James Welling: Metamorphosis | David Zwirner

James Welling

Metamorphosis

David Zwirner is pleased to present work by American photographer James Welling (b. 1951), on view across two floors of the gallery’s Hong Kong location—the first solo presentation of the artist’s work in greater China. The exhibition will provide an overview of Welling’s career, spanning from the 1980s to the present, and will highlight the persistent tension in his photographs between abstraction and figuration, as well as his decades-long investigation of color phenomena. Viewed together, his body of work acts as a dynamic archive that reconsiders the history and technical capacity of the photographic medium.
 
On view in the exhibition will be photographs from Welling's series Aluminum Foil (1980–1981), Flowers (2004–2017), Glass House (2006–2010), Chemical (2010–), Choreograph (2014–2020), Bodies (2018–), and Cento (2019–).

 

卓納畫廊將於香港空間欣然呈現美國攝影藝術家詹姆斯·威靈(James Welling,b. 1951)的個展《變形記》,這也是藝術家在大中華地區的首次個展。展覽縱觀威靈自1980年代以來的創作生涯,突出他的攝影在抽象和具態之間的持久張力,以及他對色彩數十年來的深入探索。整體來看,他的創作項目如同一則動態的檔案,重新思考著攝影媒介的歷史和攝影技術的可能。

是次展覽涵蓋了藝術家多個系列的攝影作品,包括《鋁箔》(Aluminum Foil,1980-1981);《花》(Flowers,2004-2017);《玻璃屋》(Glass House,2006-2010); 《化學製劑》(Chemical,2010-);《編舞》(Choreograph,2014-2020);《身體》(Bodies,2018-)以及《集句詩》(Centos,2019-)。

 

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Video: Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年


Planning Your Visit

Please note the Hong Kong gallery is open to the public with a limited number of visitors allowed into the exhibition spaces at a time, in accordance with city guidelines.
Advance appointments are recommended but not required.
To schedule your visit, please click here.


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A self-portrait photo by James Welling, undated.

James Welling, 2019

James Welling, 2019

Since the 1970s, when he was a student at the California Institute of the Arts, American photographer James Welling has become known for a relentlessly evolving body of images that considers both the history and technical specificities of photography. Emerging at a time when the medium focused on its capacity for representing reality, Welling’s work signaled a break with traditional ideas by shifting attention to the construction of images themselves. 

1970年代,美國攝影藝術家詹姆斯·威靈在加州藝術學院求學。自那時起,他便以自己不斷演進發展的影像系統日漸廣為人知。他的作品深入探究了攝影的歷史與技術特性。攝影媒介一度以模仿現實為中心,而威靈的作品則突破了傳統的攝影觀念,更側重於圖像自身的構建。

“When I discovered photography, I realized it was the perfect ventriloquist’s medium. I could throw my voice into different sorts of pictures: I could speak in many different formal languages.”

「當我初涉攝影時,我意識到它是一種腹語媒介。我可以將自己的聲音放進各種各樣的圖像:我可以使用許多不同的形式語言來表達。」

—James Welling, interview with Jan Tumlir, Artforum, 2003
——詹姆斯·威靈,與簡·圖姆里爾的對談,發表於《藝術論壇》雜誌,2003年

A gelatin silver print by James Welling, titled Untitled 1981 (Dark left corner), dated 1981.

James Welling

Untitled 1981 (Dark left corner), 1981
Gelatin silver print
7 1/2 x 9 1/4 inches (19.1 x 23.5 cm)
Framed: 24 1/4 x 16 3/8 inches (61.6 x 41.6 cm)

 

詹姆斯·威靈

《無題 1981(深色左角)》, 1981年
明膠銀鹽印相
19.1 x 23.5 厘米
裝裱尺寸:61.6 x 41.6 厘米

$7,500

 

The earliest works on view in this exhibition, the Aluminum Foil series is an example of how, in Welling’s work, ordinary subjects are transformed into formal abstractions of texture and light.

展覽中最早期的《鋁箔》系列,就極佳地展現了威靈是如何將日常物件轉化為紋理和光影的抽象形式的。

“With surfaces on which he has amassed mesmerizing quantities of detail, these photographs hold the possibility of endless readings.… They rely on the beholder to fill in meaning. Are the images made of foil some sort of scientific documentation, the formation of crystals or macroscopic studies of elements, or perhaps details of early lunar photography? Could they be reflections off a rain-slicked city street or a documentation of plant life?”

