Opening on October 18, 2006, David Zwirner and Zwirner & Wirth are pleased to present concurrent exhibitions of paintings and drawings by New York artist Lisa Yuskavage. Yuskavage had recent solo exhibitions at the Museo Tamayo Arte Contemporáneo in Mexico City, Mexico (2006), the Centre d'Art Contemporain, Geneva, Switzerland (2001) and the Institute of Contemporary Art at the University of Pennsylvania, Philadelphia, PA (2000). Major group exhibitions include the Fifth International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, NM (2004); Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, CA (2003); de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY (2003); 2000 Whitney Biennial, The Whitney Museum of American Art, New York, NY (2000); and Greater New York, P.S.1/The Museum of Modern Art, New York, NY (2000). In 2007, Yuskavage will participate in America Today: 300 Years of Art from the USA at the National Art Museum of China in Beijing. These will be the artist's first exhibitions at David Zwirner and Zwirner & Wirth.
Known for paintings of women, Lisa Yuskavage's images occupy the space between high and low; the sacred and the profane. Many of these new works explore a complex psychological direction–specifically, symbiotic relationships. Influenced in part by images that depict power struggles, including Baroque sculptures (specifically Gianlorenzo Bernini) and Giorgio de Chirico's late "Gladiator" paintings, Yuskavage's "figures" hover or climb upon one another–caught in embraces that appear to shift between tenderness and violence. Within these paradoxical relationships, it is often difficult to decipher what is real and what is imagined; what is weighted and what is weightless; what is made of paint and what transcends the medium entirely. Yuskavage's subtle degrees of fiction and representation culminate in questionable, unsettling quasi-realities.
Published to coincide with the solo exhibition at The Rose Art Museum of Brandeis University in Massachusetts (2015) and at the Contemporary Art Museum St. Louis (2016), this monograph highlights more than two decades of Lisa Yuskavage’s paintings. With contributions by Christopher Bedford, Suzanne Hudson, Catherine Lord, Siddhartha Mukherjee, and Katy Siegel, who interviews the artist, The Brood presents an in-depth overview of Yuskavage's work. Published by Skira/Rizzoli.