Studio: Suzan Frecon



“A picture reaches the plane of being art when it’s ungraspable and you really can’t explain it.”

—Suzan Frecon




 A detail from a painting by Suzan Frecon, titled annunciata, dated 2019


Suzan Frecon is known for abstract oil paintings and works on paper that are at once reductive and expressive. Made over long stretches of time, her canvases embody the durational activity of painting itself and invite the viewer’s sustained attention: these, as the artist herself has noted, are “paintings that you experience.”



An installation view of a painting by Suzan Frecon titled annunciata, dated 2019.

Suzan Frecon

annunciata, 2019
Oil on linen

Overall: 87 3/8 x 108 x 1 1/2 inches

221.9 x 274.3 x 3.8 cm

“With the long summer days, I have much more time to work in my studio.... I’m happiest when I can show [the paintings] in natural light, because that means there will be so many more dimensions that the viewer can experience.”

—Suzan Frecon

 A painting by Antonello da Messina, titled Virgin Annunciate, dated circa 1476

Antonello da Messina, Virgin Annunciate, c. 1476. Palazzo Abatellis, Palermo

Antonello da Messina, Virgin Annunciate, c. 1476. Palazzo Abatellis, Palermo

“While Frecon’s paintings are
often inspired by a specific experience...the painting finally dislodges itself from its origins and enters, as she herself put it, ‘a high plane of abstraction.’”

—John Yau, poet and critic

 An interior view of the Palazzo Abatellis, Palermo, dated 2018

Interior view, Palazzo Abatellis, Palermo, 2018. Courtesy the Italy project told through architecture, funded by the MiBACT Directorate for Contemporary Creativity.
Photo by Alessandro Lanzetta

Interior view, Palazzo Abatellis, Palermo, 2018. Courtesy the Italy project told through architecture, funded by the MiBACT Directorate for Contemporary Creativity.
Photo by Alessandro Lanzetta

 A photograph of Suzan Frecon’s studio

Photo by Suzan Frecon, 2020

Photo by Suzan Frecon, 2020

“In architecture, there’s the spandrel—this little triangle that has no apparent function—but which is important to the effect of the arch....
I do think of your watercolors a little bit like that.”

—Marcella Durand, in conversation with Suzan Frecon

A work on paper by Suzan Frecon titled war, big, dated 2020.

Suzan Frecon

war, big, 2020
Watercolor on Indian hemp paper

Framed: 28 1/4 x 21 3/4 inches 
71.8 x 55.2 cm

 A photograph of Suzan Frecon, dated 2015

Photo by Julie Brown Harwood, 2015

Photo by Julie Brown Harwood, 2015

A work on paper by Suzan Frecon titled vermilion solo, dated 2019.

Suzan Frecon

vermilion solo, 2019
Watercolor on agate-burnished Indian hemp paper

Framed: 20 5/8 x 25 1/4 inches 
52.4 x 64.1 cm

 An installation view featuring works by Suzan Frecon, dated 2017

Installation view, Suzan Frecon: Recent Oil Paintings, David Zwirner, London, 2017

Installation view, Suzan Frecon: Recent Oil Paintings, David Zwirner, London, 2017

“It is not enough to have color. Something has to hold the color, and the art. Composition! I cannot express how important it is.”

—Suzan Frecon

A work on paper by Suzan Frecon titled orange bluebird study, dated 2019.

Suzan Frecon

orange bluebird study, 2019
Watercolor on old Indian rag paper
Framed: 15 3/4 x 18 3/4 inches
40 x 47.6 cm
 A photograph of Suzan Frecon’s studio, dated 2015

Photo by Julie Brown Harwood, 2015

Photo by Julie Brown Harwood, 2015

“We scrutinize these paintings both for the pleasure they give us and the mystery they retain…. The paintings challenge us as they nourish our senses: Can we let go of words and just look?”


—John Yau

 A photograph of Suzan Frecon, dated 2015

Suzan Frecon in her studio with book of paint, 2015. Photo by Julie Brown Harwood

Suzan Frecon in her studio with book of paint, 2015. Photo by Julie Brown Harwood

All John Yau quotes excerpted from a new catalogue to be published on the occasion of Suzan Frecon’s solo exhibition of paintings opening at David Zwirner New York in September 2020.

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