「這些照片的表面聚集了大量令人着迷的細節,有着無窮的解讀可能……它們有賴於觀者去填補意義。這些鋁箔的圖像是某種科學性的文獻記錄嗎?它們是晶體的形成,或是對元素的宏觀研究,或是早期月球攝影的局部?它們是否會是城市街道被雨水冲刷後的倒影,或者植物的影像紀實?」

—James Crump, “Ventriloquisms: The Art of James Welling,” in James Welling: Monograph, 2013
——詹姆斯·克鲁普,《腹語術:詹姆斯·威靈的藝術》,收錄於《詹姆斯·威靈:專著》,2013年

A chromogenic print mounted on Dibond aluminum by James Welling, titled 0626144D, 2014.

James Welling

0626144D, 2014
Chromogenic print mounted on Dibond aluminum
47 x 38 inches (119.4 x 96.5 cm)
Framed: 55 x 45 3/4 inches (139.7 x 116.2 cm)

 

詹姆斯·威靈
《0626144D》, 2014年
C-print彩色合劑沖印,覆於迪邦鋁塑板
119.4 x 96.5 厘米
裝裱尺寸:139.7 x 116.2 厘米

$35,000


 

In the richly detailed, vibrant surfaces of Welling’s Flowers, light, pigment, and fluidity reflect a painterly approach. While the earlier works in the series were created using analog techniques—literally laying flowers onto negatives—later examples use a digital process that allowed the artist to incorporate multiple images and adjust the colors.

威靈的系列《花》有著豐富的細節和生動的畫面。光影和顏料在其間流動,反映出繪畫的質感。早期的《花》以物體投影創作,威靈將花朵直接置於負片之上曝光成像;到了後期,威靈引入了數碼技術,合成多幅圖像並調整色彩。

“Color becomes form; but, in contrast to the white of the paper, it reads as negative, recessive space although the mind knows that what is pictured is a solid. The impact is subtly disorienting and unnerving; the photos, lusciously beautiful.”

「顏色成為了形式,然而,與白紙形成鮮明對比的,是色彩被解讀為一種負向的、隱形的空間,哪怕我們都知道圖片所描繪的事物是堅固的。這一影響非常細膩,讓人迷失和不安。而照片本身,美輪美奐。」

—Joshua Mack, “James Welling,” Modern Painters, 2005
——約書亞·馬克,《詹姆斯·威靈》,發表於《現代畫家》雜誌,2005年

 
An installation view of a solo exhibition by James Welling, titled Monograph, at the hammer Museum in 2013.

Installation view, James Welling: Monograph, Hammer Museum, Los Angeles, 2013
《詹姆斯·威靈:專著》展覽現場,洛杉磯哈默博物館,2013年

Installation view, James Welling: Monograph, Hammer Museum, Los Angeles, 2013
《詹姆斯·威靈:專著》展覽現場,洛杉磯哈默博物館,2013年

An inkjet print mounted on Dibond aluminum by James Welling, titled 0865, dated 2009.

James Welling

0865, 2009
Inkjet print mounted on Dibond aluminum
33 5/8 x 50 1/2 inches (85.4 x 128.3 cm)
Framed: 41 5/8 x 58 1/4 inches (105.7 x 148 cm)

 

詹姆斯·威靈

《0865》, 2009年

噴墨打印,覆於迪邦鋁塑板

85.4 x 128.3 厘米

裝裱尺寸:105.7 x 148 厘米

$50,000

Made between 2006 and 2010, Welling’s Glass House series documents Philip Johnson’s iconic Glass House, built in 1949 in New Canaan, Connecticut. Conflating the artist’s interest in photography and architecture, these works treat the building itself as a lens, amplifying its abstract potential and luminous effects.

2006至2010年間,威靈創作了《玻璃屋》系列,拍攝了菲利普·約翰遜1949年於康州新迦南落成的標誌性住宅「玻璃屋」。《玻璃屋》融合了藝術家對攝影和建築的興趣。他將這座房屋本身視作一支鏡頭,放大了其抽象的潛力與明亮發光的效果。

An inkjet print by James Welling, titled 0818, dated 2006.

