkjet print on Plexiglas print by Kerry James Marshall titled Dailies: Everything will be alright, dated 2017.

Kerry James Marshall

Dailies: Everything will be alright, 2017
Inkjet print on Plexiglas
Triptych Each: 23 x 30 7/8 inches (58.4 x 78.4 cm) Overall: 23 x 93 5/8 inches (58.4 x 237.8 cm)
A painting by Chris Ofili, titled Green Gate, dated 2017.

Chris Ofili

Green Gate, 2017
Oil on linen
122 1/8 x 78 3/4 inches (310 x 200 cm)
A photograph by Christopher Williams, titled Papiertaschen STANDARD Griffe: Flachhenkel, weiß, translated as Paper Bags Standard Handles, flat handle, white, dated 2018.

Christopher Williams

Papiertaschen STANDARDGriffe: Flachhenkel, weiß; eingeklebt mit Verstärkungsblatt zur Erhöhung der TraglastKraftpapier; flachliegend geliefertGrundfarbe: weißGrammatur: 100 g/m2Standardformat (Breite x Tiefe x Höhe + Boden-/Seitenfalte): 13 x 6 x 17 + 4 cmFarbigkeit: 4/4-farbigProdukt ID: 10302885Schweizerisches Sozialarchiv, Stadelhoferstr. 12, Zürich(recto), 2018
Archival pigment print
Framed: 48 5/8 x 41 1/8 inches (123.5 x 104.5 cm)
A photograph by Philip-Lorca diCorcia, titled Buddy, dated 2017.

Philip-Lorca diCorcia

Buddy, 2017
Inkjet print
Framed: 45 1/4 x 64 1/2 inches (114.9 x 163.8 cm)

Aline & Bob in The Aline Documentary, 2017
Ink on paper in two (2) parts
Framed: 22 3/4 x 32 3/4 inches (57.8 x 83.2 cm)
A work on paper by Marcel Dzama titled Die Verwandlung, dated 2017.

Marcel Dzama

Die Verwandlung, 2017
Watercolor, ink, and graphite on paper
Framed: 94 3/4 x 66 inches (240.7 x 167.6 cm)
An inkjet print on plexiglas by Kerry James Marshall titled Dailies: Everything will be alright, dated 2017.

Kerry James Marshall

Dailies: Everything will be alright, 2017
Inkjet print on Plexiglas
23 x 30 7/8 inches (58.4 x 78.4 cm)
An inkjet print on plexiglas by Kerry James Marshall titled Dailies: Everything will be alright, dated 2017.

Kerry James Marshall

Dailies: Everything will be alright, 2017
Inkjet print on Plexiglas
Diptych Each: 23 x 30 3/4 inches (58.4 x 78.1 cm) Overall: 23 x 62 inches (58.4 x 157.5 cm)
A drawing by Raymond Pettibon, titled No Title (Boston Brave), dated 2017.

Raymond Pettibon

No Title (Boston Brave), 2017
Acrylic and colored pencil on paper
63 x 50 1/4 inches (160 x 127.6 cm)
A painting by Josh Smith, titled Coming Home, dated 2018.

Josh Smith

Coming Home, 2018
Oil on linen
60 x 48 inches (152.4 x 121.9 cm)
A painting by Sigmar Polke, titled Auto (Jeep) (Car [Jeep]), dated 1992.

Sigmar Polke

Auto (Jeep) (Car [Jeep]), 1992
Wood veneer, artificial resin, and acrylic paint on polyester
Framed: 89 3/4 x 120 1/4 inches (228 x 305.4 cm)
An oil on canvas painting by Michael Borremans, titled The Entrance, dated 2016.

Michaël Borremans

The Entrance, 2016
Oil on canvas
32 3/4 x 28 inches (83 x 71 cm)
An untitled sculpture by Doug Wheeler, dated 2016.

Doug Wheeler

Untitled
A sculpture by Richard Serra, titled House of Cards, dated 1969.

Richard Serra

House of Cards
An inkjet print on plexiglas by Kerry James Marshall titled Rythm Mastr Daily Strip, dated 2017.

Kerry James Marshall

Rythm Mastr Daily Strip, 2017
Inkjet print on Plexiglas in three (3) parts
Each: 9 x 95 3/4 inches (22.9 x 243.2 cm) Overall: 9 x 288 1/4 inches (22.9 x 732.2 cm)

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          David Zwirner: 25 Years

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