Concurrent with A W-Hole House, is a show of Matta-Clark's drawings at Zwirner & Wirth. This exhibition examines the range of work from the artist's earliest studies of the movement of energy flowing through structures such as trees, to more abstract circuitry, and from theoretical architectural studies to actual proposals, such as those for the Museum of Modern Art in New York. Also included are several of the artist's Cut Drawing Pads, demonstrating the artist's unique approach to graphic art using a jigsaw rather than a pen. One such work, Infraform, includes photos of a project which was executed in Milan during the same period the A W-Hole House project.
From the beginning, Matta-Clark's methods explored and fused different media: architecture, performance, sculpture, drawing, photography, and film. In both his art and his attitude, he sought a more open society, and proposed a new way of seeing rather than altering his environment. He focused on the commonplace and the "throw-aways" such as the city's many abandoned buildings. In cutting through walls and traditional art rules, he transformed examples of urban blight into art.