James Welling

0818, 2006
Inkjet print
33 1/2 x 50 3/8 inches (85.1 x 128 cm)
Framed: 41 5/8 x 58 1/4 inches (105.7 x 148 cm)

 

詹姆斯·威靈

《0818》, 2006年
噴墨打印
85.1 x 128 厘米
裝裱尺寸:105.7 x 148 厘米

$50,000

An inkjet print by James Welling, titled 0697, dated 2006.

James Welling

0697, 2006
Inkjet print
33 3/8 x 50 1/4 inches (84.8 x 127.6 cm)
Framed: 41 x 59 1/2 inches (104.1 x 151.1 cm)

 

詹姆斯·威靈

《0697》, 2006年
噴墨打印
84.8 x 127.6 厘米
裝裱尺寸:104.1 x 151.1 厘米

$35,000

An installation view of a solo exhibition by James Welling, titled Metamorphosis, at Kunstforum Wien in 2017.

Installation view, James Welling: Metamosphosis, Kunstforum Wien, Vienna, 2017
《詹姆斯·威靈:變形記》展覽現場,維也納藝術論壇美術館,2017年

Installation view, James Welling: Metamosphosis, Kunstforum Wien, Vienna, 2017
《詹姆斯·威靈:變形記》展覽現場,維也納藝術論壇美術館,2017年

A photo of Philip Johnson's Glass House in New Canaan, Connecticut. Photo by Michael Biondo.

The Glass House, New Canaan, Connecticut. Photo by Michael Biolo
玻璃屋,康涅狄格州新迦南,攝影:Michael Biolo

The Glass House, New Canaan, Connecticut. Photo by Michael Biolo
玻璃屋,康涅狄格州新迦南,攝影:Michael Biolo

“[Philip Johnson’s glass box] seems like a conceptual sculpture, a gigantic lens in the landscape. When I realized I could make the glass red or add reflections to the face of this supposedly transparent house, my project became a laboratory for ideas about transparency, reflectivity, and color.”

「(菲利普·約翰遜的玻璃盒子)看起來有如一件觀念雕塑作品、一支身處景觀之中的巨型鏡頭。而當我意識到,我可以讓玻璃呈現出紅色,或是增強這座全透明房子的表面反光時,我的項目就成為了一個有關透明度、反射率和顏色的試驗室。」

—James Welling in conversation with the gallery, 2010
——詹姆斯·威靈,引語出自藝術家與畫廊的通信,2010年

The Chemical series continues the artist’s ongoing experiments with cameraless photography. To make these works, Welling paints photographic chemicals on chromogenic paper and further inscribes the surface with graphite and other materials. The resulting compositions are at once paintings and photographs—both chemically derived and handmade.

《化學製劑》系列延續了藝術家長期以來不使用相機的攝影試驗。在創作這些作品時,威靈以繪畫的方式,將攝影成像的化學製品塗在感光相紙上,並用石墨等材料在照片表面題刻。最後的構圖既是繪畫又是攝影——既是化學的結果也是手工的創作。

A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2010.

James Welling

Chemical, 2010
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2010年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

“The Chemical prints are a hybrid of painting, photography, and drawing. Using gestural strokes to apply liquid substances before and after chemical development, Welling creates complex layers of fluid shapes.”

「《化學製劑》是繪畫和攝影的雜糅。威靈蘊含動感的筆觸將液態材料施加於化學成像的過程前後,由此營造出宛如流動的複雜層次。」

—Virginia Heckert, “The Given-ness of Photographic Materials,” in Light, Paper, Process: Reinventing Photography, 2015
——弗吉尼亞·赫克特,《攝影材料的既定性》,收錄於《光、紙、進程:對攝影的再發明》,2015年

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

“The complex imagery of these works incorporates a range of creative endeavors: Performance is arrested into representations of sculpturesque figures that dissolve into an allusive matrix of modernist and natural forms. Bodies and things coalesce into strange and syncopated configurations investing the images with a dance-like dynamism and even duration.”

「這些複雜的圖像包含了一系列開創性的努力:表演在雕塑圖像中凝固,而雕塑形象又在某種寓意深遠、兼具現代主義和自然形態的矩陣之中瓦解。身體和其他事物積聚成奇特的、交錯切分的形態,它們使得圖像具有了舞蹈的動感和綿延的時間。」

—Robert Slifkin, “James Welling,” Artforum, 2016
——羅伯特·斯利夫金,《詹姆斯·威靈》,發表於《藝術論壇》雜誌,2016年

An inkjet print by James Welling, titled 8634, dated 2015.

