 (1941–2010) is widely recognized as one of the most innovative painters and multidisciplinary artists of the postwar era. Characterized by an experimental and inquisitive attitude, Polke’s work engages unconventional and diverse materials and techniques and playfully defies social, political, and aesthetic conventions.

Polke received his first artistic training, beginning in 1959, as a glass painter, and in 1961 he enrolled at the Staatliche Kunstakademie Düsseldorf to study painting. In 1963, Polke, along with fellow students Manfred Kuttner, Konrad Lueg, and Gerhard Richter, organized an exhibition of their own work in an empty butcher’s shop in Düsseldorf. The show helped to launch the artists’ early careers and first introduced the term “Capitalist Realism.” By the end of the decade, Polke would have solo exhibitions at such notable galleries as Galerie René Block, Berlin; Galerie Schmela, Düsseldorf; Galerie Heiner Friedrich, Munich; and Galerie Rudolf Zwirner, Cologne.

Since Polke’s first participation in Documenta 5 in 1972, he has been the subject of numerous solo exhibitions at significant institutions, including 

Sigmar Polke. Bilder, Tücher, Objekte. Werkauswahl 1962–1971

, which was held at the Kunsthalle Tübingen, Städtische Kunsthalle Düsseldorf, and the Stedelijk Van Abbemuseum, Eindhoven, in 1976. In 1983, the Museum Boymans-van Beuningen, Rotterdam, hosted 

 that traveled to Kunstmuseum Bonn in 1984. Harald Szeemann curated a retrospective of Polke’s work in 1984, which was held at the Kunsthaus Zürich and the Josef-Haubrich-Kunsthalle, Cologne. In 1988, Polke exhibited new work in the Musée d’art moderne de la Ville de Paris. An extensive retrospective, 

Sigmar Polke. Die drei Lügen der Malerei

, was presented at the Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, 1997, and traveled to the Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, in 1997.

His first United States retrospective took place at the San Francisco Museum of Modern Art; Hirshhorn Museum and Sculpture Garden, Washington, DC; Museum of Contemporary Art, Chicago; and the Brooklyn Museum, New York, in 1990 to 1992. The Museum of Contemporary Art, Los Angeles, organized an exhibition of Polke’s photographs titled 

Sigmar Polke: Photoworks. When Pictures Vanish

 in 1995, which traveled to Site Santa Fe, New Mexico (1996), and the Corcoran Gallery of Art, Washington, DC (1996–1997). The Museum of Modern Art, New York, organized an overview of the artist’s works on paper in 1999, which traveled to the Hamburger Kunsthalle, Hamburg.

Polke’s work was also featured in solo exhibitions at the Astrup Fearnley Museum of Modern Art, Oslo, and the Louisiana Museum, Humlebæk, Denmark (

Sigmar Polke: History of Everything. Recent Paintings and Drawings

, 2002–2003; traveled to Tate Modern, London); Kunsthaus Zürich (

, 2005–2006; traveled to The National Museum of Art, Osaka); Städtische Kunsthalle Mannheim (

, 2006); J. Paul Getty Museum, Los Angeles (

Sigmar Polke: Wir Kleinbürger! Zeitgenossen und Zeitgenossinnen. Die 1970er Jahre

, 2009–2010); and the Musée de Grenoble (2013–2014).

 was held at The Museum of Modern Art, New York; Tate Modern, London; and Museum Ludwig, Cologne (2014–2015). In 2018, 

 was presented at the Museum Morsbroich, Leverkusen, Germany, and 

In Focus: Sigmar Polke in the Lambrecht-Collection

 was on view at the Museum für Gegenwartskunst Siegen, Germany, in 2018–2019. The Museum of Contemporary Art, Zagreb, Croatia, presented 

Sigmar Polke – Music from an Unknown Source

 in 2019. A solo exhibition of the artist’s work was on view at Städtische Galerie Karlsruhe, Germany, in 2022. 

During his lifetime, Polke was included in numerous international biennales, including Documenta, the Bienal de São Paulo, and the Venice Biennale, and received a number of awards, including the Golden Lion for his solo presentation at the West German Pavilion in 1986 at the Venice Biennale, the Erasmus Prize (1994), the Carnegie Prize (1995), the Praemium Imperiale (2002), and the Roswitha Haftmann-Preis (2010), among others. In addition to Galerie René Block, Galerie Schmela, Galerie Heiner Friedrich, and Galerie Rudolf Zwirner, Polke showed regularly at Galerie BAMA, Paris; Galerie Toni Gerber, Bern, Switzerland; and Michael Werner Gallery, Berlin and New York.

In May 2016, David Zwirner presented a major exhibition of the artist’s work at the gallery’s West 20th Street location in New York; the show was organized in collaboration with the Estate of Sigmar Polke and curated by Vicente Todolí.

Polke’s work is included in the permanent collections of major museums around the world, including the Art Institute of Chicago; The Broad, Los Angeles; Centre Pompidou, Paris; Guggenheim Museum Bilbao, Spain; Hirshhorn Museum and Sculpture Garden, Washington, DC; J. Paul Getty Museum, Los Angeles; The Metropolitan Museum of Art, New York; Museum für Moderne Kunst, Frankfurt; The Museum of Modern Art, New York; National Gallery of Art, Washington, DC; National Museum of Art, Osaka; Stedelijk Museum, Amsterdam; and the Tate, United Kingdom, among others.

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Sigmar Polke - Exhibitions

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Read more about Sigmar Polke, including excerpts from selected press articles and publications.

Sigmar Polke - Selected Press

The New York Times, article by Robin Pogrebin

Informed by Travel, Sigmar Polke Painted Playful Journeys

The New York Times, review by Roberta Smith

What to See in New York Art Galleries This Week

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View selected works by Sigmar Polke, whose restlessly experimental work places him among the most influential painters of the postwar era.

Sigmar Polke

Rasterzeichnung (Porträt Lee Harvey Oswald) (Raster Drawing [Portrait of Lee Harvey Oswald])

Das Palmen-Bild (The Palm Painting)

Kekse (Biscuits)

Schokoladenbild (Chocolate Painting)

Reiherbild I (Heron Painting I)

Sternhimmeltuch (Starry Heavens Cloth)

Lösungen V (Solutions V)

Alice im Wunderland (Alice in Wonderland)

Die Fahrt auf der Unendlichkeitsacht III (Die Motorradlampe) (The Ride on the Eight of Infinity III [The Motorcycle Headlight])

Ohne Titel (Quetta, Pakistan) (Untitled [Quetta, Pakistan])

Supermarkets!

Dr. Bonn

Komet (Comet)

Gespenst (Ghost)

Uran (blau) (Uranium [blue])

Leonardo

Polizeischwein (Police Pig)

Jeux d’enfants (Children’s Games)

Frau Herbst und ihre zwei Töchter (Mrs. Autumn and Her Two Daughters)

Lapis Lazuli II

Hermes Trismegistos IV (Hermes Trismegistus IV)

Vor-Ort-Sein (Being There)

Anyone Can Have Out-of-Body Experiences at Will

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Primavera

Strahlen Sehen (Jenseits des Regenbogens) (Seeing Rays [Beyond the Rainbow])

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