Emma McIntyre in her studio in Los Angeles, 2023. Photo by Chantal Anderson
David Zwirner is pleased to present a solo exhibition of new paintings by New Zealand–born, Los Angeles–based artist Emma McIntyre at the gallery’s 69th Street location. This will be the artist’s first exhibition in New York.
McIntyre’s protean canvases evolve alchemically, transformed by the artist’s interventions and the unbridled organic interactions of her chosen materials: oil, together with unconventional substances like oxidized iron. She begins by pouring paint from above, letting her colors pool, splash, and stretch across her substrate. The artist then reorients her supports and, in a process that is at once intuitive and revelatory, applies additional layers of paint, further modifying her surfaces using brushes, rags, or parts of her body. McIntyre pairs her extemporaneous modes of creation with a repertoire of motifs and compositional strategies gleaned from a close study of art history. Atmospheric yet grounded, McIntyre’s compositions hover between spontaneity and deliberate action; effervescent at the surface, they exist at the edge of perception, forming and reforming before our eyes.
Image: Emma McIntyre, Queen of the air, 2023 (detail). Courtesy the artist, Château Shatto, Los Angeles, and David Zwirner, New York
Emma McIntyre in her studio in Los Angeles, 2023. Photo by Chantal Anderson
Prompted by her materials and guided by an index of mark-making, Emma McIntyre exposes the endless potential of painting. The artist’s protean canvases evolve alchemically, transformed both by her interventions and the unbridled organic interactions of her chosen materials: oil and resin, together with unconventional substances like oxidized iron.
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
McIntyre begins by pouring paint from above, letting her colors pool, splash, and stretch across her substrate. She then reorients her supports and, in a process that is at once intuitive and revelatory, applies additional layers of paint, further modifying her surfaces using brushes, rags, or her own fingers.
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
“The technique at this point is improvisational, a lot of spontaneous action with various colors and brushes until the image starts to resolve itself. Sometimes it feels like I can almost see the finished work, and the painting process is about finding it.”
—Emma McIntyre
Photo by Chantal Anderson
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
Emma McIntyre, Laws of night and honey, 2023 (detail). Courtesy the artist, Château Shatto, Los Angeles, and David Zwirner, New York
“I have my touch points in each movement, and Frankenthaler, Mitchell, Twombly, Bonnard, Watteau in particular are artists I come back to again and again. I am also very indebted to German painting. I look to Polke more than anyone else at the moment, and although my project is vastly different from his, his investment in paint as a material and his interest in pushing materiality to the absolute limits as well as his interest in alchemy is influential.”
—Emma McIntyre
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
Emma McIntyre in her studio with Queen of the air, 2023, Photo by Chantal Anderson
“Her paintings often dance around the edges, but close to their heart there is a pause, a rest, a sunny glade that pulls you right in.”
—Dean Kissick, Cultured
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
“Believe in the mark. Make a flirty mark, one that brushes up against, rubs up against, one that uses its whole body to seduce. It’s easy to understand painting as witchcraft, when with a casual flick of the wrist, the wand-like animal-hair tipped brush in your hand reveals a cosmos of relative marks spanning millennia.”
—Emma McIntyre
Installation view, Emma McIntyre: An echo, a stain, David Zwirner New York, 2023
Emma McIntyre in her studio with Duets in the dust, 2023. Photo by Chantal Anderson
“I’m interested in a painting practice being a slippery, shifting, unnamable thing most of the time.”
—Emma McIntyre
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