James Welling

8634, 2015
Inkjet print
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 1/8 inches (109.5 x 162.9 cm)

 

詹姆斯·威靈

《8634》, 2015年
噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.9 厘米

$50,000

An installation view of a solo exhibition by James Welling, titled Metamorphosis, at Kunstforum Wien in 2017.

Installation view, James Welling: Metamosphosis, Kunstforum Wien, Vienna, 2017
《詹姆斯·威靈:變形記》展覽現場,維也納藝術論壇美術館,2017年

Installation view, James Welling: Metamosphosis, Kunstforum Wien, Vienna, 2017
《詹姆斯·威靈:變形記》展覽現場,維也納藝術論壇美術館,2017年

An installation view of a solo exhibition by James Welling, titled Metamorphosis, at  Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, in 2017.

Installation view, James Welling: Metamosphosis, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, 2017
《詹姆斯·威靈:變形記》展覽現場,根特市立當代藝術博物館(S.M.A.K.),2017年

Installation view, James Welling: Metamosphosis, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, 2017
《詹姆斯·威靈:變形記》展覽現場,根特市立當代藝術博物館(S.M.A.K.),2017年

An inkjet print on rag paper by James Welling, titled 4910, dated 2015.

James Welling

4910, 2015
Inkjet print on rag paper
63 x 42 inches (160 x 106.7 cm)
Framed: 64 1/8 x 43 1/8 inches (162.9 x 109.5 cm)

 

詹姆斯·威靈

《4910》, 2015年
布料紙本噴墨打印
160 x 106.7 厘米
裝裱尺寸:162.9 x 109.5 厘米


$35,000

An inkjet print on rag paper by James Welling, titled 3693, dated 2017.

James Welling

3693, 2017
Inkjet print on rag paper
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 inches (109.5 x 162.6 cm)

 

詹姆斯·威靈

《3693》, 2017年
布料紙本噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.6 厘米


$35,000

Kusama (2014) is part of Welling’s MoMA Sculpture Garden project (2014–2016), which features images of the outdoor space at The Museum of Modern Art in New York. Here, an archival photograph of the Japanese artist Yayoi Kusama is layered with contemporary images of the MoMA space, then passed through Adobe Photoshop’s red, green, and blue color channels to yield a multilayered color image. “When I began to work with digital image processing,” Welling explains, “I realized that digital tools presented a key that would enable me to open what had been a locked system of color reproduction, color film, and paper.”

作品《草間》(2014)出自威靈的MoMA雕塑花園委託項目(2014-2016),拍攝了紐約現代藝術博物館的戶外空間。在這裡,一張草間彌生的歷史照片與近期拍攝的MoMA空間層疊在一起,隨後經由Adobe Photoshop軟件中紅、綠、藍三色通道的調整,組成了一幅層次多樣的彩色圖片。 「當我開始使用數碼技術處理圖像時,」威靈解釋道,「我意識到數碼工具提供了一把鑰匙,讓我打開此前鎖定的色彩複製、彩色菲林和感色相紙的體系。 」 

A UV-curable ink print on Dibond aluminum by James Welling, titled Sculpture of a Man, dated 2019.

James Welling

Sculpture of a Man, 2019
UV-curable ink on Dibond aluminum
50 1/2 x 33 5/8 inches (128.3 x 85.4 cm)
Framed: 51 3/4 x 35 inches (131.4 x 88.9 cm)

 

詹姆斯·威靈

《男子塑像》, 2019年
迪邦鋁塑板上UV紫外光固化油墨
128.3 x 85.4 厘米
裝裱尺寸:131.4 x 88.9 厘米

$35,000

Welling’s Centos, which form part of a larger body of work by the artist entitled Archaeology, began in 2019. Continuing the themes mapped out in his Julia Mamaea photographs (2018–ongoing), in which the artist focused on a Roman portrait bust from the third century AD at New York’s Metropolitan Museum of Art, here he utilizes ancient Greek sculpture and architecture as his root imagery.

