David Zwirner is pleased to present a comprehensive exhibition of paintings and sculptures by the Cuban group of abstract painters Los Diez PintoresConcretos (Ten Concrete Painters), which was active from 1959 to 1961, at the gallery's London location. Concrete Cuba is the first presentation in the United Kingdom to highlight the origins of concretism in Cuba during the 1950s, and will include important works by the eleven artists who were at different times associated with the short-lived group: Pedro Álvarez, Wifredo Arcay, Mario Carreño, Salvador Corratgé, Sandú Darié, Luis Martínez Pedro, Alberto Menocal, José Mijares, Pedro de Oraá, José Ángel Rosabal, Loló Soldevilla, and Rafael Soriano.
The development of Cuban geometric abstraction and, specifically, the formation of Los Diez, coincided with the radical political and cultural shifts that raged throughout the country in the 1950s. The decade was marked by widespread turmoil and corruption following the 1952 military coup led by Fulgencio Batista. Culturally, Cuba experienced rising nationalist sentiments instigated in part by the influx of U.S. tourism and material goods. At the same time, Havana was undergoing rapid urbanisation and quickly becoming an international city. Against this vibrant backdrop, artists sought a new visual language in which art, specifically abstract art, could function as political and social practice.