《集句詩》系列始於2019年,屬於威靈以《考古》為題的一組重要創作。該系列延續了《茱莉亞·瑪美亞》系列(2018-至今)的主題。當時,威靈以一尊紐約大都會藝術博物館收藏的公元三世紀的羅馬半身肖像為題;而在《集句詩》中,藝術家將古希臘的雕塑和建築作為圖像創作的根基。

“Sculpture and architecture in ancient Greece were commonly painted. Intense color and gold leaf emphasized textile, hair, and skin.… But I was not interested in simply re-creating the colors of the ancient Greeks.… I applied highly unnatural colors to the sculptures. My hope is that these colors seep into the ancient stone and take on a life of their own.”

「古希臘的雕塑和建築往往是經過顏料粉刷的。濃烈的色彩與金箔可以突出不同的質地、頭髮、皮膚……但我並不想只是簡單地重現古希臘的色彩……我將極其不自然的顏色運用到這些雕塑(的圖像)之上。我希望這些顏色能滲入古老的石頭,並擁有自己的生命。」


—James Welling, artist statement, 2020
——詹姆斯·威靈,藝術家陳述,2020年

An electrostatic print with oil pigment on polyester by James Welling, titled Roman Glassware, dated 2020.

James Welling

Roman Glassware, 2020
Electrostatic print with oil pigment on polyester
11 1/4 x 17 1/8 inches (28.6 x 43.5 cm)
Framed: 19 x 24 7/8 inches (48.3 x 63.2 cm)

 

詹姆斯·威靈

《羅馬玻璃器皿》, 2020年
油性顏料靜電成像印刷,於聚酯纖維
28.6 x 43.5 厘米
裝裱尺寸:48.3 x 63.2 厘米

$12,000

 
An electrostatic print with oil pigment on polyester by James Welling, titled Eyes, dated 2020.

James Welling

Eyes, 2020
Electrostatic print with oil pigment on polyester
11 1/4 x 17 1/8 inches (28.6 x 43.5 cm)
Framed: 19 x 24 7/8 inches (48.3 x 63.2 cm)

 

詹姆斯·威靈

《眼眸》, 2020年
油性顏料靜電成像印刷,於聚酯纖維
28.6 x 43.5 厘米
裝裱尺寸:48.3 x 63.2 厘米

$12,000

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

An installation view of an exhibition titled James Welling: Metamorphosis at David Zwirner, Hong Kong, in 2021.

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Installation view, James Welling: Metamorphosis, David Zwirner, Hong Kong, 2021
《詹姆斯·威靈:變形記》展覽現場,卓納香港,2021年

Inquire about works by James Welling

A chromogenic print mounted on Dibond aluminum by James Welling, titled 0626144D, 2014.

James Welling

0626144D, 2014
Chromogenic print mounted on Dibond aluminum
47 x 38 inches (119.4 x 96.5 cm)
Framed: 55 x 45 3/4 inches (139.7 x 116.2 cm)

 

詹姆斯·威靈
《0626144D》, 2014年
C-print彩色合劑沖印,覆於迪邦鋁塑板
119.4 x 96.5 厘米
裝裱尺寸:139.7 x 116.2 厘米

 

$35,000

 

 
An inkjet print on rag paper by James Welling, titled 4910, dated 2015.

James Welling

4910, 2015
Inkjet print on rag paper
63 x 42 inches (160 x 106.7 cm)
Framed: 64 1/8 x 43 1/8 inches (162.9 x 109.5 cm)

 

詹姆斯·威靈

《4910》, 2015年
布料紙本噴墨打印
160 x 106.7 厘米
裝裱尺寸:162.9 x 109.5 厘米

$35,000

A chromogenic print mounted on Dibond aluminum by James Welling, titled 009, dated 2017.

James Welling

009, 2017
Chromogenic print mounted on Dibond aluminum
48 x 37 inches (121.9 x 94 cm)
Framed: 55 x 45 3/4 inches (139.7 x 116.2 cm)

 

詹姆斯·威靈

《009》, 2017年
C-print彩色合劑沖印,覆於迪邦鋁塑板
121.9 x 94 厘米
裝裱尺寸:139.7 x 116.2 厘米

$35,000

 A chromogenic print mounted on Dibond aluminum, by James Welling, titled 004, dated 2017.

James Welling

004, 2017
Chromogenic print mounted on Dibond aluminum
48 x 37 inches (121.9 x 94 cm)
Framed: 55 x 45 3/4 inches (139.7 x 116.2 cm)

 

詹姆斯·威靈

《004》, 2017年
C-print彩色合劑沖印,覆於迪邦鋁塑板
121.9 x 94 厘米
裝裱尺寸:139.7 x 116.2 厘米

$35,000

An inkjet print on rag paper by James Welling, titled 3693, dated 2017.

James Welling

3693, 2017
Inkjet print on rag paper
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 inches (109.5 x 162.6 cm)

 

詹姆斯·威靈

《3693》, 2017年
布料紙本噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.6 厘米

$35,000


An inkjet print on rag paper by James Welling, titled 9947, dated 2016.

James Welling

9947, 2016
Inkjet print on rag paper
42 x 63 inches (106.7 x 160 cm)
Framed: 43 x 64 inches (109.2 x 162.6 cm)

 

詹姆斯·威靈

《9947》, 2016年
布料紙本噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.2 x 162.6 厘米

$35,000

An inkjet print by James Welling, titled 8634, dated 2015.

James Welling

8634, 2015
Inkjet print
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 1/8 inches (109.5 x 162.9 cm)

 

詹姆斯·威靈

《8634》, 2015年
噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.9 厘米

$50,000

 
An inkjet print by James Welling, titled 4776, dated 2015.

James Welling

4776, 2015
Inkjet print
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 1/8 inches (109.5 x 162.9 cm)

 

詹姆斯·威靈

《4776》, 2015年
噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.9 厘米

$35,000

An inkjet print by James Welling, titled Kusama, dated 2014.

James Welling

Kusama, 2014
Inkjet print
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 inches (109.5 x 162.6 cm)

 

詹姆斯·威靈

《草間彌生》, 2014年
噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.6 厘米

$35,000

 
An inkjet print on rag paper by James Welling, titled 7477, dated 2017.

James Welling

7477, 2017
Inkjet print on rag paper
42 x 63 inches (106.7 x 160 cm)
Framed: 43 1/8 x 64 inches (109.5 x 162.6 cm)

 

詹姆斯·威靈 

《7477》, 2017年
布料紙本噴墨打印
106.7 x 160 厘米
裝裱尺寸:109.5 x 162.6 厘米

$35,000

 
A UV-curable ink print on Dibond aluminum by James Welling, titled 2801, dated 2018.

James Welling

2801, 2018
UV-curable ink on Dibond aluminum
50 1/2 x 33 5/8 inches (128.3 x 85.4 cm)
Framed: 51 3/4 x 35 inches (131.4 x 88.9 cm)

 

詹姆斯·威靈

《2801》, 2018年
迪邦鋁塑板上UV紫外光固化油墨
128.3 x 85.4 厘米
裝裱尺寸:131.4 x 88.9 厘米

$35,000

A UV-curable ink print on Dibond aluminum by James Welling, titled Sculpture of a Man, dated 2019.

James Welling

Sculpture of a Man, 2019
UV-curable ink on Dibond aluminum
50 1/2 x 33 5/8 inches (128.3 x 85.4 cm)
Framed: 51 3/4 x 35 inches (131.4 x 88.9 cm)

 

詹姆斯·威靈

《男子塑像》, 2019年
迪邦鋁塑板上UV紫外光固化油墨
128.3 x 85.4 厘米
裝裱尺寸:131.4 x 88.9 厘米

$35,000

A UV-curable ink print on Dibond aluminum by James Welling, titled 3092, dated 2018.

James Welling

30922018

UV-curable ink on Dibond aluminum

50 1/2 x 33 5/8 inches (128.3 x 85.4 cm)

Framed: 51 3/4 x 35 inches (131.4 x 88.9 cm)

 

詹姆斯·威靈

《3092》, 2018年
迪邦鋁塑板上UV紫外光固化油墨
128.3 x 85.4 厘米
裝裱尺寸:131.4 x 88.9 厘米

$35,000

 

An electrostatic print with oil pigment on polyester by James Welling, titled Roman Glassware, dated 2020.

James Welling

Roman Glassware, 2020
Electrostatic print with oil pigment on polyester
11 1/4 x 17 1/8 inches (28.6 x 43.5 cm)
Framed: 19 x 24 7/8 inches (48.3 x 63.2 cm)

 

詹姆斯·威靈

《羅馬玻璃器皿》, 2020年
油性顏料靜電成像印刷,於聚酯纖維
28.6 x 43.5 厘米
裝裱尺寸:48.3 x 63.2 厘米

$12,000

 
An electrostatic print with oil pigment on polyester by James Welling, titled Head of a goddess, dated 2019.

James Welling

Head of a goddess, 2019
Electrostatic print with oil pigment on polyester
17 1/8 x 11 1/4 inches (43.5 x 28.6 cm)
Framed: 24 7/8 x 19 inches (63.2 x 48.3 cm)

 

詹姆斯·威靈

《女神頭像》, 2019年
油性顏料靜電成像印刷,於聚酯纖維
43.5 x 28.6 厘米
裝裱尺寸:63.2 x 48.3 厘米

$12,000

An electrostatic print with oil pigment on polyester by James Welling, titled Eyes, dated 2020.

James Welling

Eyes, 2020
Electrostatic print with oil pigment on polyester
11 1/4 x 17 1/8 inches (28.6 x 43.5 cm)
Framed: 19 x 24 7/8 inches (48.3 x 63.2 cm)

 

詹姆斯·威靈

《眼眸》, 2020年
油性顏料靜電成像印刷,於聚酯纖維
28.6 x 43.5 厘米
裝裱尺寸:48.3 x 63.2 厘米

$12,000

 
An electrostatic print with oil pigment on polyester by James Welling, titled Aphrodite, dated 2020.

James Welling

Aphrodite, 2020
Electrostatic print with oil pigment on polyester
17 1/8 x 11 1/4 inches (43.5 x 28.6 cm)
Framed: 24 7/8 x 19 inches (63.2 x 48.3 cm)

 

詹姆斯·威靈

《阿芙羅狄蒂》, 2020年
油性顏料靜電成像印刷,於聚酯纖維
43.5 x 28.6 厘米
裝裱尺寸:63.2 x 48.3 厘米

$12,000

 
An inkjet print by James Welling, titled 5501, dated 2008.

James Welling

55012008

Inkjet print

40 x 58 1/2 inches (101.6 x 148.6 cm)

Framed: 41 1/2 x 58 1/4 inches (105.4 x 148 cm)

 

詹姆斯·威靈

《5501》, 2008年

噴墨打印

101.6 x 148.6 厘米

裝裱尺寸:105.4 x 148 厘米

$50,000


 An inkjet print by James Welling, titled 0775, dated 2006.

James Welling

0775, 2006

Inkjet print

33 1/2 x 50 3/8 inches (85.1 x 128 cm)

Framed: 41 1/8 x 57 1/2 inches (104.5 x 146.1 cm)

 

詹姆斯·威靈

《0775》, 2006年
噴墨打印
85.1 x 128 厘米
裝裱尺寸:104.5 x 146.1 厘米

$50,000

 
An inkjet print mounted on Dibond aluminum by James Welling, titled 0865, dated 2009.

James Welling

0865, 2009
Inkjet print mounted on Dibond aluminum
33 5/8 x 50 1/2 inches (85.4 x 128.3 cm)
Framed: 41 5/8 x 58 1/4 inches (105.7 x 148 cm)

 

詹姆斯·威靈(James Welling)

《0865》, 2009年

噴墨打印,覆於迪邦鋁塑板

85.4 x 128.3 厘米

裝裱尺寸:105.7 x 148 厘米

$50,000

An inkjet print by James Welling, titled 0818, dated 2006.

James Welling

0818, 2006
Inkjet print
33 1/2 x 50 3/8 inches (85.1 x 128 cm)
Framed: 41 5/8 x 58 1/4 inches (105.7 x 148 cm)

 

詹姆斯·威靈

《0818》, 2006年
噴墨打印
85.1 x 128 厘米
裝裱尺寸:105.7 x 148 厘米

$50,000

An inkjet print by James Welling, titled Lavender Mist, dated 2014.

James Welling

Lavender Mist, 2014
Inkjet print
33 3/8 x 50 1/4 inches (84.8 x 127.6 cm)
Framed: 41 3/4 x 58 1/4 inches (106 x 148 cm)

 

詹姆斯·威靈

《薰衣草色薄霧》, 2014年
噴墨打印
85.5 x 128.3 厘米
裝裱尺寸:106 x 148 厘米

$50,000

An inkjet print by James Welling, titled 0697, dated 2006.

James Welling

0697, 2006
Inkjet print
33 3/8 x 50 1/4 inches (84.8 x 127.6 cm)
Framed: 41 x 59 1/2 inches (104.1 x 151.1 cm)

 

詹姆斯·威靈

《0697》, 2006年
噴墨打印
84.8 x 127.6 厘米
裝裱尺寸:104.1 x 151.1 厘米

$35,000

An inkjet print by James Welling, titled 8067, dated 2008.

James Welling

80672008

Inkjet print

33 x 50 1/2 inches (83.8 x 128.3 cm)

Framed: 42 3/8 x 58 3/4 inches (107.6 x 149.2 cm)

 

詹姆斯·威靈

《8067》, 2008年

噴墨打印

83.8 x 128.3 厘米

裝裱尺寸:107.6 x 149.2 厘米

$35,000

An inkjet print by James Welling, titled 0699, dated 2009.

James Welling

06992009

Inkjet print

40 x 58 1/2 inches (101.6 x 148.6 cm)

Framed: 40 3/4 x 57 3/8 inches (103.5 x 145.7 cm)

 

詹姆斯·威靈

《0699》, 2009年
噴墨打印
101.6 x 148.6 厘米
裝裱尺寸:103.5 x 145.7 厘米

$35,000

 

 
A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2015.

James Welling

Chemical, 2015
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2015年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

 
A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2015.

James Welling

Chemical, 2015
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2015年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

 
A chemigram and graphite on chromogenic paper by James Welling, titled Chemical, dated 2018.

James Welling

Chemical, 2018
Chemigram and graphite on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2018年
化學製圖成像及石墨,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2018.

James Welling

Chemical, 2018
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2018年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

 
A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2015.

James Welling

Chemical, 2015
Chemigram on chromogenic paper
9 1/2 x 7 1/2 inches (24.1 x 19.1 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2015年
化學製圖成像,於顯色紙
24.1 x 19.1 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2010.

James Welling

Chemical, 2010
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2010年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

A chemigram on chromogenic paper by James Welling, titled Chemical, dated 2015.

James Welling

Chemical, 2015
Chemigram on chromogenic paper
10 x 8 inches (25.4 x 20.3 cm)
Framed: 17 5/8 x 14 5/8 inches (44.8 x 37.1 cm)

 

詹姆斯·威靈

《化學製劑》, 2015年
化學製圖成像,於顯色紙
25.4 x 20.3 厘米
裝裱尺寸:44.8 x 37.1 厘米

$10,000

 
A gelatin silver print by James Welling, titled Untitled 1981 (Dark left corner), dated 1981.

James Welling

Untitled 1981 (Dark left corner), 1981
Gelatin silver print
7 1/2 x 9 1/4 inches (19.1 x 23.5 cm)
Framed: 24 1/4 x 16 3/8 inches (61.6 x 41.6 cm)

 

詹姆斯·威靈

《無題 1981(深色左角)》, 1981年
明膠銀鹽印相
19.1 x 23.5 厘米
裝裱尺寸:61.6 x 41.6 厘米

$7,500

 

 

A gelatin silver print by James Welling, titled Untitled (May), dated 1981.

James Welling

Untitled (May), 1981
Gelatin silver print
7 1/2 x 9 1/4 inches (19.1 x 23.5 cm)
Framed: 24 1/4 x 16 3/8 inches (61.6 x 41.6 cm)

 

詹姆斯·威靈

《無題(五月)》, 1981年
明膠銀鹽印相
19.1 x 23.5 厘米
裝裱尺寸:61.6 x 41.6 厘米

$7,500

A gelatin silver print by James Welling, titled Untitled (Shadowed), dated 1981.

James Welling

Untitled (Shadowed), 1981
Gelatin silver print
7 1/2 x 9 1/4 inches (19.1 x 23.5 cm)
Framed: 24 1/4 x 16 3/8 inches (61.6 x 41.6 cm)

 

詹姆斯·威靈

《無題(陰影遮蔽)》, 1981年
明膠銀鹽印相
19.1 x 23.5 厘米
裝裱尺寸:61.6 x 41.6 厘米

$7,500

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          Metamorphosis

          James Welling

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